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Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640210948
Category : Foreign Language Study
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Freiburg, course: Mexicans in the US, language: English, abstract: In this term paper, negative stereotypes of Mexicans and Chicanos in the U.S. media will be examined. These stereotypes include violent, criminal and vile behavior while wearing a wide-brimmed sombrero with a bottle of tequila in hand. Why do they exist? What are the reasons for this? Berg argues that one prominent source for the dominant stereotype of Chicanos is the media, primarily the globally dominant U.S. media, and specifically – though not exclusively – Hollywood movies. According to the psychologist Yueh-Ting Lee, “stereotypes are probabilistic belief [which we] use to categorize people, objects, and events and we have to have them in order to deal with all the information in a world with which we are often uncertain as well as unfamiliar.” A dangerous character is ascribed to stereotypes when we consider Bower’s statement that stereotyping can be seen as a “breeding soil for errant generalizations about others that easily [merge] into racism, sexism, and other forms of bigotry.” Since a complete presentation of the existing stereotypes would stretch the point, I will focus on the most popular stereotypes ascribed to Chicanos. Furthermore, the origin of these negative stereotypes towards this minority will be analysed. In order to explore this, I will place emphasis on stereotypes in American news, movies and in advertisement. Last but not least, I will talk about multicultural picture books and stereotypes therein. In the first part of this term paper, I will talk about blurred coverage in American news. Syque states that in creating stereotypes “we often mistakenly assume things are correlated when they are not; when we make this mistake, we will find ways to ‘prove’ it or simply believe and assert the correlation.” This is called illusory correlation. The problem of this psychological phenomenon will be connected with partial coverage, which can cause stereotypes. In the second part, the presence of Chicanos and their language in American movies will be scrutinized. Thereby, the phenomenon of the so-called ‘Mock Spanish’, which describes a variety of usages common in some otherwise monolingual Anglo-American circles, will psychologically be clarified using the social identity theory. Stereotypes in advertisement are discussed in the third section. A reference to the Mexican bandit stereotype will be shown by the ‘Frito Bandito’ which was the name of an advertising campaign in the seventies. In the final section, negative stereotypes in one of the most famous American picture books will be analyzed. Bunting’s “A day’s work” will serve as a prime example of pitfalls, which come up when confronting young children with such stereotypes. The result is an implicit stereotyping.
Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640210948
Category : Foreign Language Study
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Freiburg, course: Mexicans in the US, language: English, abstract: In this term paper, negative stereotypes of Mexicans and Chicanos in the U.S. media will be examined. These stereotypes include violent, criminal and vile behavior while wearing a wide-brimmed sombrero with a bottle of tequila in hand. Why do they exist? What are the reasons for this? Berg argues that one prominent source for the dominant stereotype of Chicanos is the media, primarily the globally dominant U.S. media, and specifically – though not exclusively – Hollywood movies. According to the psychologist Yueh-Ting Lee, “stereotypes are probabilistic belief [which we] use to categorize people, objects, and events and we have to have them in order to deal with all the information in a world with which we are often uncertain as well as unfamiliar.” A dangerous character is ascribed to stereotypes when we consider Bower’s statement that stereotyping can be seen as a “breeding soil for errant generalizations about others that easily [merge] into racism, sexism, and other forms of bigotry.” Since a complete presentation of the existing stereotypes would stretch the point, I will focus on the most popular stereotypes ascribed to Chicanos. Furthermore, the origin of these negative stereotypes towards this minority will be analysed. In order to explore this, I will place emphasis on stereotypes in American news, movies and in advertisement. Last but not least, I will talk about multicultural picture books and stereotypes therein. In the first part of this term paper, I will talk about blurred coverage in American news. Syque states that in creating stereotypes “we often mistakenly assume things are correlated when they are not; when we make this mistake, we will find ways to ‘prove’ it or simply believe and assert the correlation.” This is called illusory correlation. The problem of this psychological phenomenon will be connected with partial coverage, which can cause stereotypes. In the second part, the presence of Chicanos and their language in American movies will be scrutinized. Thereby, the phenomenon of the so-called ‘Mock Spanish’, which describes a variety of usages common in some otherwise monolingual Anglo-American circles, will psychologically be clarified using the social identity theory. Stereotypes in advertisement are discussed in the third section. A reference to the Mexican bandit stereotype will be shown by the ‘Frito Bandito’ which was the name of an advertising campaign in the seventies. In the final section, negative stereotypes in one of the most famous American picture books will be analyzed. Bunting’s “A day’s work” will serve as a prime example of pitfalls, which come up when confronting young children with such stereotypes. The result is an implicit stereotyping.
Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640210948
Category : Foreign Language Study
Languages : en
Pages : 23
Get Book Here
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Freiburg, course: Mexicans in the US, language: English, abstract: In this term paper, negative stereotypes of Mexicans and Chicanos in the U.S. media will be examined. These stereotypes include violent, criminal and vile behavior while wearing a wide-brimmed sombrero with a bottle of tequila in hand. Why do they exist? What are the reasons for this? Berg argues that one prominent source for the dominant stereotype of Chicanos is the media, primarily the globally dominant U.S. media, and specifically – though not exclusively – Hollywood movies. According to the psychologist Yueh-Ting Lee, “stereotypes are probabilistic belief [which we] use to categorize people, objects, and events and we have to have them in order to deal with all the information in a world with which we are often uncertain as well as unfamiliar.” A dangerous character is ascribed to stereotypes when we consider Bower’s statement that stereotyping can be seen as a “breeding soil for errant generalizations about others that easily [merge] into racism, sexism, and other forms of bigotry.” Since a complete presentation of the existing stereotypes would stretch the point, I will focus on the most popular stereotypes ascribed to Chicanos. Furthermore, the origin of these negative stereotypes towards this minority will be analysed. In order to explore this, I will place emphasis on stereotypes in American news, movies and in advertisement. Last but not least, I will talk about multicultural picture books and stereotypes therein. In the first part of this term paper, I will talk about blurred coverage in American news. Syque states that in creating stereotypes “we often mistakenly assume things are correlated when they are not; when we make this mistake, we will find ways to ‘prove’ it or simply believe and assert the correlation.” This is called illusory correlation. The problem of this psychological phenomenon will be connected with partial coverage, which can cause stereotypes. In the second part, the presence of Chicanos and their language in American movies will be scrutinized. Thereby, the phenomenon of the so-called ‘Mock Spanish’, which describes a variety of usages common in some otherwise monolingual Anglo-American circles, will psychologically be clarified using the social identity theory. Stereotypes in advertisement are discussed in the third section. A reference to the Mexican bandit stereotype will be shown by the ‘Frito Bandito’ which was the name of an advertising campaign in the seventies. In the final section, negative stereotypes in one of the most famous American picture books will be analyzed. Bunting’s “A day’s work” will serve as a prime example of pitfalls, which come up when confronting young children with such stereotypes. The result is an implicit stereotyping.
Author: Arnoldo De León
Publisher: University of Texas Press
ISBN: 0292789505
Category : Social Science
Languages : en
Pages : 172
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Book Description
Tension between Anglos and Tejanos has existed in the Lone Star State since the earliest settlements. Such antagonism has produced friction between the two peoples, and whites have expressed their hostility toward Mexican Americans unabashedly and at times violently. This seminal work in the historical literature of race relations in Texas examines the attitudes of whites toward Mexicans in nineteenth-century Texas. For some, it will be disturbing reading. But its unpleasant revelations are based on extensive and thoughtful research into Texas' past. The result is important reading not merely for historians but for all who are concerned with the history of ethnic relations in our state. They Called Them Greasers argues forcefully that many who have written about Texas's past—including such luminaries as Walter Prescott Webb, Eugene C. Barker, and Rupert N. Richardson—have exhibited, in fact and interpretation, both deficiencies of research and detectable bias when their work has dealt with Anglo-Mexican relations. De León asserts that these historians overlooled an austere Anglo moral code which saw the morality of Tejanos as "defective" and that they described without censure a society that permitted traditional violence to continue because that violence allowed Anglos to keep ethnic minorities "in their place." De León's approach is psychohistorical. Many Anglos in nineteenth-century Texas saw Tejanos as lazy, lewd, un-American, subhuman. In De León's view, these attitudes were the product of a conviction that dark-skinned people were racially and culturally inferior, of a desire to see in others qualities that Anglos preferred not to see in themselves, and of a need to associate Mexicans with disorder so as to justify their continued subjugation.
Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Author: Roberto J. Velasquez
Publisher: Routledge
ISBN: 1135637024
Category : Medical
Languages : en
Pages : 539
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Book Description
Mexican-Americans now constitute two thirds of what has become the largest and fastest-growing minority group in the United States, Hispanics. They have distinct cultural patterns and values that those who seek to serve them competently as clinicians and educators, and those who attempt to study them, need to understand. This is the first comprehensive overview of the psychology of the Chicana/o experience since 1984. Solidly grounded in the latest theory and research, much of which is relevant to other Latina/o groups as well, The Handbook of Chicana/o Psychology and Mental Health is an indispensable source of up-to-date information and guidance for mental health and education professionals, their trainees and students; and for social and behavioral scientists interested in the impact of cultural differences in multicultural settings.
Author: Jody Vallejo
Publisher: Stanford University Press
ISBN: 0804783160
Category : Social Science
Languages : en
Pages : 248
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Book Description
Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience. Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how relationships with poorer coethnics and affluent whites evolve as immigrants and their descendants move into traditionally white middle-class occupations. Disputing the argument that Mexican communities lack high quality resources and social capital that can help Mexican Americans incorporate into the middle class, Vallejo also examines civic participation in ethnic professional associations embedded in ethnic communities.
Author: Juan JosŽ Alonzo
Publisher: University of Arizona Press
ISBN: 9780816528684
Category : Social Science
Languages : en
Pages : 212
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Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Author: Lee Bebout
Publisher: NYU Press
ISBN: 1479885347
Category : History
Languages : en
Pages : 287
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Book Description
The many lenses of racism through which the white imagination sees Mexicans and Chicanos Historically, ideas of whiteness and Americanness have been built on the backs of racialized communities. The legacy of anti-Mexican stereotypes stretches back to the early nineteenth century when Anglo-American settlers first came into regular contact with Mexico and Mexicans. The images of the Mexican Other as lawless, exotic, or non-industrious continue to circulate today within US popular and political culture. Through keen analysis of music, film, literature, and US politics, Whiteness on the Border demonstrates how contemporary representations of Mexicans and Chicano/as are pushed further to foster the idea of whiteness as Americanness. Illustrating how the ideologies, stories, and images of racial hierarchy align with and support those of fervent US nationalism, Lee Bebout maps the relationship between whiteness and American exceptionalism. He examines how renderings of the Mexican Other have expressed white fear, and formed a besieged solidarity in anti-immigrant rhetoric and policies. Moreover, Whiteness on the Border elucidates how seemingly positive representations of Mexico and Chicano/as are actually used to reinforce investments in white American goodness and obscure systems of racial inequality. Whiteness on the Border pushes readers to consider how the racial logic of the past continues to thrive in the present.
![Tex[t]-Mex PDF](https://books.google.com/books/content/images/frontcover/OEAQYpxv4T0C?fife=w80-h100)
Author: William Anthony Nericcio
Publisher: University of Texas Press
ISBN: 9780292714571
Category : Social Science
Languages : en
Pages : 268
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Book Description
“Marvels! Rompecabezas! And cartoons that bite into the mind appear throughout this long-awaited book that promises to reshape and refocus how we see Mexicans in the Americas and how we are taught and seduced to mis/understand our human potentials for solidarity. This is the closest Latin@ studies has come to a revolutionary vision of how American culture works through its image machines, a vision that cuts through to the roots of the U.S. propaganda archive on Mexican, Tex-Mex, Latino, Chicano/a humanity. Nericcio exposes, deciphers, historicizes, and 'cuts-up' the postcards, movies, captions, poems, and adverts that plaster dehumanization (he calls them 'miscegenated semantic oddities') through our brains. For him, understanding the sweet and sour hallucinations is not enough. He wants the flashing waters of our critical education to become instruments of restoration. In this book, Walter Benjamin meets Italo Calvino and they morph into Nericcio. Orale! -Davíd Carrasco, Harvard University A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? “Mexican Spitfire” Lupe Vélez? The Frito Bandito? Familiar and reassuring-at least to Anglos-these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than “seductive hallucinations,” less reality than consumer products, a kind of “digital crack.” Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America.
Author: Mario T. García
Publisher: UNC Press Books
ISBN: 1469614111
Category : Education
Languages : en
Pages : 282
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Book Description
Latino Generation: Voices of the New America
