Stereophonic Sound Recording Techniques PDF Download
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Author: Christian Hugonnet
Publisher: Wiley
ISBN: 9780471974871
Category : Technology & Engineering
Languages : en
Pages : 0
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Book Description
Stereophonic recording techniques are a means to attempt to reproduce the effect of auditory perspective similar to that created by the original sound. This title discusses the theory and practice of these techniques. The authors provide a clear, in-depth account of virtually every element of stereophonic recording techniques.
Author: Christian Hugonnet
Publisher: Wiley
ISBN: 9780471974871
Category : Technology & Engineering
Languages : en
Pages : 0
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Book Description
Stereophonic recording techniques are a means to attempt to reproduce the effect of auditory perspective similar to that created by the original sound. This title discusses the theory and practice of these techniques. The authors provide a clear, in-depth account of virtually every element of stereophonic recording techniques.
Author: Edwin Pfanzagl-Cardone
Publisher: Springer Nature
ISBN: 370914891X
Category : Technology & Engineering
Languages : en
Pages : 429
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Book Description
This book presents an extensive and timely survey of more than 30 surround and 20 stereo-microphone techniques. Further, it offers, for the first time, an explanation of why the RCA "Living Stereo" series of legacy recordings from the 1950s and 60s is still appreciated by music lovers worldwide, despite their use of an apparently incorrect recording technique from the perspective of psychoacoustics. Discussing this aspect in detail, the book draws on the author’s study of concert hall acoustics and psychoacoustics. The book also analyzes the "fingerprint" features of a selected number of surround and – more importantly – stereo microphone techniques in depth by measuring their signal cross-correlation over frequency and also using an artificial human head. In addition, the book presents a rating of microphone techniques based on the assessment of various acoustic attributes, and merges the results of several subjective listening tests, including those conducted by other researchers. Building on this knowledge, it provides fresh insights into important microphone system features, from stereo to 3D audio. Moreover, it describes new microphone techniques, such as AB-PC, ORTF-T and BPT, and the recently defined BQIrep (Binaural Quality Index of reproduced music). Lastly, the book concludes with a short history of microphone techniques and case studies of live and studio recordings.
Author: Ron Streicher
Publisher:
ISBN: 9780966516210
Category : Stereophonic sound systems
Languages : en
Pages : 200
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Book Description
Author: John M. Eargle
Publisher: Springer Science & Business Media
ISBN: 9401093660
Category : Science
Languages : en
Pages : 413
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Book Description
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.
Author: John Eargle
Publisher: CRC Press
ISBN: 1136118063
Category : Music
Languages : en
Pages : 391
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Book Description
The Microphone Book is the only guide you will ever need to the latest in microphone technology, application and technique. This new edition features, more on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround; expanded advice on studio set up, recording and mic selection; improved layout for ease of reference; even more illustrations. John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint. This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.
Author: Bruce Bartlett
Publisher: Butterworth-Heinemann
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
This is the first comprehensive handbook devoted exclusively to stereo miking. The many illustrations and clear organization easily explain the theory behind stereo miking methods, and describe specific techniques. Describes how to position the correct microphones in the proper locations in order to record optimal quality stereo sound. 'Altogether a most comprehensive, well-researched and well-documented book.' Adrian Bishop-Laggett, Line Up, April 1992 - Line Up, April 1992
Author: Bruce Bartlett
Publisher: Taylor & Francis
ISBN: 1136119019
Category : Technology & Engineering
Languages : en
Pages : 287
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Book Description
Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club. Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right. This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.
Author: Julian Colbeck
Publisher: Hal Leonard Corporation
ISBN: 1480397237
Category : Music
Languages : en
Pages : 393
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Book Description
(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
Author: David Miles Huber
Publisher: Taylor & Francis
ISBN: 0240810694
Category : Computers
Languages : en
Pages : 674
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Book Description
Expanded to include the latest digital audio technology, the 7th edition now includes sections on podcasting, new surround sound formats and HD and audio.
Author: David Gibson
Publisher: Routledge
ISBN: 1351252208
Category : Technology & Engineering
Languages : en
Pages : 531
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Book Description
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
