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Author: Brigid Maureen Cohen
Publisher: Cambridge University Press
ISBN: 1107003008
Category : Biography & Autobiography
Languages : en
Pages : 341
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Book Description
Cohen traces a history of modernism in migration through the composer Stefan Wolpe, from the Bauhaus to Black Mountain College.
Author: Brigid Maureen Cohen
Publisher: Cambridge University Press
ISBN: 1107003008
Category : Biography & Autobiography
Languages : en
Pages : 341
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Book Description
Cohen traces a history of modernism in migration through the composer Stefan Wolpe, from the Bauhaus to Black Mountain College.
Author: Assaf Shelleg
Publisher: Oxford University Press, USA
ISBN: 0199354944
Category : History
Languages : en
Pages : 305
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Book Description
Jewish Contiguities and the Soundtrack of Israeli History revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clichés about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music.
Author: Ryan Dohoney
Publisher:
ISBN: 0190948574
Category : Art
Languages : en
Pages : 289
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Book Description
In this book, author Ryan Dohoney tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston, reconstructing the network of artists and patrons who contributed to the premier, and documenting the ways that they questioned the emotional translation of art into religious stimulation.
Author: Michael Gallope
Publisher: University of Chicago Press
ISBN: 0226831752
Category : Music
Languages : en
Pages : 313
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Book Description
An insightful look at how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music’s ineffability. The Musician as Philosopher explores the philosophical thought of avant-garde musicians in postwar New York: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell. It contends that these musicians—all of whom are understudied and none of whom are traditionally taken to be composers—not only challenged the rules by which music is written and practiced but also confounded and reconfigured gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social tendency of the 1960s: a simultaneous affirmation and crisis of the modern self.
Author: Helen Anne Molesworth
Publisher: Yale University Press
ISBN: 0300211910
Category : Art
Languages : en
Pages : 401
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Book Description
La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
Author: Björn Heile
Publisher: Cambridge University Press
ISBN: 1009491709
Category : Music
Languages : en
Pages : 285
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Book Description
The first study of the global dimensions of musical modernism and its transnational diasporic network of composers, musicians, and institutions.
Author: Israel J. Katz
Publisher: BRILL
ISBN: 9004432477
Category : History
Languages : en
Pages : 332
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Book Description
Robert Lachmann’s letters to Henry George Farmer provide insightful glimpses into his life and the successive research projects he undertook concerning Arab urban music from North Africa and later Arab and Jewish music traditions in Palestine.
Author: Brigid Cohen
Publisher: University of Chicago Press
ISBN: 0226818020
Category : Music
Languages : en
Pages : 390
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Book Description
Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.
Author: Seth Brodsky
Publisher: Univ of California Press
ISBN: 0520279360
Category : History
Languages : en
Pages : 364
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Book Description
"Roth Family Foundation music in America imprint."
Author: Jesús A. Ramos-Kittrell
Publisher: Rowman & Littlefield
ISBN: 1498573185
Category : Music
Languages : en
Pages : 281
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Book Description
winner of the 2021 Ellen Koskoff Edited Volume Prize Decentering the Nation: Music, Mexicanidad, and Globalization considers how neoliberal capitalism has upset the symbolic economy of “Mexican” cultural discourse, and how this phenomenon touches on a broader crisis of representation affecting the nation-state in globalization. This book argues that, while mexicanidad emerged in the early twentieth century as a cultural trope about national origins, culture, and history, it was, nonetheless a trope steeped in ‘otherization’ and used by nation-states (Mexico and the United States) to legitimize narratives of cultural and socioeconomic development stemming out of nationalist political projects that are now under strain. Using music as a phenomenological platform of inquiry, contributors to this book focus on a critique of mexicanidad in terms of the cultural processes through which people contest ideas about race, gender, and sexuality; reframe ideas of memory, history, and belonging; and negotiate the experiences of dislocation that affect them. The volume urges readers to find points of resonance in its chapters, and thus, interrogate the asymmetrical ways in which power traverses their own historical experience. In light of the crisis in representation that currently affects the nation-state as a political unit in globalization, such resonance is critical to make culture an arena of social collusion, where alliances can restore the fiber of civil society and contest the pressures that have made disenfranchisement one of the most alarming features characterizing the complex relationships between the state and the neoliberal corporate system that seeks to regulate it. Scholars of history, international relations, cultural anthropology, Latin American studies, queer and gender studies, music, and cultural studies will find this book particularly useful.
