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Author: Gian Biagio Conte
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110474158
Category : Literary Criticism
Languages : en
Pages : 93
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Book Description
In the first part of this volume on the literary technique of imitation, the author analyses Virgil's working over the text of Homer which paradoxically represents a true act of artistic originality. In the second chapter, the author reconstructs the presuppositions of a method and explores at the same time its limitations.
Author: Gian Biagio Conte
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110474158
Category : Literary Criticism
Languages : en
Pages : 93
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Book Description
In the first part of this volume on the literary technique of imitation, the author analyses Virgil's working over the text of Homer which paradoxically represents a true act of artistic originality. In the second chapter, the author reconstructs the presuppositions of a method and explores at the same time its limitations.
Author: Gian Biagio Conte
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110475839
Category : Literary Criticism
Languages : en
Pages : 68
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Book Description
In the first part of this volume on the literary technique of imitation, the author analyses Virgil's working over the text of Homer which paradoxically represents a true act of artistic originality. In the second chapter, the author reconstructs the presuppositions of a method and explores at the same time its limitations.
Author: James M. Scott
Publisher: Lexington Books
ISBN: 1978705476
Category : Religion
Languages : en
Pages : 430
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Book Description
One “apocalyptic” reading of Paul’s letter to the Galatians has been attempted before and is now widely accepted, but that reading is not based on a thorough engagement with Jewish apocalyptic traditions of the Second Temple period. In this book, James M. Scott argues that there is an essential continuity between Galatians and Paul’s Jewish past, and that Paul uses the apocalyptic Epistle of Enoch (1 Enoch 92–105) as a literary model for his own letter. Scott first contextualizes the Epistle of Enoch using the entire Enochic corpus and explores the extensive similarities (and some significant differences) between the Enochic tradition and early Stoicism. Then he turns to deal specifically with Paul’s letter to the Galatians, showing that, despite their obvious differences, the two apocalyptic letters have some remarkable features in common as well. This approach to the interpretation of Galatians fundamentally stands to change the way biblical scholars understand Paul’s letter and the gospel that he preached. Paul is “within Judaism,” if the net for what is included in “Judaism” is wide enough to encompass the Enochic tradition.
Author: Virgil
Publisher: Cambridge University Press
ISBN: 9780521359528
Category : History
Languages : en
Pages : 272
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Book Description
Aeneid IX marks the beginning of the full-scale narrative of the war between the Trojans and Turnus' Italians which occupies the last quarter of the epic. Two days during which Turnus launches a siege-assault on the Trojan camp while Aeneas is absent are separated by the nocturnal interlude of the ill-fated expedition of the romantic young Trojans Nisus and Euryalus. In this, the first major single-volume commentary in English on the book, Dr Hardie explores Virgil's transformation of Homeric models of battle narrative in the service of contemporary Roman ideology. The volume includes a detailed linguistic and thematic commentary on the text, and an introduction consisting of a series of interpretative essays on the book.
Author: Stanley E. Porter
Publisher: BRILL
ISBN: 9004372741
Category : Religion
Languages : en
Pages : 597
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Book Description
Christian Origins and the Establishment of the Early Jesus Movement explores the events, people, and writings surrounding the founding of the early Jesus movement in the mid to late first century. The essays are divided into four parts, focused upon the movement’s formation, the production of its early Gospels, description of the Jesus movement itself, and the Jewish mission and its literature. This collection of essays includes chapters by a global cast of scholars from a variety of methodological and critical viewpoints, and continues the important Early Christianity in its Hellenistic Context series.
Author: Raphael Falco
Publisher: University of Alabama Press
ISBN: 0817321411
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.
Author: Edward Kennard Rand
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 392
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Book Description
"The chapters of this book were delivered as lectures before the Lowell Institute of Boston in January and February, 1928"--Pref. "List of books": pages [285]-286. The church and pagan culture: the problem; the solution.--St. Ambrose, the mystic.--St. Jerome the humanist.--Boethius, the first of the scholastics.--The new poetry.--The new education.--St. Augustine and Dante.
Author: Jessica Wolfe
Publisher: University of Toronto Press
ISBN: 1442650265
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
From antiquity through the Renaissance, Homer's epic poems the Iliad, theOdyssey, and the various mock-epics incorrectly ascribed to him served as a lens through which readers, translators, and writers interpreted contemporary conflicts. They looked to Homer for wisdom about the danger and the value of strife, embracing his works as a mythographic shorthand with which to describe and interpret the era's intellectual, political, and theological struggles. Homer and the Question of Strife from Erasmus to Hobbes elegantly exposes the ways in which writers and thinkers as varied as Erasmus, Rabelais, Spenser, Milton, and Hobbes presented Homer as a great champion of conflict or its most eloquent critic. Jessica Wolfe weaves together an exceptional range of sources, including manuscript commentaries, early modern marginalia, philosophical and political treatises, and the visual arts. Wolfe's transnational and multilingual study is a landmark work in the study of classical reception that has a great deal to offer to anyone examining the literary, political, and intellectual life of early modern Europe.
Author: Jean-Baptiste Du Bos
Publisher: BRILL
ISBN: 9004465944
Category : Philosophy
Languages : en
Pages : 837
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Book Description
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
Author: Brent Miles
Publisher: DS Brewer
ISBN: 1843842645
Category : History
Languages : en
Pages : 286
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Book Description
An examination of the ways in which works of Classical literature influenced and were received by the native Irish tradition. Original, innovative work which elucidates a number of individual narratives; but more significantly, by placing these texts in their proper intellectual context, the author demonstrates how the world of learning in eleventh- andtwelfth-century Ireland really worked. He illuminates a world of medieval education and scholarship; he tells us (as no-one has done previously) what medieval Irish classicism was all about. Dr Máire ni Mhaonaigh, St John's College, University of Cambridge. The puzzle of Ireland's role in the preservation of classical learning into the middle ages has always excited scholars, but the evidence from the island's vernacular literature - as opposed to that in Latin - for the study of pagan epic has largely escaped notice. In this book the author breaks new ground by examining the Irish texts alongside the Latin evidence for the study of classical epic in medieval Ireland, surveying the corpus of Irish texts based on histories and poetry from antiquity, in particular Togail Troi, the Irish history of the Fall of Troy. He argues that Irish scholars' study of Virgil and Statius in particularleft a profound imprint on the native heroic literature, especially the Irish prose epic Táin Bó Cúailnge ("The Cattle-Raid of Cooley"). BRENT MILES is a Fellow in Early and Medieval Irish, University College Cork.
