Author: Randal Doane
Publisher: PM Press
ISBN: 1629630489
Category : Music
Languages : en
Pages : 231
Book Description
Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.
Stealing All Transmissions
Author: Randal Doane
Publisher: PM Press
ISBN: 1629630489
Category : Music
Languages : en
Pages : 231
Book Description
Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.
Publisher: PM Press
ISBN: 1629630489
Category : Music
Languages : en
Pages : 231
Book Description
Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.
Stealing Mr. Right
Author: Tamara Morgan
Publisher: Sourcebooks, Inc.
ISBN: 1492634670
Category : Fiction
Languages : en
Pages : 357
Book Description
Cat, meet mouse... When it comes to stealing, I'm at the top of my game. There is no one better with a lift or a grift. So when the opportunity for a two-million-dollar diamond heist falls in my lap, I can hardly say no. I just need to deal with a few complications...like my adorably clueless husband, the federal agent. Mouse, meet cat... My wife thinks I don't know about her secret life as a thief. She thinks I spend my days at the bureau searching for tax evaders. Or maybe she doesn't. Maybe she knows I'm on to her, which makes our games so much more fun. And so much more intense... Hang on to your pearls: This deliciously sexy romantic comedy features a cat burglar who keeps her friends close and her husband—and arch nemesis—closer. "A sexy, fun, cat-and-mouse chase that hooked me from page one!"—JENNIFER PROBST, New York Times & USA Today Bestselling Author of The Marriage Bargain
Publisher: Sourcebooks, Inc.
ISBN: 1492634670
Category : Fiction
Languages : en
Pages : 357
Book Description
Cat, meet mouse... When it comes to stealing, I'm at the top of my game. There is no one better with a lift or a grift. So when the opportunity for a two-million-dollar diamond heist falls in my lap, I can hardly say no. I just need to deal with a few complications...like my adorably clueless husband, the federal agent. Mouse, meet cat... My wife thinks I don't know about her secret life as a thief. She thinks I spend my days at the bureau searching for tax evaders. Or maybe she doesn't. Maybe she knows I'm on to her, which makes our games so much more fun. And so much more intense... Hang on to your pearls: This deliciously sexy romantic comedy features a cat burglar who keeps her friends close and her husband—and arch nemesis—closer. "A sexy, fun, cat-and-mouse chase that hooked me from page one!"—JENNIFER PROBST, New York Times & USA Today Bestselling Author of The Marriage Bargain
Build a Better Life by Stealing Office Supplies
Author:
Publisher: Andrews McMeel Publishing
ISBN: 9780836217575
Category : Comics & Graphic Novels
Languages : en
Pages : 116
Book Description
Here's everything you need to know about how business really operates courtesy of Dogbert.
Publisher: Andrews McMeel Publishing
ISBN: 9780836217575
Category : Comics & Graphic Novels
Languages : en
Pages : 116
Book Description
Here's everything you need to know about how business really operates courtesy of Dogbert.
Stealing Thunder
Author: Alina Boyden
Publisher: Penguin
ISBN: 1984805460
Category : Fiction
Languages : en
Pages : 370
Book Description
Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.
Publisher: Penguin
ISBN: 1984805460
Category : Fiction
Languages : en
Pages : 370
Book Description
Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.
Sound Man
Author: Glyn Johns
Publisher: Plume
ISBN: 0147516579
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
"A life recording hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, Eric Clapton, the Faces ..."--Jacket.
Publisher: Plume
ISBN: 0147516579
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
"A life recording hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, Eric Clapton, the Faces ..."--Jacket.
Frantic Transmissions to and from Los Angeles
Author: Kate Braverman
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
Kate Braverman grew up in Los Angeles in the late 1950s at the time when glitz was just beginning to be manufactured. Her Los Angeles was made up of stucco tenements, welfare, and the marginalized. It wasn't a destination city, it was the end of the line. Frantic Transmissions to and from Los Angeles chronicles the trajectory of Braverman's Left Coast generation with a voice of singular power. She was an antiwar activist in Berkeley, a punk-rock poet on Sunset Strip, a single mother in the East L.A. barrio, and a woman in recovery at AA meetings in Beverly Hills. By 1990 she was married and settled into a life of writing and teaching. In her forties, Braverman did the unthinkable and moved from Beverly Hills to New York's Allegheny Mountains to a 150-year-old farmhouse. In wide-ranging transmissions, Braverman deftly contrasts the social histories of Los Angeles with her new, timeless rural community; describes the effects of the changing seasons on her Californian, sun-drenched soul; and marvels at how a remote farmhouse can offer surprising consolations. Library Journal calls Braverman a "literary genius"; Rolling Stone describes her as having the "power and intensity you don't see much outside of rock and roll." Frantic Transmissions to and from Los Angeles offers an eccentric and insightful view of social and individual transformation.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
Kate Braverman grew up in Los Angeles in the late 1950s at the time when glitz was just beginning to be manufactured. Her Los Angeles was made up of stucco tenements, welfare, and the marginalized. It wasn't a destination city, it was the end of the line. Frantic Transmissions to and from Los Angeles chronicles the trajectory of Braverman's Left Coast generation with a voice of singular power. She was an antiwar activist in Berkeley, a punk-rock poet on Sunset Strip, a single mother in the East L.A. barrio, and a woman in recovery at AA meetings in Beverly Hills. By 1990 she was married and settled into a life of writing and teaching. In her forties, Braverman did the unthinkable and moved from Beverly Hills to New York's Allegheny Mountains to a 150-year-old farmhouse. In wide-ranging transmissions, Braverman deftly contrasts the social histories of Los Angeles with her new, timeless rural community; describes the effects of the changing seasons on her Californian, sun-drenched soul; and marvels at how a remote farmhouse can offer surprising consolations. Library Journal calls Braverman a "literary genius"; Rolling Stone describes her as having the "power and intensity you don't see much outside of rock and roll." Frantic Transmissions to and from Los Angeles offers an eccentric and insightful view of social and individual transformation.
Thirteen Ways to Steal a Bicycle
Author: Stuart P. Green
Publisher: Harvard University Press
ISBN: 0674065034
Category : Law
Languages : en
Pages : 397
Book Description
Theft causes greater economic injury than any other criminal offense. Yet fundamental questions about what should count as stealing remain unresolved. Green assesses our legal framework at a time when our economy commodifies intangibles (intellectual property, information, ideas, identities, and virtual property) and theft grows more sophisticated.
Publisher: Harvard University Press
ISBN: 0674065034
Category : Law
Languages : en
Pages : 397
Book Description
Theft causes greater economic injury than any other criminal offense. Yet fundamental questions about what should count as stealing remain unresolved. Green assesses our legal framework at a time when our economy commodifies intangibles (intellectual property, information, ideas, identities, and virtual property) and theft grows more sophisticated.
To Steal a Book Is an Elegant Offense
Author: William P. Alford
Publisher: Stanford University Press
ISBN: 0804729603
Category : Law
Languages : en
Pages : 238
Book Description
This sweeping study examines the law of intellectual property in Chinese civilization from imperial days to the present. It uses materials drawn from law, the arts and other fields as well as extensive interviews with Chinese and foreign officials, business people, lawyers, and perpetrators and victims of "piracy."
Publisher: Stanford University Press
ISBN: 0804729603
Category : Law
Languages : en
Pages : 238
Book Description
This sweeping study examines the law of intellectual property in Chinese civilization from imperial days to the present. It uses materials drawn from law, the arts and other fields as well as extensive interviews with Chinese and foreign officials, business people, lawyers, and perpetrators and victims of "piracy."
The Clash
Author: Martin Popoff
Publisher: PM Press
ISBN: 1629639486
Category : Music
Languages : en
Pages : 242
Book Description
THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS. Established in 1976 at the fore London’s punk rock insurgence, The Clash would outlast their peers while creating some of the most influential albums in rock ’n’ roll history. Author Martin Popoff dissects each of the Clash’s ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band’s six studio releases (including the double LP London Calling and the triple Sandinista!) and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title “The Only Band That Matters.”
Publisher: PM Press
ISBN: 1629639486
Category : Music
Languages : en
Pages : 242
Book Description
THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS. Established in 1976 at the fore London’s punk rock insurgence, The Clash would outlast their peers while creating some of the most influential albums in rock ’n’ roll history. Author Martin Popoff dissects each of the Clash’s ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band’s six studio releases (including the double LP London Calling and the triple Sandinista!) and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title “The Only Band That Matters.”
What You Want Is in the Limo
Author: Michael Walker
Publisher: Random House
ISBN: 0679644156
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR
Publisher: Random House
ISBN: 0679644156
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR