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Author: Mitchell Sigman
Publisher: Hal Leonard Corporation
ISBN: 1423492811
Category : Music
Languages : en
Pages : 156
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Book Description
A single-volume guide to recreating 100 top-selected synthesizer sounds from hit songs provides illustrated two-page spreads that list details about how the sound was originally created on professional-grade synthesizers and how to create the same sounds today using modern plug-ins and readily available software instruments. Original.
Author: Mitchell Sigman
Publisher: Hal Leonard Corporation
ISBN: 1423492811
Category : Music
Languages : en
Pages : 156
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Book Description
A single-volume guide to recreating 100 top-selected synthesizer sounds from hit songs provides illustrated two-page spreads that list details about how the sound was originally created on professional-grade synthesizers and how to create the same sounds today using modern plug-ins and readily available software instruments. Original.
Author: Paul D. Miller
Publisher: MIT Press
ISBN: 0262266466
Category : Music
Languages : en
Pages : 433
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Book Description
The role of sound and digital media in an information-based society: artists—from Steve Reich and Pierre Boulez to Chuck D and Moby—describe their work. If Rhythm Science was about the flow of things, Sound Unbound is about the remix—how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes “Three Pieces”; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. “Press 'play,'” Miller writes, “and this anthology says 'here goes.'” The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music. To receive these free music files, readers may send an email to the address listed in the book. Contributors David Allenby, Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch, Frances Dyson, Ron Eglash, Brian Eno, Dmitry Gelfand, Dick Hebdige, Lee Hirsch, Vijay Iyer, Ken Jordan, Douglas Kahn, Daphne Keller, Beryl Korot, Jaron Lanier, Joseph Lanza, Jonathan Lethem, Carlo McCormick, Paul D. Miller aka DJ Spooky that Subliminal Kid, Moby, Naeem Mohaiemen, Alondra Nelson, Keith and Mendi Obadike, Hans Ulrich Obrist, Pauline Oliveros, Philippe Parreno, Ibrahim Quaraishi, Steve Reich, Simon Reynolds, Scanner aka Robin Rimbaud, Nadine Robinson, Daniel Bernard Roumain (DBR), Alex Steinweiss, Bruce Sterling, Lucy Walker, Saul Williams, Jeff E. Winner
Author: Rev. Mary Renteria
Publisher: Xlibris Corporation
ISBN: 1462805078
Category : Religion
Languages : en
Pages : 141
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Book Description
Surround Sound is a must reading for all intercessors. Another word for sound is resonance, which means to resound or echo. The intercessors hear the sounds God speaks and resounds them into the atmosphere where spirit beings listen and then respond. That which God fi rst spoke into existence needs to be maintained by those whom God has given authority and dominionhumans. Remember, God has an adversary who challenges His right to rule on earth. Intercessors are not to sound forth their own voice. What they speak is to be the Spirit of God through them, vessels cleansed by the Blood of Christ.
Author: Juliet Madison
Publisher: Diversion Books
ISBN: 1626817189
Category : Juvenile Fiction
Languages : en
Pages : 222
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Book Description
Five extraordinary sisters discover that they each have a unique talent, an extra-sensory perception that enables them to see what others can't. It makes them incredible, it puts them in danger, and it brings them closer to learning the secrets that have haunted them their entire lives. These are the Delta Girls. Serena and her sisters read a private letter their father wrote to their mother, revealing a clue about his disappearance that they never knew about before. But as they struggle to gain further insight through their sensory visions, trying to solve the mystery continues to prove elusive. The Delta Girls try to move on, balancing their supernatural abilities with the daily trials of being teenagers. Studious Serena teams with the classroom outcast, Lara, and her charming brother, Damon, for a school science project. They end up studying more than they bargained for, though, when strange noises come from rooms in Lara and Damon’s house. There are voices, but only Serena, with her special powers, can hear them. This is until the trio experiment with Electronic Voice Phenomena (EVP) and are able to record and hear them on the computer. Bringing in her extraordinary sisters to help, Serena must figure out who the voices belong to— and what they want—if she is to have a chance at stopping an impending tragedy before it’s too late.
Author: Andrew J Bottomley
Publisher: University of Michigan Press
ISBN: 047205449X
Category : Music
Languages : en
Pages : 339
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Book Description
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new sound media technologies and content—from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting—are not a disruption, but a continuation of the century-long history of radio. Today’s most innovative media makers are reintroducing forms of audio storytelling from radio’s past. Sound Streams is the first book to historicize radio-internet convergence from the early ’90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio’s logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans.
Author: Katherine L. Turner
Publisher: Routledge
ISBN: 1317010531
Category : Music
Languages : en
Pages : 300
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Book Description
The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
Author: David Ware Stowe
Publisher: Harvard University Press
ISBN: 9780674012905
Category : Music
Languages : en
Pages : 366
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Book Description
Stowe traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.
Author: Mark Katz
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336
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Book Description
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.
Author:
Publisher:
ISBN:
Category : Outdoor recreation
Languages : en
Pages : 802
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Book Description
Author: Charles Ready Nichol
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 192
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Book Description
