Stars and Masculinities in Contemporary Italian Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Stars and Masculinities in Contemporary Italian Cinema PDF full book. Access full book title Stars and Masculinities in Contemporary Italian Cinema by C. O'Rawe. Download full books in PDF and EPUB format.
Author: C. O'Rawe
Publisher: Springer
ISBN: 1137381477
Category : Performing Arts
Languages : en
Pages : 234
Get Book Here
Book Description
Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.
Author: C. O'Rawe
Publisher: Springer
ISBN: 1137381477
Category : Performing Arts
Languages : en
Pages : 234
Get Book Here
Book Description
Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.
Author: C. O'Rawe
Publisher: Springer
ISBN: 1137381477
Category : Performing Arts
Languages : en
Pages : 322
Get Book Here
Book Description
Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.
Author: Clodagh J. Brook
Publisher: University of Toronto Press
ISBN: 1487518013
Category : Performing Arts
Languages : en
Pages : 191
Get Book Here
Book Description
Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent resurgence of religious discourse is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist, extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television, Screening Religions in Italy spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. In a discussion of films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope, the author identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens.
Author: Daniel Biltereyst
Publisher: Routledge
ISBN: 1317353951
Category : Social Science
Languages : en
Pages : 589
Get Book Here
Book Description
The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries. With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema’s place in the social history of the twentieth century.
Author: Russell Kilbourn
Publisher: Columbia University Press
ISBN: 0231548621
Category : Performing Arts
Languages : en
Pages : 480
Get Book Here
Book Description
Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment. This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.
Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1789200024
Category : Performing Arts
Languages : en
Pages : 384
Get Book Here
Book Description
Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
Author: Simon Wendt
Publisher: Springer
ISBN: 1137536101
Category : Social Science
Languages : en
Pages : 282
Get Book Here
Book Description
Masculinities and the Nation in the Modern World sheds new light on the interrelationship between gender and the nation, focusing on the role of masculinities in various processes of nation-building in the modern world between 1800 and the 1960s.
Author: Natalie Fullwood
Publisher: Springer
ISBN: 1137403578
Category : Performing Arts
Languages : en
Pages : 408
Get Book Here
Book Description
Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.
Author: Peter Bondanella
Publisher: Bloomsbury Publishing USA
ISBN: 1501307657
Category : Performing Arts
Languages : en
Pages : 753
Get Book Here
Book Description
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Author: Dana Renga
Publisher: Springer
ISBN: 3030115038
Category : Performing Arts
Languages : en
Pages : 341
Get Book Here
Book Description
This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
