Staging Haiti in Nineteenth-Century America PDF Download
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Author: Peter Reed
Publisher: Cambridge University Press
ISBN: 1009100521
Category : Drama
Languages : en
Pages : 229
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Book Description
Peter P. Reed reveals how nineteenth-century American theatre and performance reckoned with Haiti's courageous enactments of Black freedom.
Author: Peter Reed
Publisher: Cambridge University Press
ISBN: 1009100521
Category : Drama
Languages : en
Pages : 229
Get Book Here
Book Description
Peter P. Reed reveals how nineteenth-century American theatre and performance reckoned with Haiti's courageous enactments of Black freedom.
Author: Peter Reed
Publisher: Cambridge University Press
ISBN: 1009121367
Category : Drama
Languages : en
Pages : 229
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Book Description
American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.
Author: P. Reed
Publisher: Springer
ISBN: 0230622712
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Rogue Performances recovers eighteenth and nineteenth-century American culture s fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period s most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
Author: Jeremy Matthew Glick
Publisher: NYU Press
ISBN: 147984442X
Category : History
Languages : en
Pages : 283
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Book Description
"Also available as an ebook" -- Verso title page.
Author: Christopher Bigsby
Publisher: Bloomsbury Publishing
ISBN: 1350127566
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Many of the American playwrights who dominated the 20th century are no longer with us: Edward Albee, Arthur Miller, Sam Shepard, Neil Simon, August Wilson and Wendy Wasserstein. A new generation, whose careers began in this century, has emerged, and done so when the theatre itself, along with the society with which it engages, was changing. Capturing the cultural shifts of 21st-century America, Staging America explores the lives and works of 8 award-winning playwrights – including Ayad Akhtar, Stephen Adly Guirgis, Young Jean Lee and Quiara Alllegría Hudes – whose backgrounds reflect the social, religious, sexual and national diversity of American society. Each chapter is devoted to a single playwright and provides an overview of their career, a description and critical evaluation of their work, as well as a sense of their reception. Drawing on primary sources, including the playwrights' own commentaries and notes, and contemporary reviews, Christopher Bigsby enters into a dialogue with plays which are as various as the individuals who generated them. An essential read for theatre scholars and students, Staging America is a sharp and landmark study of the contemporary American playwright.
Author: Lindsay J Twa
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409446727
Category : Art
Languages : en
Pages : 307
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Book Description
From the 1910s until the 1950s the Caribbean nation of Haiti drew the attention of many U.S. literary and artistic luminaries, yet while significant studies have been published on Haiti's history, none analyze visual representations with any depth. This book argues that choosing Haiti as subject matter was a highly charged decision by American artists to use their artwork to engage racial, social, and political issues. Twa scrutinizes photographs, illustrations, paintings, and theatre as well as textual and archival sources.
Author: Erica L. Ball
Publisher: Cambridge University Press
ISBN: 1108493408
Category : Biography & Autobiography
Languages : en
Pages : 529
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Book Description
A groundbreaking collective biography narrating the history of emancipation through the life stories of women of African descent in the Americas.
Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 518
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Book Description
Author: Nicholas Grene
Publisher: Cambridge University Press
ISBN: 1107078091
Category : Drama
Languages : en
Pages : 253
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Book Description
Nicholas Grene explores the subject of domestic spaces in modern drama through close readings of nine major plays.
Author: Julia Jarcho
Publisher: Cambridge University Press
ISBN: 1108165842
Category : Drama
Languages : en
Pages : 287
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Book Description
It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.
