Author: Liana Chen (Assistant professor)
Publisher:
ISBN: 9781621965480
Category : China
Languages : en
Pages : 340
Book Description
"Theatrical performance occupied a central place in the emotional and political life of the Qing dynasty imperial household. For over two centuries, the Qing court poured a tremendous amount of human and material resources into institutionalizing the theatrical arts for the purposes of entertainment and edification. The emperors and empresses were ardent patrons and key players in establishing an artistic form that the court theatre called its own. They went to great lengths to cultivate a discerning taste in theatre and oversaw the artistic and managerial aspects of court theatrical activities. In the imperial theatrical spaces within and outside the Forbidden City, which were designed and built with the capacity to produce stunning visual effects, theatrical productions were staged to entertain imperial family members and to impress obeisance-paying guests from near and afar. Treating Qing dynasty court theatre as a unique site in which to examine important but uncharted realms of Chinese theatrical experience, Staging for the Emperor examines two distinct and interlocking dimensions of the Qing court theatre-the vicissitudes of the palace troupe and the multifaceted functions of court-commissioned ceremonial dramas-to highlight the diverse array of views held by individual rulers as they used theatrical means to promote their personal and political agendas. Drawing on recently discovered materials from a variety of court administrative bureaus, memoirs, diaries, and play scripts written for court ceremonial occasions, this study places the history of Qing court theatre in the broader context of Qing cultural and political history. Staging for the Emperors would appeal to readers interested in China studies and performance studies. It would also appeal to those outside the field of China studies who are interested in developing a cross-cultural perspective on the interplay between state rituals, power, identity formation, and theatrical experiences"--
Staging for the Emperors
Author: Liana Chen (Assistant professor)
Publisher:
ISBN: 9781621965480
Category : China
Languages : en
Pages : 340
Book Description
"Theatrical performance occupied a central place in the emotional and political life of the Qing dynasty imperial household. For over two centuries, the Qing court poured a tremendous amount of human and material resources into institutionalizing the theatrical arts for the purposes of entertainment and edification. The emperors and empresses were ardent patrons and key players in establishing an artistic form that the court theatre called its own. They went to great lengths to cultivate a discerning taste in theatre and oversaw the artistic and managerial aspects of court theatrical activities. In the imperial theatrical spaces within and outside the Forbidden City, which were designed and built with the capacity to produce stunning visual effects, theatrical productions were staged to entertain imperial family members and to impress obeisance-paying guests from near and afar. Treating Qing dynasty court theatre as a unique site in which to examine important but uncharted realms of Chinese theatrical experience, Staging for the Emperor examines two distinct and interlocking dimensions of the Qing court theatre-the vicissitudes of the palace troupe and the multifaceted functions of court-commissioned ceremonial dramas-to highlight the diverse array of views held by individual rulers as they used theatrical means to promote their personal and political agendas. Drawing on recently discovered materials from a variety of court administrative bureaus, memoirs, diaries, and play scripts written for court ceremonial occasions, this study places the history of Qing court theatre in the broader context of Qing cultural and political history. Staging for the Emperors would appeal to readers interested in China studies and performance studies. It would also appeal to those outside the field of China studies who are interested in developing a cross-cultural perspective on the interplay between state rituals, power, identity formation, and theatrical experiences"--
Publisher:
ISBN: 9781621965480
Category : China
Languages : en
Pages : 340
Book Description
"Theatrical performance occupied a central place in the emotional and political life of the Qing dynasty imperial household. For over two centuries, the Qing court poured a tremendous amount of human and material resources into institutionalizing the theatrical arts for the purposes of entertainment and edification. The emperors and empresses were ardent patrons and key players in establishing an artistic form that the court theatre called its own. They went to great lengths to cultivate a discerning taste in theatre and oversaw the artistic and managerial aspects of court theatrical activities. In the imperial theatrical spaces within and outside the Forbidden City, which were designed and built with the capacity to produce stunning visual effects, theatrical productions were staged to entertain imperial family members and to impress obeisance-paying guests from near and afar. Treating Qing dynasty court theatre as a unique site in which to examine important but uncharted realms of Chinese theatrical experience, Staging for the Emperor examines two distinct and interlocking dimensions of the Qing court theatre-the vicissitudes of the palace troupe and the multifaceted functions of court-commissioned ceremonial dramas-to highlight the diverse array of views held by individual rulers as they used theatrical means to promote their personal and political agendas. Drawing on recently discovered materials from a variety of court administrative bureaus, memoirs, diaries, and play scripts written for court ceremonial occasions, this study places the history of Qing court theatre in the broader context of Qing cultural and political history. Staging for the Emperors would appeal to readers interested in China studies and performance studies. It would also appeal to those outside the field of China studies who are interested in developing a cross-cultural perspective on the interplay between state rituals, power, identity formation, and theatrical experiences"--
The Cornucopian Stage
Author: Ariel Fox
Publisher: BRILL
ISBN: 1684176816
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building—both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems—the merchant and his money—to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage, Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive—as the basis for new subject positions, new kinds of communities, and new modes of art.
Publisher: BRILL
ISBN: 1684176816
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building—both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems—the merchant and his money—to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage, Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive—as the basis for new subject positions, new kinds of communities, and new modes of art.
The Emperor's Old Clothes
Author: Barbara Stollberg-Rilinger
Publisher: Berghahn Books
ISBN: 1782388052
Category : History
Languages : en
Pages : 342
Book Description
For many years, scholars struggled to write the history of the constitution and political structure of the Holy Roman Empire. This book argues that this was because the political and social order could not be understood without considering the rituals and symbols that held the Empire together. What determined the rules (and whether they were followed) depended on complex symbolic-ritual actions. By examining key moments in the political history of the Empire, the author shows that it was a vocabulary of symbols, not the actual written laws, that formed a political language indispensable in maintaining the common order.
Publisher: Berghahn Books
ISBN: 1782388052
Category : History
Languages : en
Pages : 342
Book Description
For many years, scholars struggled to write the history of the constitution and political structure of the Holy Roman Empire. This book argues that this was because the political and social order could not be understood without considering the rituals and symbols that held the Empire together. What determined the rules (and whether they were followed) depended on complex symbolic-ritual actions. By examining key moments in the political history of the Empire, the author shows that it was a vocabulary of symbols, not the actual written laws, that formed a political language indispensable in maintaining the common order.
Staging the Renaissance
Author: David Scott Kastan
Publisher: Routledge
ISBN: 1136758240
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Cath
Publisher: Routledge
ISBN: 1136758240
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Cath
Staging Authority
Author: Eva Giloi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571412
Category : History
Languages : en
Pages : 512
Book Description
Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook’s fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571412
Category : History
Languages : en
Pages : 512
Book Description
Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook’s fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.
Staging Empire: Napoleon, Ingres, and David
Author:
Publisher: Penn State Press
ISBN: 9780271047584
Category : Art
Languages : en
Pages : 314
Book Description
In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is an illustrated, extensively documented, analytical tour de force.
Publisher: Penn State Press
ISBN: 9780271047584
Category : Art
Languages : en
Pages : 314
Book Description
In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is an illustrated, extensively documented, analytical tour de force.
Staging the World
Author: Rebecca E. Karl
Publisher: Duke University Press
ISBN: 0822383527
Category : Political Science
Languages : en
Pages : 329
Book Description
In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China’s defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview. The emergence of Chinese nationalism during this period is often portrayed as following from China’s position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete—and therefore flawed—model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the “discovery” of Hawai’i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.
Publisher: Duke University Press
ISBN: 0822383527
Category : Political Science
Languages : en
Pages : 329
Book Description
In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China’s defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview. The emergence of Chinese nationalism during this period is often portrayed as following from China’s position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete—and therefore flawed—model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the “discovery” of Hawai’i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.
The Making of Modern Iran
Author: Dr Stephanie Cronin
Publisher: Routledge
ISBN: 1136026940
Category : History
Languages : en
Pages : 310
Book Description
This collection of essays, by a distinguished group of specialists, offers a new and exciting interpretation of Riza Shah's Iran. A period of key importance, the years between 1921-1941 have, until now, remained relatively neglected. Recently, however, there has been a marked revival of interest in the history of these two decades and this collection brings together some of the best of this recent new scholarship. Illustrating the diversity and complexity of interpretations to which contemporary scholarship has given rise, the collection looks at both the high politics of the new state and at 'history from below', examining some of the fierce controversies which have arisen surrounding such issues as the gender politics of the new regime, the nature of its nationalism, and its treatment of minorities.
Publisher: Routledge
ISBN: 1136026940
Category : History
Languages : en
Pages : 310
Book Description
This collection of essays, by a distinguished group of specialists, offers a new and exciting interpretation of Riza Shah's Iran. A period of key importance, the years between 1921-1941 have, until now, remained relatively neglected. Recently, however, there has been a marked revival of interest in the history of these two decades and this collection brings together some of the best of this recent new scholarship. Illustrating the diversity and complexity of interpretations to which contemporary scholarship has given rise, the collection looks at both the high politics of the new state and at 'history from below', examining some of the fierce controversies which have arisen surrounding such issues as the gender politics of the new regime, the nature of its nationalism, and its treatment of minorities.
Imagined Communities: Constructing Collective Identities in Medieval Europe
Author:
Publisher: BRILL
ISBN: 9004363793
Category : History
Languages : en
Pages : 405
Book Description
Imagined Communities: Constructing Collective Identities in Medieval Europe offers a series of studies focusing on the problems of conceptualisation of social group identities, including national, royal, aristocratic, regional, urban, religious, and gendered communities. The geographical focus of the case studies presented in this volume range from Wales and Scotland, to Hungary and Ruthenia, while both narrative and other types of evidence, such as legal texts, are drawn upon. What emerges is how the characteristics and aspirations of communities are exemplified and legitimised through the presentation of the past and an imagined picture of present. By means of its multiple perspectives, this volume offers significant insight into the medieval dynamics of collective mentality and group consciousness. Contributors are Dániel Bagi, Mariusz Bartnicki, Zbigniew Dalewski, Georg Jostkleigrewe, Bartosz Klusek, Paweł Kras, Wojciech Michalski, Martin Nodl, Andrzej Pleszczyński, Euryn Rhys Roberts, Stanisław Rosik, Joanna Sobiesiak, Karol Szejgiec, Michał Tomaszek, Tomasz Tarczyński, Przemysław Tyszka, Tatiana Vilkul, and Przemysław Wiszewski.
Publisher: BRILL
ISBN: 9004363793
Category : History
Languages : en
Pages : 405
Book Description
Imagined Communities: Constructing Collective Identities in Medieval Europe offers a series of studies focusing on the problems of conceptualisation of social group identities, including national, royal, aristocratic, regional, urban, religious, and gendered communities. The geographical focus of the case studies presented in this volume range from Wales and Scotland, to Hungary and Ruthenia, while both narrative and other types of evidence, such as legal texts, are drawn upon. What emerges is how the characteristics and aspirations of communities are exemplified and legitimised through the presentation of the past and an imagined picture of present. By means of its multiple perspectives, this volume offers significant insight into the medieval dynamics of collective mentality and group consciousness. Contributors are Dániel Bagi, Mariusz Bartnicki, Zbigniew Dalewski, Georg Jostkleigrewe, Bartosz Klusek, Paweł Kras, Wojciech Michalski, Martin Nodl, Andrzej Pleszczyński, Euryn Rhys Roberts, Stanisław Rosik, Joanna Sobiesiak, Karol Szejgiec, Michał Tomaszek, Tomasz Tarczyński, Przemysław Tyszka, Tatiana Vilkul, and Przemysław Wiszewski.
Imperial China and Its Southern Neighbours
Author: Victor H Mair
Publisher: Flipside Digital Content Company Inc.
ISBN: 9814620556
Category : Political Science
Languages : en
Pages : 344
Book Description
At a time when China-Southeast Asia relationships are undergoing profound changes, it is pleasing to have a volume which examines the interactions between China and the polities and societies to the south through time. With multiple aims of exploring the relations between northern Chinese cultures and those of the south, examining the cultural plurality of areas which are today parts of Southern China, and illuminating the relations between Sinitic and non-Sinitic societies, the volume is broad in concept and content. Within these extensive rubrics, this edited collection further interrogates the nature of Asian polities and their historiography, the constitution of Chineseness, imperial China's southern expansions, cultural hybridity, economic relations, regional systems and ethnic interactions across East Asia. The editors Victor H. Mair and Liam C. Kelley are to be congratulated for bringing together such a wealth of contributions offering nascent interpretations and broad overviews, set within the overarching historical and contemporary contexts provided through Wang Gungwu's introduction.- Dr Geoffrey Wade, ANU College of Asia and the Pacific, Australian National University
Publisher: Flipside Digital Content Company Inc.
ISBN: 9814620556
Category : Political Science
Languages : en
Pages : 344
Book Description
At a time when China-Southeast Asia relationships are undergoing profound changes, it is pleasing to have a volume which examines the interactions between China and the polities and societies to the south through time. With multiple aims of exploring the relations between northern Chinese cultures and those of the south, examining the cultural plurality of areas which are today parts of Southern China, and illuminating the relations between Sinitic and non-Sinitic societies, the volume is broad in concept and content. Within these extensive rubrics, this edited collection further interrogates the nature of Asian polities and their historiography, the constitution of Chineseness, imperial China's southern expansions, cultural hybridity, economic relations, regional systems and ethnic interactions across East Asia. The editors Victor H. Mair and Liam C. Kelley are to be congratulated for bringing together such a wealth of contributions offering nascent interpretations and broad overviews, set within the overarching historical and contemporary contexts provided through Wang Gungwu's introduction.- Dr Geoffrey Wade, ANU College of Asia and the Pacific, Australian National University