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Author:
Publisher: Penn State Press
ISBN: 9780271047584
Category : Art
Languages : en
Pages : 314
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Book Description
In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is an illustrated, extensively documented, analytical tour de force.
Author:
Publisher: Penn State Press
ISBN: 9780271047584
Category : Art
Languages : en
Pages : 314
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Book Description
In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is an illustrated, extensively documented, analytical tour de force.
Author: Ambrogio A. Caiani
Publisher: Yale University Press
ISBN: 0300251335
Category : History
Languages : en
Pages : 383
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Book Description
A groundbreaking account of Napoleon Bonaparte, Pope Pius VII, and the kidnapping that would forever divide church and state In the wake of the French Revolution, Napoleon Bonaparte, First Consul of France, and Pope Pius VII shared a common goal: to reconcile the church with the state. But while they were able to work together initially, formalizing an agreement in 1801, relations between them rapidly deteriorated. In 1809, Napoleon ordered the Pope's arrest. Ambrogio Caiani provides a pioneering account of the tempestuous relationship between the emperor and his most unyielding opponent. Drawing on original findings in the Vatican and other European archives, Caiani uncovers the nature of Catholic resistance against Napoleon's empire; charts Napoleon's approach to Papal power; and reveals how the Emperor attempted to subjugate the church to his vision of modernity. Gripping and vivid, this book shows the struggle for supremacy between two great individuals--and sheds new light on the conflict that would shape relations between the Catholic church and the modern state for centuries to come.
Author: Michael J Hughes
Publisher: NYU Press
ISBN: 0814724116
Category : History
Languages : en
Pages : 299
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Book Description
“A fascinating study exploring the motivation of French soldiers during the Napoleonic Era, and the process through which they became Napoleon’s men.”—Frederick C. Schneid, author of Napoleon’s Conquest of Europe The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon’s Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight. “Hughes offers a tight and well-grounded exposition and analysis of French military culture in the Napoleonic period in which military honour is presented as a dynamic element.” —Journal of European Studies “Hughes’s book not only contributes to our understanding of the military success of Napoleon’s army, but also elegantly employs cultural history methods to better understand army operations and sustained troop motivations.” —Julia Osman, History: Reviews of New Book
Author: Alan Forrest
Publisher: Macmillan + ORM
ISBN: 1250018153
Category : History
Languages : en
Pages : 415
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Book Description
From Alan Forrest, a preeminent British scholar, comes an exceedingly readable account of the man and his legend On a cold December day in 1840 Parisians turned out in force to watch as the body of Napoleon was solemnly carried on a riverboat from Courbevoie on its final journey to the Invalides. The return of their long-dead emperor's corpse from the island of St. Helena was a moment that Paris had eagerly awaited, though many feared that the memories stirred would serve to further destabilize a country that had struggled for order and direction since he had been sent into exile. In this book Alan Forrest tells the remarkable story of how the son of a Corsican attorney became the most powerful man in Europe, a man whose charisma and legacy endured after his lonely death many thousands of miles from the country whose fate had become so entwined with his own. Along the way, Forrest also cuts away the many layers of myth and counter myth that have grown up around Napoleon, a man who mixed history and legend promiscuously. Drawing on original research and his own distinguished background in French history, Forrest demonstrates that Napoleon was as much a product of his times as their creator.
Author: Helen Watanabe-O'Kelly
Publisher: Oxford University Press
ISBN: 0198802471
Category : History
Languages : en
Pages : 355
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Book Description
The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804 through Agustín and Pedro, the emperors of Mexico and Brazil in 1822 to Victoria, empress of India in 1876. Monarchs such as Napoleon III, Maximilian of Mexico, and Wilhelm I projected an imperial aura with coronations, courts, medals, costumes, portraits, monuments, international exhibitions, festivals, architecture, and town planning. They relied on ancient history for legitimacy whilst partially espousing modernity. Projecting Imperial Power is the first book to consider newly proclaimed emperors in six territories across three continents across the whole range of the nineteenth century.The first emperors' successors - Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany - expanded their panoply of power, until Pedro was forced to abdicate in 1889 and World War I brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the 20th century, until George VI relinquished the title of emperor in 1947. The imperial cities of Berlin, Paris, Vienna, and New Delhi bear witness to vanished empires.Using a wide range of source Projecting Imperial Power explains the imperial ambition behind these imperial cities. It discusses how the empires and their rulers are remembered today by examining how the imperial statues that were erected in huge numbers in the second part of the period are treated today, and how this demonstrates the contested place of emperors in national cultural memory.
Author: Todd W. Reeser
Publisher: Associated University Presse
ISBN: 9780874130249
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Despite its debt to French thought for theoretical constructs, masculinity studies have been dominated by work on English-language texts and contexts. Entre Hommes lays the foundation for French and Francophone masculinity studies in both a cultural and theoretical sense.This ground-breaking volume considers what is meant by 'French' or 'Francophone' masculinities per se and how these identities have or have not changed over time, with essays spanning periods from the Middle Ages to the present. An introduction situates the study of masculinity within the work of recent French thinkers, and essays examine both key writers and recurring cultural images.
Author: Philip Dwyer
Publisher: Bloomsbury Publishing
ISBN: 1408891743
Category : History
Languages : en
Pages : 417
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Book Description
'Vibrant and illuminating ... [Dywer] tells a fascinating tale' The Times 'Refreshing scholarship ... Energetic, readable and filled with colourful detail ... Napoleon: Passion, Death and Resurrection is a thoroughly enjoyable book which divides well the reality of exile from the legend that sprang from it' Literary Review This meticulously researched study opens with Napoleon no longer in power, but instead a prisoner on the island of St Helena. This may have been a great fall from power, but Napoleon still held immense attraction. Every day, huge crowds would gather on the far shore in the hope of catching a glimpse of him. Philip Dwyer closes his ambitious trilogy exploring Napoleon's life, legacy and myth by moving from those first months of imprisonment, through the years of exile, up to death and then beyond, examining how the foundations of legend that had been laid by Napoleon during his lifetime continued to be built upon by his followers. This is a fitting and authoritative end to a definitive work.
Author: Cynthia Saltzman
Publisher: Farrar, Straus and Giroux
ISBN: 0374710392
Category : History
Languages : en
Pages : 220
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Book Description
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
Author: Seán Allan
Publisher: Boydell & Brewer
ISBN: 1640140948
Category : France
Languages : en
Pages : 355
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Book Description
"In the Beginning was Napoleon"--"Napoleon and no end" Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present. Two hundred years after his death, Napoleon Bonaparte (1769-1821) continues to resonate as a fascinating, ambivalent, and polarizing figure. Differences of opinion as to whether Bonaparte should be viewed as the executor of the principles of the French Revolution or as the figure who was principally responsible for their corruption are as pronounced today as they were at the beginning of the nineteenth century. Contributing to what had been an uneasy German relationship with the French Revolution, the rise of Bonaparte was accompanied by a pattern of Franco-German hostilities that inspired both enthusiastic support and outraged dissent in the German-speaking states. The fourteen essays that comprise Inspiration Bonaparte examine the mythologization of Napoleon in German literature of the nineteenth and twentieth centuries and explore the significant impact of Napoleonic occupation on a broad range of fields including philosophy, painting, politics, the sciences, education, and film. As the contributions from leading scholars emphasize, the contradictory attitudes toward Bonaparte held by so many prominent German thinkers are a reflection of his enduring status as a figure through whom the trauma of shattered late-Enlightenment expectations of sociopolitical progress and evolving concepts of identity politics is mediated.
Author: Susan Jaques
Publisher: Simon and Schuster
ISBN: 1681779404
Category : History
Languages : en
Pages : 629
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Book Description
Napoleon is one of history’s most fascinating figures. But his complex relationship with Rome—both with antiquity and his contemporary conflicts with the Pope and Holy See—have undergone little examination. In The Caesar of Paris, Susan Jaques reveals how Napoleon’s dueling fascination and rivalry informed his effort to turn Paris into “the new Rome”— Europe’s cultural capital—through architectural and artistic commissions around the city. His initiatives and his aggressive pursuit of antiquities and classical treasures from Italy gave Paris much of the classical beauty we know and adore today.Napoleon had a tradition of appropriating from past military greats to legitimize his regime—Alexander the Great during his invasion of Egypt, Charlemagne during his coronation as emperor, even Frederick the Great when he occupied Berlin. But it was ancient Rome and the Caesars that held the most artistic and political influence and would remain his lodestars. Whether it was the Arc de Triopmhe, the Venus de Medici in the Louvre, or the gorgeous works of Antonio Canova, Susan Jaques brings Napoleon to life as never before.
