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Author: Bárbara Ozieblo
Publisher: Peter Lang Publishing
ISBN:
Category : Drama
Languages : en
Pages : 396
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Book Description
The conflict between the political and the personal, an opposition which pervades the whole of American Literature, informs the essays on twentieth-century American theater gathered in this volume. Prominent theater scholars from Europe and America address the cultural paradigm created by the clash of private needs with public expectations. The difficulty of reconciling the two has led many dramatists to turn to the complexities of intertextuality in order to express their rebellions and rejections of inherited cultural values and myths. Essays on Arthur Miller, Sam Shepard, Susan Glaspell, H.M. Koutoukas, Dolores Prida, or Suzan Lori-Parks (to name but a few of the dramatists discussed here) reflect the vibrancy of American drama and the depth of the interaction of the political with the personal. Contents: Barbara Ozieblo: Introduction: The Political and the Personal in American Drama - Brenda Murphy: Tennessee Williams and Cold-War Politics - Ana Anton-Pacheco: Coping with the Personal: Tennessee Williams's Minimalist Plays - Gary Harrington: The Smashed Mirror: Blanche in A Streetcar Named Desire - Stuart Marlow: Interrogating The Crucible: Revisiting the Biographical, Historical and Political Sources of Arthur Miller's Play - Russell DiNapoli: Maxwell Anderson's Misuse of Poetic Discourse in Winterset - Johan Callens: Going Public, Performing Stein - Cheryl Black/Robert K. Sarlos: On the Threshold of Sexual Politics in American Theater and Drama: The Provincetown Players - Marcia Noe: The New Woman in the Plays of Susan Glaspell - Marta Fernandez-Morales: The Two Spheres in Susan Glaspell's Trifles and The Verge - Karin Ikas: The Promise and the Reality of the American Dream inMexican-American Plays - Maria Luisa Ochoa-Fernandez: Weaving the Personal and the Political in Dolores Prida's Beautiful Senoritas, Coser y Cantar and Botanica - Mar Gallego: Redefining African-American Female Space: Lorraine Hansberry's Raisin in the Sun and Ntozake Shange's for colored girls - Araceli Gonzalez-Crespan: Against - Ruby Lip and Saucy Curl: Breaking the Great Divide among Women in Beah Richards's A Black Woman Speaks - Stephen J. Bottoms: Untidying Her Passions: The Medea of H.M. Koutoukas - Antonia Rodriguez-Gago: Re-Creating Herstory: Suzan-Lori Parks's Venus - Claudia Barnett: - In Your Dreams : Deb Margolin's Fantasy/Drama - Felix Martin-Gutierrez: Fragments from the Political Unconscious in Adrienne Kennedy's Plays - La Vinia Delois Jennings: Reflection of Self as Other: Mimetic Parallels between Minstrelsy and Anna Deveare Smith's Fires in the Mirror: Crown Heights, Brooklyn and Other Identities - Katherine Weiss: Sam Shepard's Family Trilogy: Breaking Down Mythical Prisons - Ines Cuenca-Aguilar: Representations of Women in Sam Shepard's Theater - N.J. Stanley: Screamingly Funny and Terrifyingly Shocking: Paula Vogel as Domestic Detective."
Author: Bárbara Ozieblo
Publisher: Peter Lang Publishing
ISBN:
Category : Drama
Languages : en
Pages : 396
Get Book Here
Book Description
The conflict between the political and the personal, an opposition which pervades the whole of American Literature, informs the essays on twentieth-century American theater gathered in this volume. Prominent theater scholars from Europe and America address the cultural paradigm created by the clash of private needs with public expectations. The difficulty of reconciling the two has led many dramatists to turn to the complexities of intertextuality in order to express their rebellions and rejections of inherited cultural values and myths. Essays on Arthur Miller, Sam Shepard, Susan Glaspell, H.M. Koutoukas, Dolores Prida, or Suzan Lori-Parks (to name but a few of the dramatists discussed here) reflect the vibrancy of American drama and the depth of the interaction of the political with the personal. Contents: Barbara Ozieblo: Introduction: The Political and the Personal in American Drama - Brenda Murphy: Tennessee Williams and Cold-War Politics - Ana Anton-Pacheco: Coping with the Personal: Tennessee Williams's Minimalist Plays - Gary Harrington: The Smashed Mirror: Blanche in A Streetcar Named Desire - Stuart Marlow: Interrogating The Crucible: Revisiting the Biographical, Historical and Political Sources of Arthur Miller's Play - Russell DiNapoli: Maxwell Anderson's Misuse of Poetic Discourse in Winterset - Johan Callens: Going Public, Performing Stein - Cheryl Black/Robert K. Sarlos: On the Threshold of Sexual Politics in American Theater and Drama: The Provincetown Players - Marcia Noe: The New Woman in the Plays of Susan Glaspell - Marta Fernandez-Morales: The Two Spheres in Susan Glaspell's Trifles and The Verge - Karin Ikas: The Promise and the Reality of the American Dream inMexican-American Plays - Maria Luisa Ochoa-Fernandez: Weaving the Personal and the Political in Dolores Prida's Beautiful Senoritas, Coser y Cantar and Botanica - Mar Gallego: Redefining African-American Female Space: Lorraine Hansberry's Raisin in the Sun and Ntozake Shange's for colored girls - Araceli Gonzalez-Crespan: Against - Ruby Lip and Saucy Curl: Breaking the Great Divide among Women in Beah Richards's A Black Woman Speaks - Stephen J. Bottoms: Untidying Her Passions: The Medea of H.M. Koutoukas - Antonia Rodriguez-Gago: Re-Creating Herstory: Suzan-Lori Parks's Venus - Claudia Barnett: - In Your Dreams : Deb Margolin's Fantasy/Drama - Felix Martin-Gutierrez: Fragments from the Political Unconscious in Adrienne Kennedy's Plays - La Vinia Delois Jennings: Reflection of Self as Other: Mimetic Parallels between Minstrelsy and Anna Deveare Smith's Fires in the Mirror: Crown Heights, Brooklyn and Other Identities - Katherine Weiss: Sam Shepard's Family Trilogy: Breaking Down Mythical Prisons - Ines Cuenca-Aguilar: Representations of Women in Sam Shepard's Theater - N.J. Stanley: Screamingly Funny and Terrifyingly Shocking: Paula Vogel as Domestic Detective."
Author: Gernot Böhme
Publisher: Taylor & Francis
ISBN: 1134967918
Category : Science
Languages : en
Pages : 231
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Book Description
Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.
Author: William W. Demastes
Publisher: University of Michigan Press
ISBN: 9780472112029
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
How theater has challenged the mind/body dualism that underpins much of Western thought
Author: Carmelita Rosie Castañeda
Publisher: Routledge
ISBN: 113593262X
Category : Education
Languages : en
Pages : 168
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Book Description
This study describes how faculty who participated in the Teaching and Learning in Diverse Classroom Faculty and TA Partnership Project (1994-2000) at the University of Massachusetts, Amherst, reflected on their experiences and pedagogical practices as instructors in diverse classrooms.
Author: Payal Nagpal
Publisher: Cambridge Scholars Publishing
ISBN: 1443883468
Category : Performing Arts
Languages : en
Pages : 130
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Book Description
Jean Genet is a writer known for contradictions in his life and in his creative endeavours. As a playwright, he has been classified in various categories: as a part of the Theatre of the Absurd, as a representative of the rights of the gay community, as a spokesperson of the Palestinian cause, and so on. His comments about his life and works further complicate things. This book frees Jean Genet’s plays from the overpowering Sartrean perspective, and offers an interpretation that reveals the otherwise hidden spaces of the prison, brothel or the maid’s garret ingrained in them. The plays selected for analysis in this study make a bold statement about areas in society that escaped the attention of contemporary dramatists. In the process, the existing social fabric is meaningfully subjected to the playwright’s gaze; this is achieved through the creation of a stage dynamic different from the one adopted by the Theatre of the Absurd. The chapters in the book explain paradigms informing the plays and enabling the viewer to forge their own response. Discussions in the book take the reader to possibilities of invention and experimentation in an act that belongs to the stage as much as to the world it controls. This book traverses challenging issues and spaces – the areas inhabited by the blacks, the ghettoized existence of social discards, and others rotting on the margins in the post-Second World War period. It is clearly suggested that the playwright spoke from his own experiences and of those others with whom he empathized; into these aspects he infused his imaginative and creative skills. An important method of enquiry used in this study is that of the panoptic machinery: the tower and its function of keeping watch on people caught in the web of the oppressive modern state. It is highlighted that the panopticon survives by hiding its dialectical link with its inhabitants. The panopticon can remain only as long as it conceals – therein lies its threatening presence. The three segments into which the discussion is divided are: “Role-playing and The Maids,” “The Panopticon and The Balcony,” and “Decolonisation and The Blacks.”
Author: Anne Ring Petersen
Publisher: Museum Tusculanum Press
ISBN: 8763542579
Category : Art
Languages : en
Pages : 509
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Book Description
Installationskunsten har gået sin sejrsgang verden over, og er her i det 21. århundrede en både vel- og anerkendt bestanddel af samtidskunsten. Med påvirkning fra og udveksling mellem billedkunst på den ene side og performanceteater på den anden befinder installationskunst sig – som bogens titel viser – netop i feltet mellem billede og scene. I Installation Art: Between Image and Stage undersøger Anne Ring Petersen grundstenene for en af nutidens mest udbredte kunstformer. Installationer er – ligesom skulpturer – tredimensionelle formationer eller billeddannelser, men i modsætning til skulpturen er installationen karakteriseret ved at være formet af rum eller rumlige scenografier, som skaber betydning og sanseoplevelser gennem sit billedsprog. Som resultat af dette er installationer ofte stort anlagte kunstværker, som beskueren kan gå ind i, og de lever dermed til fulde op til nutidens krav om spektakulære, æstetisk iscenesatte events og kulturoplevelser, der taler til sanserne. Gennem grundige analyser af værker af kunstnere som Bruce Nauman, Olafur Eliasson, Jeppe Hein, Mona Hatoum, Pipilotti Rist og Ilya Kabakov som bagtæppe søges der i denne bog svar på, hvad en installation egentlig er, hvilke virkemidler den bruger, hvordan installationskunstens opståen kan forklares i et kulturhistorisk perspektiv og meget mere. Også installationskunstens rumlige, tidsmæssige og diskursive aspekter såvel som dens receptionsæstetik, der sættes ind i en overordnet kunst- og kulturhistorisk ramme, undersøges. Installation Art: Between Image and Stage er et nyttigt værk for alle, der ønsker at forstå denne mangefacetterede kunstforms konceptuelle fundament. Anne Ring Petersen, dr.phil., er lektor ved Institut for Kunst og Kulturvidenskab, Københavns Universitet. Har i 2009 udgivetInstallationskunsten mellem billede og scene og er redaktør af Contemporary Painting in Context (2010). Despite its large and growing popularity — to say nothing of its near- ubiquity in the world’s art scenes and international exhibitions of contemporary art — installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination. In Installation Art: Between Image and Stage, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. She investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation's often spectacular appearance ensures that it meets contemporary demands for sense-provoking and immersive cultural experiences. The main trajectory of the book is directed by a movement aimed at addressing a series of basic questions that get at the heart of what installation art is and how it is defined: How does installation structure time, space and representation? How does it address and engage its viewers? And how does it draw in the surrounding world to become part of the work? Featuring the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov and many others, this book breaks crucial new ground in understanding the conceptual underpinnings of this multifacious art form. Anne Ring Petersen is associate professor in the Department of Arts and Cultural Studies at the University of Copenhagen and the editor of Contemporary Painting in Context.
Author: Avra Sidiropoulou
Publisher: Routledge
ISBN: 1000598918
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.
Author: Gerald Sze
Publisher: Hillcrest Publishing Group
ISBN: 193869015X
Category : Philosophy
Languages : en
Pages : 328
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Book Description
In "Changing Fate Through Reincarnation," author Gerald Sze explores the theory of reincarnation connectivity. He provides a philosophical survey of the implications of reincarnation as they pertain to human responsibility, freedom, karma, fate and spirituality. Adopting a multidisciplinary approach, the book challenges us to re-evaluate what we are doing at any moment, to re-think what is our purpose in life, and ultimately, to re-live our very existence! While "Changing Fate Through Reincarnation" delves into many philosophical underpinnings behind our thirst for "Who Am I?" and "What is Fate?" it is also a practical self-help book, using the simple technique of instant self-reflection to raise readers' awareness of their own thoughts and emotions for self-understanding and growth.
Author: Herbert Whittaker
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773520028
Category : Drama
Languages : en
Pages : 344
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Book Description
Stage designer, director, and critic Whittaker recounts his experiences in the Montreal theater scene between 1920 and 1949. Coverage includes profiles of actors, directors, and producers; descriptions of early theaters; and a discussion of the competition between francophone and anglophone artists. Rittenhouse's (drama, Bishop's University) introduction, chronology, and commentary serve to place the memoir in context. c. Book News Inc.
Author: D.J. Hopkins
Publisher: Routledge
ISBN: 1135869073
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This interdisciplinary study theorizes the interaction of individual performance and social space. Examining three categories of space – the urban, the theatrical, and the cartographic – this volume considers the role of performance in the production and operation of these spaces during a period in London’s history defined roughly by the life of Shakespeare. City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern London.
