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Author: Rachel Joseph
Publisher: Taylor & Francis
ISBN: 1003855105
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages. A screened stage is the literal or metaphorical appearance of a stage on screen. When the Hollywood style emerged in cinema history it traumatically severed the entwined relationship between film and theatre. The book makes the argument that cinema longs for theatre after that separation. The histories of stage and screen persistently crisscross one another making their separation problematic. The screened stage from the end of the nineteenth century until now offers a miniaturized version of cinema and theatre history. Moments of the stage within the screen compress historical styles and movements into saturated representations on film. Such examples overflow the cinematic screen into singular manifestations of presentness. Screened stages uncover what it means to be simultaneously present and absent. This book would be of great interest to students and scholars of theatre, film, dance, and performance.
Author: Rachel Joseph
Publisher: Taylor & Francis
ISBN: 1003855105
Category : Performing Arts
Languages : en
Pages : 219
Get Book Here
Book Description
This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages. A screened stage is the literal or metaphorical appearance of a stage on screen. When the Hollywood style emerged in cinema history it traumatically severed the entwined relationship between film and theatre. The book makes the argument that cinema longs for theatre after that separation. The histories of stage and screen persistently crisscross one another making their separation problematic. The screened stage from the end of the nineteenth century until now offers a miniaturized version of cinema and theatre history. Moments of the stage within the screen compress historical styles and movements into saturated representations on film. Such examples overflow the cinematic screen into singular manifestations of presentness. Screened stages uncover what it means to be simultaneously present and absent. This book would be of great interest to students and scholars of theatre, film, dance, and performance.
Author: Dick Lehr
Publisher: PublicAffairs
ISBN: 1610398246
Category : History
Languages : en
Pages : 387
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Book Description
In 1915, two men -- one a journalist agitator, the other a technically brilliant filmmaker -- incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights. Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Almost fifty years earlier, Monroe's father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry -- including Roaring Jack Griffith, D. W.'s father -- fled for their lives. Griffith's film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln's assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country. Monroe Trotter's titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.
Author: Matthew Solomon
Publisher: State University of New York Press
ISBN: 1438435827
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
"Best moving pictures I ever saw." Thus did one Vaudeville theater manager describe Georges Méliès's A Trip to the Moon [Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema's first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Méliès's landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long "afterlife" in more recent films, television, and music videos. Together, these essays make clear that Méliès was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity. In his introduction, Matthew Solomon traces the convoluted provenance of the film's multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film's production, along with translations of two major articles written by Méliès himself.
Author: Melvyn Stokes
Publisher: Springer Nature
ISBN: 3031047370
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.
Author: Victoria Duckett
Publisher: University of Illinois Press
ISBN: 0252097750
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
Author: James Chandler
Publisher: University of Chicago Press
ISBN: 022603495X
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people’s very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein’s influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra’s It Happened One Night, Mr. Deeds Goes to Town, and It’s a Wonderful Life. Chandler then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.
Author: Charles Keil
Publisher: John Wiley & Sons
ISBN: 1118341252
Category : Performing Arts
Languages : en
Pages : 624
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Book Description
The most comprehensive volume on one of the most controversial directors in American film history A Companion to D.W. Griffith offers an exhaustive look at the first acknowledged auteur of the cinema and provides an authoritative account of the director’s life, work, and lasting filmic legacy. The text explores how Griffith’s style and status advanced along with cinema’s own development during the years when narrative became the dominant mode, when the short gave way to the feature, and when film became the pre-eminent form of mass entertainment. Griffith was at the centre of each of these changes: though a contested figure, he remains vital to any understanding of how cinema moved from nickelodeon fixture to a national pastime, playing a significant role in the cultural ethos of America. With the renewed interest in Griffith’s contributions to the film industry, A Companion to D.W. Griffith offers a scholarly look at a career that spanned more than 25 years. The editor, a leading scholar on D.W. Griffith, and the expert contributors collectively offer a unique account of one of the monumental figures in film studies. Presents the most authoritative, complete account of the director’s life, work, and lasting legacy Builds on the recent resurgence in the director’s scholarly and popular reputation Edited by a leading authority on D.W. Griffith, who has published extensively on this controversial director Offers the most up-to-date, singularly comprehensive volume on one of the monumental figures in film studies
Author: New England Vintage Film Society Inc.
Publisher: Xlibris Corporation
ISBN: 1453587756
Category : Biography & Autobiography
Languages : en
Pages : 569
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Book Description
"They were pioneers in the most glamorous business in the world, and you only know half of their story. Playbills To Photoplays reveals colorful episodes in the lives of the stars before they became stars. Everyone saw them, but few knew where they came from. This collection of essays follows some of the most famous names in show business from Vaudeville and Broadway to Hollywood, revealing a part of their lives that movie historians have neglected -- until now. I think this book is terrific. It's a must read for any fan of the silver screen, and the days when movie stars were real stars." - Morgan Loew, great-grandson of Adolph Zukor, founder, Paramount Pictures, and Marcus Loew, founder, Loews Theaters and MGM. "Ms. Loew's choice of performers to write about is amazingly diverse and fascinating, from character actors like Conrad Veidt to major stars like Katharine Hepburn. She has written a most compelling book about their transitions from stage to film... many of the stories new to me. Wonderful!" - Joan Benny, daughter of comedian, Jack Benny, one of America's greatest entertainment icons of the 20th century, whose career included vaudeville, radio, movies and television. "A nice compilation of essays on film stars who made the transition from the stage to early talkies with essays on Al Jolson, Mae West, Eddie Cantor, Harpo Marx, Spencer Tracy, Clark Gable, Charley Grapewin, Ed Wynn, and the Morgans (Frank and Ralph). Some essays were much better than others - I loved the one on the Morgans, Burns and Allen, Harpo Marx, and Katharine Hepburn... I would highly recommend the book as it gives you a good idea what vaudeville and the Broadway stage was like in the early 20's and what it was about these stars that allowed them to make the transition." -Librarything.com "....big stars as well as a raft of character actors, and decorated with dozens of striking photos...perceptive close-ups that make for vibrant film criticism...engaging profiles of Old Hollywood icons..." - Kirkus "Performers attempting to breakthrough will find this book inspirational!" - An Aspiring Actor Motion pictures with recorded sound --known as "talking pictures", or "talkies"--signaled the end of silent films and created some of the greatest entertainment icons of the twentieth century. Playbills To Photoplays: Stage Performers Who Pioneered the Talkies introduces a new generation to the real life struggles and careers of talented, hard working, early twentieth century vaudeville and stage entertainers who migrated to sound film. Twenty-eight essays and over one hundred photographs examine the actors before, during, and after the revolutionary new sound film technology catapulted many of them to superstardom during Hollywood's Golden Age. Playbills To Photoplays: Stage Performers Who Pioneered the Talkies explains the social, political, economic, historical, and cultural issues that shaped each performer's body of work, acting technique, persona, and public following over time.
Author: Monika Woźniak
Publisher:
ISBN: 0198867530
Category : History
Languages : en
Pages : 350
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Book Description
This volume explores the historical novel Quo vadis written by the Polish author Henryk Sienkiewicz, examining how Sienkiewicz recreated Neronian Rome so vividly and the reasons why his novel was so avidly consumed and reproduced in new editions, translations, visual illustrations, and adaptations to the stage and screen.
Author: Barbara Ryan
Publisher: Syracuse University Press
ISBN: 081565331X
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
First published in 1880, Ben-Hur: A Tale of the Christ became a best-seller. The popular novel spawned an 1899 stage adaptation, reaching audiences of over 10 million, and two highly successful film adaptations. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. The first and only collection of essays on this pivotal cultural icon, Bigger Than “Ben-Hur” addresses Lew Wallace’s beloved classic to explore its polarizing effect and to expand the contexts within which it can be studied. In the essays gathered here, scholars approach Ben-Hur from multiple directions—religious and secular, literary, theatrical, and cinematic—to understand not just one story in varied formats but also what they term the “Ben-Hur tradition.” Drawing from a wide range of disciplines, contributions include the rise of the Protestant novel in the United States; relationships between and among religion, spectacle, and consumerism; the “New Woman” in early Hollywood; and a “wish list” for future adaptations, among others. Together, these essays explore how this remarkably fluid story of faith, love, and revenge has remained relevant to audiences across the globe for over 130 years.
