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Author: Janet Hill
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
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Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Author: Janet Hill
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
Get Book Here
Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Author: Michael W. Shurgot
Publisher: University of Delaware Press
ISBN: 9780874136142
Category : Drama
Languages : en
Pages : 284
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Book Description
Rather than arguing for a "unified response" among spectators, as many scholars do, the book argues that when the plays are performed on thrust stages, the audience's reactions are actually seminal to the plays' intended dramatic effects.
Author: John P. Harrington
Publisher: University Press of Kentucky
ISBN: 0813149576
Category : History
Languages : en
Pages : 209
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Book Description
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
Author: D. Farabee
Publisher: Springer
ISBN: 1137427159
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
This engaging study offers fresh readings of canonical Shakespeare plays, illuminating ways stagecraft and language of movement create meaning for playgoers. The discussions engage materials from the period, present revelatory readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning.
Author: Stephen Joseph
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Author: Viviana Comensoli
Publisher: University of Illinois Press
ISBN: 9780252067303
Category : English drama
Languages : en
Pages : 284
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Book Description
Collection of essays which engages debates over gender in the English Renaissance theater--Cover.
Author: Michael Shapiro
Publisher: University of Michigan Press
ISBN: 9780472084050
Category : Child actors
Languages : en
Pages : 300
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Book Description
Cross-dressing in Shakespeare: a context for Elizabethan gender studies
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472053817
Category : Games & Activities
Languages : en
Pages : 305
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Book Description
Illuminates the fascinating, intertwined histories of games and the Early Modern theater
Author: Lionel Carson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 306
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Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Author: Andrew Bozio
Publisher: Oxford University Press
ISBN: 019258572X
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
