Stage Realism in France Between Diderot and Antoine ... PDF Download
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Author: Edith Melcher
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 206
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Book Description
Author: Edith Melcher
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 206
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Book Description
Author: Claude Schumacher
Publisher: Cambridge University Press
ISBN: 9780521230148
Category : Drama
Languages : en
Pages : 568
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Book Description
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
Author: Donald Roy
Publisher: Cambridge University Press
ISBN: 9780521250801
Category : Drama
Languages : en
Pages : 592
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Book Description
Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.
Author: Yi-fu Tuan
Publisher: U of Minnesota Press
ISBN: 1452908303
Category : Social Science
Languages : en
Pages : 235
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Book Description
Author: Gerd Aage Gillhoff
Publisher: Springer
ISBN: 9401575398
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful.
Author: Guy Rufus Saylor
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 136
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Book Description
Author: Vivian Marie Richards
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
ISBN: 0313029903
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
Author: Gerda Taranow
Publisher: Princeton University Press
ISBN: 1400871360
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
