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Author: Jonathan Howell
Publisher: Crowood Press (UK)
ISBN: 9781847970466
Category : Drama
Languages : en
Pages : 0
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Book Description
Acting.
Author: Jonathan Howell
Publisher: Crowood Press (UK)
ISBN: 9781847970466
Category : Drama
Languages : en
Pages : 0
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Book Description
Acting.
Author: Robert Najarian
Publisher: CRC Press
ISBN: 1317804902
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for the performer, while remaining viscerally engaging for the audience. This book is written for the actor and fight director.
Author: Andrew Ashenden
Publisher: Universal-Publishers
ISBN: 1612330711
Category : Performing Arts
Languages : en
Pages : 127
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Book Description
This book is an introduction to the basics of stage combat in the area of unarmed combat. It holds enough information to give students an understanding of the subject, as well as how to perform some of the more simple "tricks of the trade." The importance of the safety involved in performing stage combat is also discussed.
Author: Philip d'Orleans
Publisher: The Crowood Press
ISBN: 1785007866
Category : Performing Arts
Languages : en
Pages : 552
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Book Description
Stage combat is a constantly evolving craft, responsive to the growing demands of an ever changing industry and an ever more perceptive audience. Experienced fight director, teacher and examiner Philip d'Orleans shows how to respond to this challenge through innovative techniques and original choreography. Unarmed Stage Combat explores the fundamental performance principles of violence on stage, before a dedicated series of chapters focus on over forty specific unarmed combat techniques, including non-contact slaps, punches, kicks and chokes as well as controlled contact and the illusion of falling. Each technique is beautifully illustrated with step-by-step photos and detailed practical guidance through the preparation, action and reaction to the movement, as well as the key safety principles, common pitfalls and staging variables. Supported by stunning fight photos from professional productions, this indispensable handbook is equally as valuable for beginners at the start of their career or preparing for their fight performance exam as it will be for seasoned professionals seeking to refresh their knowledge.
Author: Christopher DuVal
Publisher: Bloomsbury Publishing
ISBN: 1472522168
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum – integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text – disciplines that are at the foundation of actor-training – all through the art of combat movement.
Author: J. Allen Suddeth
Publisher: Heinemann Drama
ISBN: 9780435086749
Category : Education
Languages : en
Pages : 368
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Book Description
Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.
Author: Lanford Wilson
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216254
Category : Drama
Languages : en
Pages : 76
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Book Description
THE STORY: The place is a Manhattan loft shared by Anna, a lithe young dancer-choreographer, and her two gay roommates--her collaborator, Robby, who has just been killed in a freak boating accident, and Larry, a world-weary, caustically funny young adverti
Author: Robert Najarian
Publisher: CRC Press
ISBN: 1317804899
Category : Performing Arts
Languages : en
Pages : 476
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Book Description
The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for the performer, while remaining viscerally engaging for the audience. This book is written for the actor and fight director.
Author: William Hobbs
Publisher:
ISBN: 9780713640229
Category : Performing Arts
Languages : en
Pages : 143
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Book Description
William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years. He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
Author: F. Braun McAsh
Publisher: Crowood Press (UK)
ISBN: 9781847972231
Category : Choreography
Languages : en
Pages : 0
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Book Description
We are so familiar with fight scenes on our screens that they are almost taken for granted, but how do they come about? This comprehensive book explains the artistic process of creating the fight scene from scripted page to finished performance. Fight choreography is the art of creating scenes of illusionary violence for an entertainment medium. It must tell the story of the fight in a manner that is safe for the performer. To do this, the choreographer has to consider everything that directly impinges on physical movement. Fight Choreography looks at each of these factors and draws on the author's own experiences to illustrate the excitement and range of the genre. * Introduces the fight choreography, the performer, characterization and the director * Looks at working with sets, costumes, lighting and special effects * Advises on the variety of armour and weapons, including photographic reference sections * Explains how to choreograph fights with phrases, logic and rhythm * Gives specific advice on subjects ranging from symbolism to blood effects and from battle scenes to motion capture AUTHOR F Braun McAsh has been a professional fight choreographer since 1976. He has over 120 professional credits in film, television and on stage, with over 400 fights on film alone. He is best known as the swordmaster for the hit TV series Highlander and the fourth Highlander movie Endgame. He has directed fights for every artistic medium including opera, motion-capture and animation SELLING POINTS * A comprehensive guide that explains the artistic process of creating the flight scene from scripted page to finished performance * Aimed at novice or experienced fight choreographers, actors, directors and designers * Superbly illustrated with 86 colour photos * Packed with examples * Author a professional fight choreographer for over thirty years and has over 120 professional credits on stage, in film and on television.
