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Author: Michael Bird
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
St Ives is unique in British art history. Between the Second World War and the 1970s, many progressive artists chose to work and often settle around this small port in the far west of Cornwall.Drawing on fresh research, Michael Bird has created a fascinating and highly readable account of St Ives and its artists.
Author: Michael Bird
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
St Ives is unique in British art history. Between the Second World War and the 1970s, many progressive artists chose to work and often settle around this small port in the far west of Cornwall.Drawing on fresh research, Michael Bird has created a fascinating and highly readable account of St Ives and its artists.
Author: Barbara Hepworth
Publisher:
ISBN:
Category : Sculpture, Modern
Languages : en
Pages : 72
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Book Description
An exhibition catalog featuring the artwork of British sculptor Barbara Hepworth.
Author: Virginia Button
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
The achievement of Christopher Wood has often been overshadowed by the legend that grew up around his life after his dramatic suicide at the age of 29. Increasingly, however, critics have come to see his work, particularly the output of the last two years of his life, as having a pivotal role in the development of modernism in Britain. The integrity of Wood's endeavour, the combination of self-confidence and uncertainty, accomplishment and awkwardness gives his paintings a very human quality that continues to be recognised and admired by audiences and painters today.
Author: Penelope Curtis
Publisher: Tate
ISBN: 9781854372253
Category : Art
Languages : en
Pages : 0
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Book Description
Penelope Curtis tells the story of the life and work of one of the central figures of 20th century sculpture. She discusses her art in the light of Hepworth's contemporaries, among them Henry Moore and Ben Nicholson.
Author: Paul Denison
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
"In this new exploration of modern art and St Ives, works by St Ives artists are looked at in the context of their contemporaries in Europe, North America and beyond. The work of this period includes the utopian ideal of constructivism and the tradition of craft and the handmade. Paintings, sculpture and ceramics - drawn from public and private collections in the UK and abroad - richly illustrate how artists' engagement with St Ives was a part of the global art scene of the twentieth century." -- back cover.
Author: Michael McNay
Publisher: Tate Publishing & Enterprises
ISBN:
Category : Art
Languages : en
Pages : 90
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Book Description
The major theme of Patrick Heron's creative life was Cornwall and his work was steeped in locality. This book argues that Heron's great achievement was indeed to redefine the meaning of provinciality.
Author: Margaret Garlake
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 94
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Book Description
Margaret Garlake's study of Peter Lanyon provides a unique survey of his life and work, from his childhood friendship with Patrick Heron to international acclaim in the 1960s. He was the only Cornishman among the leading members of the St. Ives group.
Author: Brandon Taylor
Publisher:
ISBN: 9781869827946
Category :
Languages : en
Pages : 152
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Book Description
Author: Michael Bracewell
Publisher:
ISBN: 9781854378743
Category : Art
Languages : en
Pages : 170
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Book Description
Explores the influence of folklore, mysticism, mythology and the occult on the development of modernism and surrealism in Britain. This book features the works of both historic and contemporary artists, and considers the influence of neo-romantic and arcane themes on a significant strand of British art practice.
Author: Kate R. Robertson
Publisher: Bloomsbury Publishing USA
ISBN: 1501332864
Category : Art
Languages : en
Pages : 256
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Book Description
An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Étaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
