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Author: Seymour Stark
Publisher: Xlibris Corporation
ISBN: 1453582886
Category : Performing Arts
Languages : en
Pages : 171
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Book Description
Contents The Minstrel Show Will Never Die Jim Crow and Tom Thumb Irishness of it All Irving Berlin Titillates Gershwins Racial Profiling Jews in Blackface Jolson the Shlemiel Strutting to Redemption Endnotes -------------------------------- How New York City, the Birthplace of Blackface, Defined Humor and Race for 100 Years (MIB: 12-17) Jim Crow, a blackface stage character, lends his name to the pernicious practice of racial segregation. Native New Yorker Tom Rice performed "Jim Crow" at the Bowery Theatre in 1832. (MIB: 22-24) Edwin P. Christy established the first permanent minstrel hall at 472 Broadway in New York City in 1847. Christy created the stylized format which endured for 10 decades. Why Irish Americans Wore Blackface (MIB: 18-19) Dan Emmets "Dixie", written as a minstrel tune, became the Confederate anthem. In an earlier minstrel song, Emmett romanticized slavery: "Ill dance all night an work all day." (MIB: 46-48) Ned Harrigan, the grandfather of the Broadway musical, pitted on stage the Irish Mulligan Guard in 1879 against the black (white actors in blackface) Skidmore Guard--"Ten platoons of dandy coons." The Blackface Burden of Jewishness (MIB: 73-78) Irving Berlin, son of a cantor, penned his first "coon song" in 1909, and added eight more to his "coon song" cycle. Berlin staged blackface minstrel shows for the Army in both World War I and World War II. His 1942 film, "Holiday Inn", introduced "White Christmas" and Bing Crosby in blackface. (MIB: 101-138) Al Jolson in blackface made the first talking motion picture in 1927. In each of his eight Hollywood films over two decades, Jolson weaved the theme of Jewishness into the blackface minstrel show. He is the worldwide icon of blackface.
Author: Stephen Liggins
Publisher:
ISBN: 9781925424645
Category :
Languages : en
Pages :
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Book Description
An introduction to the Bible's teaching on sport and a compendium of practical advice for maximising the blessings of sport while avoiding its potential dangers.
Author: Brian Harker
Publisher: Oxford University Press
ISBN: 0197514510
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
Though little known today, John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Mostmemorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life. Coming of age with the great jazz musicians, he shared countless stages with the likes of DukeEllington, Cab Calloway, and Ella Fitzgerald. Some of his disciples believed his rhythmic ideas had a formative impact on jazz itself.In later years he made a comeback as a TV personality, revving up the talk shows of Steve Allen and Johnny Carson and playing comic foil to Bob Hope, Judy Garland, and Lucille Ball. Finally, after a massive stroke ended his dancing career, he made a second comeback - complete with acclaimedperformances from his wheelchair - as a living legend inspiring a new generation of entertainers. His biggest obstacle was the same one blocking the path of every other Black performer of his time: unrelenting, institutionalized racism. Yet Bubbles was an entertainer of the old school, fierce andindestructible. In this compelling and deeply researched biography, his dramatic story is told for the very first time.
Author: David Storey
Publisher: Open Road Media
ISBN: 1504015061
Category : Fiction
Languages : en
Pages : 286
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Book Description
A rugby player finds fame and fortune in a bleak mining town, but he cannot outrun the emptiness he feels inside in Man Booker Prize–winning author David Storey’s seminal first novel On Christmas Eve, Arthur breaks his two front teeth. A teammate on the rugby pitch is too slow with a handoff, and instead of catching the ball, Art catches an opponent’s foot right in the mouth. When he regains consciousness, the match is almost over, but he keeps playing regardless. Where else would he go? His entire life, Art has only cared about sports and nothing grabs his attention quite like the lightning-fast violence of Rugby League. He knows it could kill him, but it also makes him feel alive. In this hard-bitten Yorkshire mining town, the warriors of the rugby pitch are treated like gods. Through the aggressive sport, Art finds money, friends, and countless women. But when his lust for violence begins to fade, will he have the courage to leave the game behind?
Author: Robert Colls
Publisher: Oxford University Press, USA
ISBN: 0198208332
Category : History
Languages : en
Pages : 408
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Book Description
This Sporting Life offers an important view of England's cultural history through its sporting pursuits, carrying the reader to a match or a hunt or a fight, viscerally drawing a portrait of the sounds and smells, and showing that sport has been as important in defining British culture as gender, politics, education, class, and religion.
Author: Charles Porterfield
Publisher:
ISBN: 9780996147125
Category :
Languages : en
Pages : 96
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Book Description
Enter into the sporting life, the world of prostitutes, pimps, madams, gamblers, bootleggers, and drag queens. From the ritzy clubs, hidden speakeasies, luxurious brothels, and down-on-their-luck dives of old to the seedy massage parlours and back alleys of today, the sporting life has always intersected with the culture of African-American hoodoo, conjure, and rootwork. Now Professor Porterfield takes you into the clandestine milieu of underworld beliefs and secret practices, and shows the impact that the sporting life has on the world of magic and spirituality. With more than 150 practical spells, charms, recipes, and authentic old-style tricks, The Sporting Life pulls back the velvet curtain that has for too long concealed the life, times, and history of the demimonde. Presenting the magic of the prostitutes of the Bible, the working girls of Storyville and Memphis, the high-stakes bettors, the magnetic madams, the persuasive pimps, the cagey corner dope dealers, and members of oppressed lesbian, gay, bisexual, queer, and transgender communities of colour ? The Sporting Life is sure to startle your senses and thrill your heart. This exhaustively researched book blows open the hidden world of love, lust, vice, and danger that is the sporting life.
Author: Walter Iooss
Publisher: Graphis, Incorporated
ISBN: 9781932026009
Category : Photography
Languages : en
Pages : 200
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Book Description
In his 40-year career, Iooss has covered major sporting events and taken countless portraits of top personalities. Part travelogue and part memoir, this artistic diary weaves over 150 photos and illustrations, newspaper clippings, and handwritten thoughts into visually arresting collages to chronicle his life and behind-the-scenes work.
Author: Seymour Stark
Publisher: Xlibris Corporation
ISBN: 1453582886
Category : Performing Arts
Languages : en
Pages : 171
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Book Description
Contents The Minstrel Show Will Never Die Jim Crow and Tom Thumb Irishness of it All Irving Berlin Titillates Gershwins Racial Profiling Jews in Blackface Jolson the Shlemiel Strutting to Redemption Endnotes -------------------------------- How New York City, the Birthplace of Blackface, Defined Humor and Race for 100 Years (MIB: 12-17) Jim Crow, a blackface stage character, lends his name to the pernicious practice of racial segregation. Native New Yorker Tom Rice performed "Jim Crow" at the Bowery Theatre in 1832. (MIB: 22-24) Edwin P. Christy established the first permanent minstrel hall at 472 Broadway in New York City in 1847. Christy created the stylized format which endured for 10 decades. Why Irish Americans Wore Blackface (MIB: 18-19) Dan Emmets "Dixie", written as a minstrel tune, became the Confederate anthem. In an earlier minstrel song, Emmett romanticized slavery: "Ill dance all night an work all day." (MIB: 46-48) Ned Harrigan, the grandfather of the Broadway musical, pitted on stage the Irish Mulligan Guard in 1879 against the black (white actors in blackface) Skidmore Guard--"Ten platoons of dandy coons." The Blackface Burden of Jewishness (MIB: 73-78) Irving Berlin, son of a cantor, penned his first "coon song" in 1909, and added eight more to his "coon song" cycle. Berlin staged blackface minstrel shows for the Army in both World War I and World War II. His 1942 film, "Holiday Inn", introduced "White Christmas" and Bing Crosby in blackface. (MIB: 101-138) Al Jolson in blackface made the first talking motion picture in 1927. In each of his eight Hollywood films over two decades, Jolson weaved the theme of Jewishness into the blackface minstrel show. He is the worldwide icon of blackface.
Author: Philip Furia
Publisher: Oxford University Press
ISBN: 0190283386
Category : Music
Languages : en
Pages : 304
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Book Description
To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.
Author: Wilfrid Mellers
Publisher: Transaction Publishers
ISBN: 1412845076
Category :
Languages : en
Pages : 592
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Book Description
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
