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Author: Jeffrey Hill
Publisher: Peter Lang
ISBN: 9783039107094
Category : Foreign Language Study
Languages : en
Pages : 220
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Book Description
The development of sport in the twentieth century has been examined from a variety of angles. Rarely, though, has the work of the creative writer been considered in detail. This book directs its attention to this neglected area, examining a selection of novels in which the subject of sport has featured prominently. It highlights the ways in which novelists in the second half of the twentieth century have approached sport, explained its place in society, and through the sporting subject constructed a critique of the historical circumstances in which their narrative is set. The study therefore seeks to complement the increasing body of work on the representation of sport through such media as film, television, and autobiography. It also brings a fresh dimension to the use made by historians of literary sources, suggesting that creative fiction can be far more valuable as historical evidence than has customarily been acknowledged.
Author: Jeffrey Hill
Publisher: Peter Lang
ISBN: 9783039107094
Category : Foreign Language Study
Languages : en
Pages : 220
Get Book Here
Book Description
The development of sport in the twentieth century has been examined from a variety of angles. Rarely, though, has the work of the creative writer been considered in detail. This book directs its attention to this neglected area, examining a selection of novels in which the subject of sport has featured prominently. It highlights the ways in which novelists in the second half of the twentieth century have approached sport, explained its place in society, and through the sporting subject constructed a critique of the historical circumstances in which their narrative is set. The study therefore seeks to complement the increasing body of work on the representation of sport through such media as film, television, and autobiography. It also brings a fresh dimension to the use made by historians of literary sources, suggesting that creative fiction can be far more valuable as historical evidence than has customarily been acknowledged.
Author: Toni Morrison
Publisher: Vintage
ISBN: 0307388638
Category : Literary Criticism
Languages : en
Pages : 86
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Book Description
An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.
Author: William Fitzgerald
Publisher: Cambridge University Press
ISBN: 9780521779692
Category : Language Arts & Disciplines
Languages : en
Pages : 146
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Book Description
Examines slavery in Roman culture through analysis of Roman literature; topics covered include punishment, fantasy, and the use of slaves as intermediaries between free persons.
Author: David Shuttleton
Publisher: Cambridge University Press
ISBN: 052187209X
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Smallpox was a much feared disease until modern times, responsible for many deaths worldwide and reaching epidemic proportions amongst the British population in the seventeenth and eighteenth centuries. This is the first substantial critical study of the literary representation of the disease and its victims between the Restoration and the development of inoculation against smallpox around 1800. David Shuttleton draws upon a wide range of canonical texts including works by Dryden, Johnson, Steele, Goldsmith and Lady Mary Wortley Montagu, the latter having experimented with vaccination against smallpox. He reads these texts alongside medical treatises and the rare, but moving writings of smallpox survivors, showing how medical and imaginative writers developed a shared tradition of figurative tropes, myths and metaphors. This fascinating study uncovers the cultural impact of smallpox, and the different ways writers found to come to terms with the terror of disease and death.
Author: William F. Lynch
Publisher: Intercollegiate Studies Institute
ISBN: 9781932236224
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
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Book Description
Christ and Apollo, originally published in 1960, is a classic of literary criticism, a book that Commonweal once predicted may well change the course of literary studies. It did not do that, of course. Its literary, philosophical, and theological presuppositions, as Glenn Arbery points out in his new introduction, were too different from those of the ruling theoretical paradigms for it to be given a hearing And that is precisely what makes it a volume worth returning to. In Christ and Apollo, William Lynch examines the Greek dramatists, Dante, Shakespeare, Proust, Camus, Graham Greene, and other writers in light of their affinities with two opposing tendencies. The symbol of the first approach is Apollo. For Lynch, this is the tendency to want to escape the finite, real world and the human condition of embodiment: it has much in common with what critic Allen Tate called the angelic imagination. The symbol of the other tendency is Christ, the Word made flesh. Artists working in this tradition give readers a glimpse of the infinite by working patiently and honestly with the materials of the finite world, in all its messy imprecision. For Lynch, then, as Arbery points out, limitation, or finitude, is the great human good. Praised by Flannery O'Connor, among others, Lynch's sophisticated work is in many ways an important elaboration of the New Criticism, avoiding that school of thought's formalist excesses while providing it with firmer philosophical ground. For anyone interested in understanding what distinguishes great literature, Christ and Apollo is an essential text.
Author: Eva Mroczek
Publisher: Oxford University Press
ISBN: 0190279834
Category : History
Languages : en
Pages : 282
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Book Description
How did Jews understand sacred writing before the concepts of "Bible" and "book" emerged? The Literary Imagination in Jewish Antiquity challenges anachronistic categories to reveal new aspects of how ancient Jews imagined written revelation-a wildly varied collection stretching back to the dawn of time, with new discoveries always around the corner.
Author: Katherine Byrne
Publisher: Cambridge University Press
ISBN: 0521766672
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This book examines representations of tuberculosis in Victorian fiction, giving insights into how society viewed this disease and its sufferers.
Author: Toni Morrison
Publisher: University of Virginia Press
ISBN: 0813943639
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
What exactly is goodness? Where is it found in the literary imagination? Toni Morrison, one of American letters’ greatest voices, pondered these perplexing questions in her celebrated Ingersoll Lecture, delivered at Harvard University in 2012 and published now for the first time in book form. Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee’s Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture’s ideas, discussing goodness not only in literature but in society and history—particularly black history, which has responded to centuries of brutality with profound creativity. Morrison’s essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison’s novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison’s notions of goodness and mercy also reflect her understanding of the sacred and the human spirit.
Author: Paul K. Saint-Amour
Publisher: Cornell University Press
ISBN: 9780801440779
Category : Law
Languages : en
Pages : 306
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Book Description
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights--Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day.In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830-1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture.The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law.In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function--the creation of private property incentives--must not be an end in itself.
Author: Angie Abdou
Publisher: Athabasca University Press
ISBN: 177199228X
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Sport literature is never just about sport. The genre’s potential to explore the human condition, including aspects of violence, gender, and the body, has sparked the interest of writers, readers, and scholars. Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts. The contributions sketch the state of current scholarship, highlight recurring themes and patterns, and offer close readings of key works. Organized chronologically by source text, ranging from Shoeless Joe (1982) to Indian Horse (2012), the essays offer a variety of ways to read, consider, teach, and write about sport literature.
