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Author: Clive Scott
Publisher: Reaktion Books
ISBN: 1861896123
Category : Photography
Languages : en
Pages : 368
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Book Description
Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography. The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.
Author: Clive Scott
Publisher: Reaktion Books
ISBN: 1861896123
Category : Photography
Languages : en
Pages : 368
Get Book Here
Book Description
Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography. The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.
Author: Alex Hughes
Publisher: UNM Press
ISBN: 9780826328250
Category : History
Languages : en
Pages : 308
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Book Description
How are photographs understood as narratives? In this book twenty-two original critical essays tackle this overarching question in a series of case studies moving chronologically across the history of photography from the 1840s to the twenty-first century. The contributors explore the intersections of photography with history, memory, autobiography, time, death, mapping, the discourse of Orientalism, digital technology, and representations of race and gender. The essays range in focus from the role of photographic images in the memorialization of the Holocaust, the Argentine "Dirty Warm," and Japanese American internment camps through Man Ray's classic image "Noire et blanche" and Nan Goldin's "The Ballad of Sexual Dependency" to the function of family albums in nineteenth-century England and America.
Author: Christopher Collins
Publisher: Penn State Press
ISBN: 9780271007632
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Reading the Written Image is a study of the imagination as it is prompted by the verbal cues of literature. Since every literary image is also a mental image, a representation of an absent entity, Collins contends that imagination is a poiesis, a making-up, an act of play for both author and reader. The &"willing suspension of disbelief,&" which Coleridge said &"constitutes poetic faith,&" therefore empowers and directs the reader to construct an imagined world in which particular hypotheses are proposed and demonstrated. Although the imagination as a central concept in poetics emerges into critical debate only in the eighteenth century, it has been a crucial issue for over two millennia in religious, philosophical, and political discourse. The two recognized alternative methodologies in the study of literature, the poetic and the hermeneutic, are opposed on the issue of the written image: poets and readers feel free to imagine, while hermeneuts feel obliged to specify the meanings of images and, failing that, to minimize the importance of imagery. Recognizing this problem, Collins proposes that reading written texts be regarded as a performance, a unique kind of play that transposes what had once been an oral-dramatic situation onto an inner, imaginary stage. He applies models drawn from the psychology of play to support his theory that reader response is essentially a poietic response to a rule-governed set of ludic cues.
Author: Jo Catling
Publisher: Routledge
ISBN: 135155008X
Category : Foreign Language Study
Languages : en
Pages : 810
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Book Description
The German novelist, poet and critic W. G. Sebald (1944-2001) has in recent years attracted a phenomenal international following for his evocative prose works such as Die Ausgewanderten (The Emigrants), Die Ringe des Saturn (The Rings of Saturn) and Austerlitz, spellbinding elegiac narratives which, through their deliberate blurring of genre boundaries and provocative use of photography, explore questions of Heimat and exile, memory and loss, history and natural history, art and nature. Saturn's Moons: a W. G. Sebald Handbook brings together in one volume a wealth of new critical and visual material on Sebald's life and works, covering the many facets and phases of his literary and academic careers -- as teacher, as scholar and critic, as colleague and as collaborator on translation. Lavishly illustrated, the Handbook also contains a number of rediscovered short pieces by W. G. Sebald, hitherto unpublished interviews, a catalogue of his library, and selected poems and tributes, as well as extensive primary and secondary bibliographies, details of audiovisual material and interviews, and a chronology of life and works. Drawing on a range of original sources from Sebald's Nachlass - the most important part of which is now held in the Deutsches Literaturarchiv Marbach - Saturn's Moons6g will be an invaluable sourcebook for future Sebald studies in English and German alike, complementing and augmenting recent critical works on subjects such as history, memory, modernity, reader response and the visual. The contributors include Mark Anderson, Anthea Bell, Ulrich von Buelow, Jo Catling, Michael Hulse, Florian Radvan, Uwe Schuette, Clive Scott, Richard Sheppard, Gordon Turner, Stephen Watts and Luke Williams. Jo Catling teaches in the School of Literature at the University of East Anglia and Richard Hibbitt in the Department of French at the University of Leeds.
Author: Peter Gutierrez
Publisher: Teachers College Press
ISBN: 0807754668
Category : Education
Languages : en
Pages : 177
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Book Description
This dynamic resource offers teachers a new way to energize the teaching of writing while also meeting Common Core State Standards. The author draws on his unique background in education and media to provide this all-in-one resource to help teachers use the versatility of scriptwriting to motivate students and support literacy skills across the disciplines. Each chapter covers a different medium, outlining the writing skills required and providing practical tips, sample projects, standards alignment, and strategies for differentiated instruction. Book Featues: the rationale, curricular connections, lessons, and projects to help teachers incorporate scriptwriting into their existing writing curriculum; authentic connections to students' in-school and out-of-school literacies; easy-to-use sections, such as Why Teach This? Skills Focus, Literacy Across the Disciplines, QuickStart lesson launchers, and The Writing Process; robust differentiated instruction including specific strategies for English language learners and below-level students; and appendices with Additional Resources, Revision Checklists, Writing Rubrics, and a glossary of Media and Script terms.
Author: Alex Priou
Publisher: Boydell & Brewer
ISBN: 1580469191
Category : Philosophy
Languages : en
Pages : 258
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Book Description
A rigorous investigation of Socrates' early education, pinpointing the thought that led Socrates to turn from natural science to the study of morality, ethics, and politics
Author: Will Boase
Publisher: MAPS 2022
ISBN:
Category : Art
Languages : en
Pages : 90
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Book Description
From 2010 to 2020 I lived in Uganda, where I worked as a photographer and photojournalist. I would correspond with clients on email, make and file my pictures digitally, and send PDF invoices. I can count on the fingers of one hand the times I saw my photographs physically printed during that period. And yet as I look back on it, nobody ever mentioned how weird this all was. We just got on with it and worked- after all, I needed to get paid, and being new to the business I guessed this was just how it was. It was only when I moved to Europe to join the MAPS course and was confronted with the (to my mind) extravagant market in photobooks juxtaposed against a shrinking pool of physical newspapers on the press stands that I really began to think about this more. It seemed strange that I was making, selling and consuming digital images, and the digital space and its audiences were growing exponentially, while at the same time every conversation I was having was about the object, about books or exhibitions. It seemed like there are images, and there is photography. Why are the two diverging? Radio evolved into podcasts. TV turned into TikTok. This thesis, then, sets out to ask what it is that photography says it does, or thinks it does, and what it actually does in the age of the smartphone. Critics love to tell their readers that photography is dead, but for some reason you can find all those same critics cheerfully posting their lunch on Instagram. This thesis is an invitation and a challenge to photography, to admit that things have changed and to embrace this as an opportunity rather than a threat.
Author: Burt Hopkins
Publisher: Routledge
ISBN: 1317494458
Category : Philosophy
Languages : en
Pages : 302
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Book Description
As the founder of phenomenology, Edmund Husserl has been hugely influential in the development of contemporary continental philosophy. In The Philosophy of Husserl, Burt Hopkins shows that the unity of Husserl’s philosophical enterprise is found in the investigation of the origins of cognition, being, meaning, and ultimately philosophy itself. Hopkins challenges the prevailing view that Husserl’s late turn to history is inconsistent with his earlier attempts to establish phenomenology as a pure science and also the view of Heidegger and Derrida, that the limits of transcendental phenomenology are historically driven by ancient Greek philosophy. Part 1 presents Plato’s written and unwritten theories of eidê and Aristotle’s criticism of both. Part 2 traces Husserl’s early investigations into the formation of mathematical and logical concepts and charts the critical necessity that leads from descriptive psychology to transcendentally pure phenomenology. Part 3 investigates the movement of Husserl’s phenomenology of transcendental consciousness to that of monadological intersubjectivity. Part 4 presents the final stage of the development of Husserl’s thought, which situates monadological intersubjectivity within the context of the historical a priori constitutive of all meaning. Part 5 exposes the unwarranted historical presuppositions that guide Heidegger’s fundamental ontological and Derrida’s deconstructive criticisms of Husserl’s transcendental phenomenology. The Philosophy of Husserl will be required reading for all students of phenomenology.
Author: Ludmilla Jordanova
Publisher: Bloomsbury Publishing
ISBN: 1350300586
Category : Art
Languages : en
Pages : 257
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Book Description
Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.
Author: Seth Benardete
Publisher: University of Chicago Press
ISBN: 0226826430
Category : Language Arts & Disciplines
Languages : en
Pages : 457
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Book Description
This volume brings together Seth Benardete’s studies of Hesiod, Homer, and Greek tragedy, eleven Platonic dialogues, and Aristotle’s Metaphysics. The Argument of the Action spans four decades of Seth Benardete’s work, documenting its impressive range. Benardete’s philosophic reading of the poets and his poetic reading of the philosophers share a common ground, guided by the key he found in the Platonic dialogue: probing the meaning of speeches embedded in deeds, he uncovers the unifying intention of the work by tracing the way it unfolds through a movement of its own. Benardete’s original interpretations of the classics are the fruit of this discovery of the “argument of the action.”
