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Author: Clive Brown
Publisher: Cambridge University Press
ISBN: 9780521029056
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
The life and works of the once renowned nineteenth-century composer who is now largely overlooked.
Author: Clive Brown
Publisher: Cambridge University Press
ISBN: 9780521029056
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
The life and works of the once renowned nineteenth-century composer who is now largely overlooked.
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0190205202
Category : Music
Languages : en
Pages : 300
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Book Description
Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
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Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author: Mark Katz
Publisher: Taylor & Francis
ISBN: 0815336373
Category : Music
Languages : en
Pages : 424
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Book Description
This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.
Author: Louis Spohr
Publisher: Alfred Music
ISBN: 9781457487873
Category : Music
Languages : ar
Pages : 56
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Book Description
Expertly arranged B-Flat Clarinet Solo by Louis Spohr from the Kalmus Edition series. This is from the Romantic era.
Author: Louis Spohr
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 262
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Book Description
Author: Sotheby, Wilkinson & Hodge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author: Wilbur M. Derthick
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 614
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Book Description
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 0393075648
Category : Music
Languages : en
Pages : 197
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Book Description
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
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Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
