In the Shadow of the Alhambra

In the Shadow of the Alhambra PDF Author: W. M. Greenlee
Publisher:
ISBN:
Category : North Africans
Languages : en
Pages : 576

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In the Shadow of the Alhambra

In the Shadow of the Alhambra PDF Author: W. M. Greenlee
Publisher:
ISBN:
Category : North Africans
Languages : en
Pages : 576

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American Fiction, 1774-1900

American Fiction, 1774-1900 PDF Author: Research Publications, inc
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 434

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The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Persons and Places

Persons and Places PDF Author: George Santayana
Publisher:
ISBN:
Category :
Languages : en
Pages :

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National Register of Microform Masters, 1965-1975

National Register of Microform Masters, 1965-1975 PDF Author: Library of Congress. Catalog Publication Division
Publisher:
ISBN:
Category : Books on microfilm
Languages : en
Pages : 892

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Curiosities of Literature

Curiosities of Literature PDF Author: Isaac Disraeli
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 342

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National Register of Microform Masters

National Register of Microform Masters PDF Author:
Publisher:
ISBN:
Category : Books on microfilm
Languages : en
Pages : 896

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The Center for Research Libraries Catalogue: Monographs

The Center for Research Libraries Catalogue: Monographs PDF Author: Center for Research Libraries (U.S.)
Publisher: Chicago : The Center, [1969-19--]
ISBN:
Category : Books
Languages : en
Pages : 616

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Bibliography of American Imprints to 1901: Main part

Bibliography of American Imprints to 1901: Main part PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 426

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The Art and Logic of Ramon Llull

The Art and Logic of Ramon Llull PDF Author: Anthony Bonner
Publisher: BRILL
ISBN: 9004163255
Category : History
Languages : en
Pages : 363

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Book Description
This book attempts to explain the functioning of the combinatorial, semi-mechanical demonstrative techniques of Ramon Llull's 'Art', how it began as an apologetic instrument, how it developed through two main stages, and how it ended trying to reformulate key aspects of medieval Aristotelian logic.