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Author: Kenneth Gross
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Author: Kenneth Gross
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Author: Carol V. Kaske
Publisher: Cornell University Press
ISBN: 1501744542
Category : Religion
Languages : en
Pages : 227
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Book Description
Carol V. Kaske examines how the form, no less than the theology, of Spenser's writings reveals the influence of the Bible and medieval and Renaissance Biblical hermeneutics. Her approach partakes of both the old historicism and the new. Spenser and Biblical Poetics is the first comprehensive account of the contradictions and inconsistencies in Spenser's imagery—particularly in The Faerie Queene. These and his well-known contradictions in doctrine Kaske accepts and celebrates. She shows that Spenser challenges the reader with problems arising from his endorsement of both Protestant and Catholic traditions. She connects Spenser's contradictory style not only with such religious topics (for example, adiaphorism) but also with secular ones such as colonialism, the conflict between nature and culture, and the policies of the Queen. Spenser and Biblical Poetics makes an indispensable contribution to the history of reading in the Renaissance.
Author: Michael L. Stapleton
Publisher: University of Delaware Press
ISBN: 0874130808
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The author's predecessors focus almost exclusively on the Metamorphoses as intertext, but do not often distinguish between early modern Latin editions of the poem and translations such as Arthur Golding's. Although Spenser read Ovid in his native language, during the quarter-century of his writing career, his countrymen such as Shakespeare, Donne, and Lodge imitate and recast the ancient author. During this English aetas Ovidiana, a translation industry arises simultaneously so that the entire corpus is rendered into English, from Golding's Metamorphoses (1567) to Wye Saltonstall's Ex Ponto (1638). Since the sixteenth century did not often read or hear a Roman poet in prose renditions, the author uses Renaissance poetical verse translations (with the Latin text) to explore Spenser's variegated use of Ovid: how he sounded as early modern English poetry.
Author: Gordon Teskey
Publisher: Belknap Press
ISBN: 0674988442
Category : Literary Criticism
Languages : en
Pages : 553
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Book Description
From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world. There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment. Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.
Author: Kenneth Borris
Publisher: Oxford University Press
ISBN: 0192533770
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. This book defines Platonism's roles in early modern theories of literature, then reappraise the Platonizing major poet Edmund Spenser. It makes important new contributions to the knowledge of early modern European poetics and advances our understanding of Spenser's role and significance in English literary history. Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser's poetics, his principal texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet's and lover's inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary "line of vision" including Milton and Blake among others. Although readings of Spenser's Shepheardes Calender typically bypass Plato's Phaedrus, this text deeply informs the Calender's treatments of beauty, inspiration, poetry's psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery's queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato's Republic valorizes philosophy for bringing enlightenment to counter society's illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet.
Author: Edmund Spenser
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
Author: John Guillory
Publisher: Columbia University Press
ISBN: 9780231055413
Category : Literary Criticism
Languages : en
Pages : 220
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Author: Christopher Bond
Publisher: University of Delaware
ISBN: 1611490677
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book studies the interplay of theology and poetics in the three great epics of early modern England, the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines how Spenser and Milton adapted the pattern of dual heroism developed in classical and Medieval works. Challenging the opposition between 'Calvinist,' 'allegorical' Spenser and 'Arminian,' 'dramatic' Milton, this book offers a new understanding of their doctrinal and literary affinities within the European epic tradition.
Author: Sonja Helene Albrecht
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Book Description
Author: Christopher Burlinson
Publisher: DS Brewer
ISBN: 9781843840787
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
An examination of the way in which the material world is depicted in The Faerie Queene. This book provides a radical reassessment of Spenserian allegory, in particular of The Faerie Queene, in the light of contemporary historical and theoretical interests in space and material culture. It explores the ambiguous and fluctuating attention to materiality, objects, and substance in the poetics of The Faerie Queene, and discusses the way that Spenser's creation of allegorical meaning makes use of this materiality, and transforms it.It suggests further that a critical engagement with materiality (which has been so important to the recent study of early modern drama) must come, in the case of allegorical narrative, through a study of narrative and physical space, and in this context it goes on to provide a reading of the spatial dimensions of the poem - quests and battles, forests, castles and hovels - and the spatial characteristics of Spenser's other writings. The book reaffirms theneed to place Spenser in his historical contexts - philosophical and scientific, military and architectural - in early modern England, Ireland and Europe, but also provides a critical reassessment of this literary historicism. Dr CHRISTOPHER BURLINSON is a Research Fellow in English at Emmanuel College, Cambridge.
