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Author: Michael Hicks
Publisher:
ISBN: 9781560853855
Category : Church music
Languages : en
Pages :
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Book Description
"At times jubilant, at times elegiac, this set of ten essays by music historian Michael Hicks navigates topics that range from the inner musical life of Joseph Smith to the Mormon love of blackface musicals, from endless wrangling over hymnbooks to the compiling of Mormon folk and exotica albums in the 1960s. It also offers a brief memoir of what happened to LDS Church President Spencer Kimball's record collection and a lengthy, brooding piece on the elegant strife it takes to write about Mormon musical history in the first place. There are surprises and provocations, of course, alongside judicious sifting of sources and weighing of evidence. The prose is fresh, the research smart, and the result a welcome mixture of the careful and the carefree from Mormonism's best-known scholar of musical life"--
Author: Michael Hicks
Publisher:
ISBN: 9781560853855
Category : Church music
Languages : en
Pages :
Get Book Here
Book Description
"At times jubilant, at times elegiac, this set of ten essays by music historian Michael Hicks navigates topics that range from the inner musical life of Joseph Smith to the Mormon love of blackface musicals, from endless wrangling over hymnbooks to the compiling of Mormon folk and exotica albums in the 1960s. It also offers a brief memoir of what happened to LDS Church President Spencer Kimball's record collection and a lengthy, brooding piece on the elegant strife it takes to write about Mormon musical history in the first place. There are surprises and provocations, of course, alongside judicious sifting of sources and weighing of evidence. The prose is fresh, the research smart, and the result a welcome mixture of the careful and the carefree from Mormonism's best-known scholar of musical life"--
Author: Michael Hicks
Publisher:
ISBN: 9781560852865
Category :
Languages : en
Pages : 240
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Book Description
At times jubilant, at times elegiac, this set of ten essays by music historian Michael Hicks navigates topics that range from the inner musical life of Joseph Smith to the Mormon love of blackface musicals, from endless wrangling over hymnbooks to the compiling of Mormon folk and exotica albums in the 1960s. It also offers a brief memoir of what happened to LDS Church President Spencer Kimball's record collection and a lengthy, brooding piece on the elegant strife it takes to write about Mormon musical history in the first place. There are surprises and provocations, of course, alongside judicious sifting of sources and weighing of evidence. The prose is fresh, the research smart, and the result a welcome mixture of the careful and the carefree from Mormonism's best-known scholar of musical life.
Author: J. Cecil Alter
Publisher:
ISBN:
Category : Utah
Languages : en
Pages : 294
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Book Description
List of charter members of the society: v. 1, p. 98-99.
Author: Clyde A. Milner
Publisher: University of Oklahoma Press
ISBN: 0806165863
Category : History
Languages : en
Pages : 267
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Book Description
The South has been the standard focus of Reconstruction, but reconstruction following the Civil War was not a distinctly Southern experience. In the post–Civil War West, American Indians also experienced reconstruction through removal to reservations and assimilation to Christianity, and Latter-day Saints—Mormons—saw government actions to force the end of polygamy under threat of disestablishing the church. These efforts to bring nonconformist Mormons into the American mainstream figure in the more familiar scheme of the federal government’s reconstruction—aimed at rebellious white Southerners and uncontrolled American Indians. In this volume, more than a dozen contributors look anew at the scope of the reconstruction narrative and offer a unique perspective on the history of the Latter-day Saints. Marshaled by editors Clyde A. Milner II and Brian Q. Cannon, these writers explore why the federal government wanted to reconstruct Latter-day Saints, when such efforts began, and how the initiatives compare with what happened with white Southerners and American Indians. Other contributions examine the effect of the government’s policies on Mormon identity and sense of history. Why, for example, do Latter-day Saints not have a Lost Cause? Do they share a resentment with American Indians over the loss of sovereignty? And were nineteenth-century Mormons considered to be on the “wrong” side of a religious line, but not a “race line”? The authors consider these and other vital questions and topics here. Together, and in dialogue with one another, their work suggests a new way of understanding the regional, racial, and religious dynamics of reconstruction—and, within this framework, a new way of thinking about the creation of a Mormon historical identity.
Author: Robert a Rees
Publisher:
ISBN: 9781560852919
Category :
Languages : en
Pages : 198
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Book Description
Twenty-one women and men discuss what it is about Mormonism that keeps them part of the fold. Their deep, unique experiences make their individual travels even more compelling. Kimberly Applewhite Teitter, growing up in the South as a Black Latter-day Saint, often encountered well-meaning Latter-day Saints whose words messaged the idea that she was at some level an outsider or perhaps not as authentically Mormon as others in her congregation. Thus, she writes, "At the end of the day I'm still Black--still have felt the weight of proving that I represent the church I've fought so hard for my entire life." Yet the very episodes that could have driven her from the church became lessons on the meaning of discipleship.
Author: David Conley Nelson
Publisher: University of Oklahoma Press
ISBN: 0806149744
Category : Religion
Languages : en
Pages : 532
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Book Description
While Adolf Hitler’s National Socialist government was persecuting Jews and Jehovah’s Witnesses and driving forty-two small German religious sects underground, the Church of Jesus Christ of Latter-day Saints continued to practice unhindered. How some fourteen thousand Mormons not only survived but thrived in Nazi Germany is a story little known, rarely told, and occasionally rewritten within the confines of the Church’s history—for good reason, as we see in David Conley Nelson’s Moroni and the Swastika. A page-turning historical narrative, this book is the first full account of how Mormons avoided Nazi persecution through skilled collaboration with Hitler’s regime, and then eschewed postwar shame by constructing an alternative history of wartime suffering and resistance. The Twelfth Article of Faith and parts of the 134th Section of the Doctrine and Covenants function as Mormonism’s equivalent of the biblical admonition to “render unto Caesar,” a charge to cooperate with civil government, no matter how onerous doing so may be. Resurrecting this often-violated doctrinal edict, ecclesiastical leaders at the time developed a strategy that protected Mormons within Nazi Germany. Furthermore, as Nelson shows, many Mormon officials strove to fit into the Third Reich by exploiting commonalities with the Nazi state. German Mormons emphasized a mutual interest in genealogy and a passion for sports. They sent husbands into the Wehrmacht and sons into the Hitler Youth, and they prayed for a German victory when the war began. They also purged Jewish references from hymnals, lesson plans, and liturgical practices. One American mission president even wrote an article for the official Nazi Party newspaper, extolling parallels between Utah Mormon and German Nazi society. Nelson documents this collaboration, as well as subsequent efforts to suppress it by fashioning a new collective memory of ordinary German Mormons’ courage and travails during the war. Recovering this inconvenient past, Moroni and the Swastika restores a complex and difficult chapter to the history of Nazi Germany and the Mormon Church in the twentieth century—and offers new insight into the construction of historical truth.
Author: Linda Sillitoe
Publisher:
ISBN: 9781560852001
Category : History
Languages : en
Pages : 0
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Book Description
Drawing from thousands of pages of police reports, court documents, interviews, letters, and diaries, Sillitoe's and Roberts's narrative cuts through the complexities of this famous crime investigation to deliver a gripping, Capote-esque tale. They embrace the details but lay them out systematically as seen through the eyes of the detectives, victims, and the perpetrator. The darkest secrets unravel gradually--allowing the reader fleeting glimpses of the infamous white salamander as it ducks in and out of its fabricator's head. What was the "salamander letter" and why were so many people determined to possess--and to conceal--it? Why was this one of the most unusual cases in American forensic history? A skilled con artist by anyone's assessment, Mark Hofmann eluded exposure by police and document authenticators--the FBI, Library of Congress, the LDS historical department, and polygraph experts--until George Throckmorton discovered the telltale microscopic alligatoring that was characteristic of the forgeries. What ensued was a suspense-ridden cat-and-mouse game between seasoned prosecutors and a clever, homicidal criminal. In the end, this story only verifies that some facts are indeed stranger than fiction.
Author: Michael Hicks
Publisher: University of Illinois Press
ISBN: 9780252027512
Category : Composers
Languages : en
Pages : 246
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Book Description
In this first full-length study of Henry Cowell, Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Author of the highly influential New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Cowell is regarded as an innovator, a rebel, and a genius. One of the first American composers to be celebrated for the novelty of his techniques, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Henry Cowell, Bohemian traces the venerated experimentalist's radical ideas back to his teachers, including Charles Seeger, Samuel Seward, and E. G. Stricklen, the tightknit artistic communities in the San Francisco Bay area where he grew up and first started composing, and the immeasurable influence of his parents. Mining the published and unpublished writings of his mother, a politically motivated novelist from the Midwest who carefully monitored the pulse of her son's creativity from birth, Hicks provides insight into the composer's heritage, artistic inclinations, and childhood.Focusing on Cowell's formative and most prolific years, from his birth in 1897 through his incarceration on a morals conviction in the 1930s, Hicks examines the philosophical fervor that fueled his whirlwind compositions, and the ways his irrepressible bohemian spirit helped foster an appreciation in the United States and Europe for a new brand of American music.
Author: Carol Lynn Pearson
Publisher: Pivot Point Books
ISBN: 9780997458206
Category : Religion
Languages : en
Pages : 244
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Book Description
"Polygamy?" says the mainstream Mormon Church. "We gave that up long ago." Not so, claims noted LDS poet and author Carol Lynn Pearson, who examines the issue as it has never been examined before. Any member of the LDS Church today who enters the practice of polygamy is immediately excommunicated. However, Pearson claims, polygamy itself has never been excommunicated, but has an honored and protected place at the table. It has only been postponed, a fact confirmed by thousands of "eternal sealings" giving a man an assurance that he will claim as wives in heaven the two, three, or even more women he has sequentially married during his lifetime. No such opportunity is available to women. Through her own personal stories, those of her ancestors, and the thousands of stories that came to her through an Internet survey, Pearson shows the power of the Ghost of Eternal Polygamy as it not only waits on the other side to greet the most righteous in heaven, but also haunts the living-hiding in the recesses of the Mormon psyche, inflicting profound pain and fear, assuring women that they are still objects, harming or destroying marriages, bringing chaos to family relationships, leading many to lose faith in the church and in God. Mormon historian and author Dr. Gregory Prince says of The Ghost of Eternal Polygamy: "Carol Lynn Pearson has hit a home run in her quest to illuminate both the damage that Mormonism's de facto practice of polygamy continues to inflict, and the route to a better, more humane place. Those who truly hope for eternal polygamy or who resent any call to institutional reform will be upset, but countless others will rejoice that she has shown 'a more excellent way.' "
Author: Jake Johnson
Publisher: University of Illinois Press
ISBN: 025205136X
Category : Music
Languages : en
Pages : 306
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Book Description
The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
