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Author: William H. Page
Publisher: Read Books Ltd
ISBN: 1528798732
Category : Design
Languages : en
Pages : 108
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Book Description
Having procured a cult-like following in the modern field of design, this extraordinary volume is brimming with over 100 intricate typeface examples, all skilfully produced and vibrantly coloured. In the world of typography, few titles hold higher esteem than William H. Page's Specimens of Chromatic Wood-Type (1874). First produced in 1874, the book was intended as a catalogue to showcase the capabilities of Page's world-renowned wood type foundry, William Page & Company, to sell the pieces of type to other printers. The elaborate fonts boast up to seven colours, each with labyrinthine borders and bold outlines. In this new facsimile edition, we have taken meticulous steps to preserve the original colour plates of the iconic volume, ensuring that the charm of Page's typographical masterpiece remains true to the original, first printed over 175 years ago. This prolific volume showcases the artistic magic that lies at the heart of letterpress printing in a rich celebration of a once-forgotten craft.
Author: William H. Page
Publisher: Read Books Ltd
ISBN: 1528798732
Category : Design
Languages : en
Pages : 108
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Book Description
Having procured a cult-like following in the modern field of design, this extraordinary volume is brimming with over 100 intricate typeface examples, all skilfully produced and vibrantly coloured. In the world of typography, few titles hold higher esteem than William H. Page's Specimens of Chromatic Wood-Type (1874). First produced in 1874, the book was intended as a catalogue to showcase the capabilities of Page's world-renowned wood type foundry, William Page & Company, to sell the pieces of type to other printers. The elaborate fonts boast up to seven colours, each with labyrinthine borders and bold outlines. In this new facsimile edition, we have taken meticulous steps to preserve the original colour plates of the iconic volume, ensuring that the charm of Page's typographical masterpiece remains true to the original, first printed over 175 years ago. This prolific volume showcases the artistic magic that lies at the heart of letterpress printing in a rich celebration of a once-forgotten craft.
Author: David Shields
Publisher: University of Texas Press
ISBN: 1477327738
Category : Design
Languages : en
Pages : 415
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Book Description
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Author: Rob Roy Kelly
Publisher:
ISBN: 9780978588175
Category : Design
Languages : en
Pages : 352
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Book Description
The first and most authoritative history of wood type in the United States is now reissued in paperback. This book tells the complete story of wood type, beginning with the history of wood as a printing material, the development of decorated letters and large letters, and the invention of machinery for mass-producing wood letters. The 19th-century heyday of wood type is explored in great detail, including all aspects of design, manufacture, and marketing, and the evolution of styles. Many related trades interacted with wood type production; the book examines the influence of lithography, letterpress, metal-plate and wood engraving, sign painting and calligraphy, poster printing, and type-founding. Long out of print, the book is still regarded by scholars and designers as an invaluable resource for a rich legacy of typographic art. More than 600 specimens of wood type are classified and annotated, as are more than 100 specimens of complete fonts. This reissue includes a new foreword by David Shields, Design Curator of the Rob Roy Kelly Wood Type Collection at the University of Texas at Austin, discussing the renewed interest in the subject since the mid-1990s as well as ongoing research into the history of wood type.
Author: Wm. H. Page Wood Type Co
Publisher:
ISBN:
Category : Commercial catalogs
Languages : en
Pages : 0
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Book Description
Author: Keith Houston
Publisher: W. W. Norton & Company
ISBN: 0393064425
Category : Design
Languages : en
Pages : 353
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Book Description
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 740
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Book Description
Author: Peter John Brownlee
Publisher: University of Pennsylvania Press
ISBN: 0812295307
Category : History
Languages : en
Pages : 407
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Book Description
When Ralph Waldo Emerson wrote in 1837 that "Our Age is Ocular," he offered a succinct assessment of antebellum America's cultural, commercial, and physiological preoccupation with sight. In the early nineteenth century, the American city's visual culture was manifest in pamphlets, newspapers, painting exhibitions, and spectacular entertainments; businesses promoted their wares to consumers on the move with broadsides, posters, and signboards; and advances in ophthalmological sciences linked the mechanics of vision to the physiological functions of the human body. Within this crowded visual field, sight circulated as a metaphor, as a physiological process, and as a commercial commodity. Out of the intersection of these various discourses and practices emerged an entirely new understanding of vision. The Commerce of Vision integrates cultural history, art history, and material culture studies to explore how vision was understood and experienced in the first half of the nineteenth century. Peter John Brownlee examines a wide selection of objects and practices that demonstrate the contemporary preoccupation with ocular culture and accurate vision: from the birth of ophthalmic surgery to the business of opticians, from the typography used by urban sign painters and job printers to the explosion of daguerreotypes and other visual forms, and from the novels of Edgar Allan Poe and Herman Melville to the genre paintings of Richard Caton Woodville and Francis Edmonds. In response to this expanding visual culture, antebellum Americans cultivated new perceptual practices, habits, and aptitudes. At the same time, however, new visual experiences became quickly integrated with the machinery of commodity production and highlighted the physical shortcomings of sight, as well as nascent ethical shortcomings of a surface-based culture. Through its theoretically acute and extensively researched analysis, The Commerce of Vision synthesizes the broad culturing of vision in antebellum America.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 436
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Book Description
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
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Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Author: Thaddeus Davids
Publisher: New York : T. Davids
ISBN:
Category : Science
Languages : en
Pages : 128
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Book Description
