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Author: Michael Berry
Publisher: Columbia University Press
ISBN: 9780231133319
Category : Performing Arts
Languages : en
Pages : 588
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Book Description
Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.
Author: Michael Berry
Publisher: Columbia University Press
ISBN: 9780231133302
Category : Motion pictures
Languages : en
Pages : 592
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Book Description
Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.
Author: Roma Chatterji
Publisher: Taylor & Francis
ISBN: 1000059189
Category : Art
Languages : en
Pages : 266
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Book Description
Speaking with Pictures offers a path-breaking exploration of visual narratives in folk art. It foregrounds folk art’s engagement with modernity by re-looking at its figurative modes and the ways in which they are embedded in mythic thought. The book discusses folk art as a contemporary phenomenon which is a part of a complex visual culture where the ‘essence’ of tradition is best captured in a ‘new’ form or medium. Each chapter picks up a theme that moves between the local and the global, thereby attempting to problematise the stereotypical view of folk artists as carriers of ‘timeless tradition’. The volume provides an ethnographic account of innovations through a detailed analysis of the scroll painting tradition of the patuas of West Bengal and the Pardhan-Gond style of Madhya Pradesh, highlighting some recent attempts at inter-medium exchange in storytelling. The book will interest those in visual and popular culture in anthropology, sociology, literary criticism and folklore. It will also be of immense value to art historians, museologists, curators and NGOs working in media and communication, apart from those with a general interest in folk art.
Author: David duChemin
Publisher: New Riders
ISBN: 0132733234
Category : Photography
Languages : en
Pages : 537
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Book Description
When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Author: Jolyon P. Mitchell
Publisher: A&C Black
ISBN: 9780567087010
Category : Religion
Languages : en
Pages : 314
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Book Description
What can preachers learn from the art of radio broadcasting? Jolyon Mitchell considers radio broadcasting in Britain and America, including C. S. Lewis, The Radio Padre, Ed Murrow, Lionel Blue and Angela Tilby. He explores how the speaker can create pictures with words and engage listeners in multi-sensory ways. This book offers theological insights and practical guidelines to enable preachers to listen and to communicate more creatively in today's media-saturated world.
Author: Deborah Steiner
Publisher: Princeton University Press
ISBN: 9780691094885
Category : Art
Languages : en
Pages : 382
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Book Description
In archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about--and interacted with--statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice ''good to think with.'' Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within. By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social--rather than purely aesthetic--study will attract art historians, cultural historians, and anthropologists, as well as classicists.
Author: Leonard Barkan
Publisher: Princeton University Press
ISBN: 0691141835
Category : Art
Languages : en
Pages : 208
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Book Description
No detailed description available for "Mute Poetry, Speaking Pictures".
Author: Robert J. Daigle
Publisher: Summer Publishing LLC
ISBN: 0972065350
Category : Public speaking
Languages : en
Pages : 154
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Book Description
Author: Michael Oppenheim
Publisher: State University of New York Press
ISBN: 143841515X
Category : History
Languages : en
Pages : 216
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Book Description
Speaking/Writing of God explores the manner in which religious language develops in answer to the challenges and promise of three features of the life with others: the encounter between persons, the quest by Jewish women to be accepted—including their distinctiveness/otherness as women—as full participants in Jewish communal life, and the dialogue between Jews and non-Jews. Although a major stream of modern Jewish philosophy has focused on the transcendent dimension of the relationship between persons, this book studies the contribution of feminist Judaism to modern Jewish philosophy and the impact of religious pluralism on Jewish religious life and thought.
Author: Susan S. Williams
Publisher: University of Pennsylvania Press
ISBN: 1512808873
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Susan Williams recovers the literary and cultural significance of early photography in an important rereading of American fiction in the decades preceding the Civil War. The rise of photography occurred simultaneously with the rapid expansion of magazine publication in America, and Williams analyzes the particular role that periodicals such as Godey's Lady's Book, Burton's Gentleman's Magazine, and Atkinson's Casket played in defining how photography was received. At the center of the book are readings of a stunning array of fiction by forgotten and canonical writers alike, including Edgar Allan Poe, Louisa May Alcott, and Sarah Hale, as well as extended interpretations of Nathaniel Hawthorne's House of the Seven Gables and The Marble Faun and Herman Melville's Pierre. In a concluding section, Williams offers a view of the fictional portrait in the later nineteenth century, when the proliferation of illustrated books once again transformed the relation between word and image in American culture.
Author: Alan Hager
Publisher: University of Delaware Press
ISBN: 9780874133905
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
A discussion of Philip Sidney as a creator of fictions, a critic, and a poet, who adopted a variety of personae to teach his readers how they could fool themselves into forgetting who they were, both in the context of the psychic inner world and in the outer realm of social position. Included in this study are Sidney's court entertainments now known as The Lady of May, the Defence of Leicester, Defence of Poetry, and the Arcadias.
