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Author: Margo Swiss
Publisher: Pittsburgh, Pa. : Duquesne University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
Grief is a universal emotion expressed in response to numerous forms of loss or bereavement. Expressing grief has been subject to varying degrees of religious and social constraint in different periods of history and in different cultures and traditions. This collection of 12 essays by both established and newer scholars explores the question of grief expression in a wide variety of writers and genres in the period from Shakespeare to Milton. Contributors examine lyric poems and plays as well as prose works such as sermons, diaries, and medical treatises to disclose the challenges faced by writers of both sexes in dealing with the trauma of loss. The roots of grief expression in personal experience or collective loss, or as described in scientific speculation or literary forms, demonstrate both the complexity and the centrality of this subject in the social and literary history of the period. Actors debate the topic of sorrow, poets wrestle with decorum and sincerity, women diarists confide their private feelings, clerics admonish the grieving with the consolations of faith, and writers discover the limitations of language and articulation in seeking to express sorrow. In the aftermath of deconstructive analyses of literature, there has been a discernible turn toward rediscovering the emotional textures of literature. The subject of grief is a good example of this trend, and this collection is one of the first efforts to address this theme in relation to a specific period of literary history.
Author: Margo Swiss
Publisher: Pittsburgh, Pa. : Duquesne University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 384
Get Book Here
Book Description
Grief is a universal emotion expressed in response to numerous forms of loss or bereavement. Expressing grief has been subject to varying degrees of religious and social constraint in different periods of history and in different cultures and traditions. This collection of 12 essays by both established and newer scholars explores the question of grief expression in a wide variety of writers and genres in the period from Shakespeare to Milton. Contributors examine lyric poems and plays as well as prose works such as sermons, diaries, and medical treatises to disclose the challenges faced by writers of both sexes in dealing with the trauma of loss. The roots of grief expression in personal experience or collective loss, or as described in scientific speculation or literary forms, demonstrate both the complexity and the centrality of this subject in the social and literary history of the period. Actors debate the topic of sorrow, poets wrestle with decorum and sincerity, women diarists confide their private feelings, clerics admonish the grieving with the consolations of faith, and writers discover the limitations of language and articulation in seeking to express sorrow. In the aftermath of deconstructive analyses of literature, there has been a discernible turn toward rediscovering the emotional textures of literature. The subject of grief is a good example of this trend, and this collection is one of the first efforts to address this theme in relation to a specific period of literary history.
Author: Elizabeth Hodgson
Publisher: Cambridge University Press
ISBN: 1107079985
Category : History
Languages : en
Pages : 207
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Book Description
This book examines the way in which early modern women writers conceived of grief and the relationship between the dead and the living.
Author: H.L. Meakin
Publisher: Routledge
ISBN: 1351541692
Category : History
Languages : en
Pages : 411
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Book Description
Lady Anne Bacon Drury (1572-1624) was the granddaughter and niece of two of England's Lord Keepers of the Great Seal, Sir Nicholas Bacon and Sir Francis Bacon. Lady Anne was also the friend and patroness of John Donne and Joseph Hall; however, she deserves to be remembered in her own right. Within her massive country house, Lady Anne created a tiny painted room that she seems to have used as a kind of three-dimensional book. The walls consisted of panels of pictures and mottoes, grouped under Latin sentences. These panels can still be viewed in a Suffolk museum: Christchurch Mansion in Ipswich. Some panels point to classical and Biblical sources, and to popular emblem books. The sources of other panels are more recondite, while still others are original compositions by Lady Anne. The panels exhibit a contemptus mundi theme and reflect a struggle with ambition, pride, and even despair. Some panels also appear to register carefully veiled but pointed critiques of political and religious events and figures. Lady Anne's painted closet or 'architext' is thus relevant to a wide range of early modern scholarship in various disciplines but is as yet largely unappreciated. For the first time in four hundred years, this book fully describes the closet and places it in its personal, social, intellectual, and aesthetic contexts. It argues for the painted closet's importance for understanding early modern conceptualizations of private and public spaces, and for illuminating fundamental early modern habits of seeing and reading (especially combinations of text and image). Finally, this book explores the closet as an example of the ingenious ways in which female subjectivity found ways to express itself even within the constraints of early modern patriarchal society in England.
Author: Rebecca Totaro
Publisher: Routledge
ISBN: 1317021304
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
The Plague Epic in Early Modern England: Heroic Measures, 1603-1721 presents together, for the first time, modernized versions of ten of the most poignant of plague poems in the English language - each composed in heroic verse and responding to the urgent need to justify the ways of God in times of social, religious, and political upheaval. Showcasing unusual combinations of passion and restraint, heart-rending lamentation and nation-building fervor, these poems function as literary memorials to the plague-time fallen. In an extended introduction, Rebecca Totaro makes the case that these poems belong to a distinct literary genre that she calls the 'plague epic.' Because the poems are formally and thematically related to Milton's great epics Paradise Lost and Paradise Regained, this volume represents a rare discovery of previously unidentified sources of great value for Milton studies and scholarly research into the epic, didactic verse, cultural studies of the seventeenth century, illness as metaphor, and interdisciplinary approaches to illness, natural disaster, trauma, and memory.
Author: Elizabeth Hodgson
Publisher: Cambridge University Press
ISBN: 1009223585
Category : History
Languages : en
Pages : 231
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Book Description
This first published book on Milton's masculinities exposes how Milton constructs the power-cultures of manhood in his most famous works.
Author: Richard Rowland
Publisher: Routledge
ISBN: 1351879162
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
Author: Allison P. Hobgood
Publisher: Cambridge University Press
ISBN: 1107041287
Category : Drama
Languages : en
Pages : 247
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Book Description
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472123912
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Author: Lianne Habinek
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554300
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
In the early modern period, poetic form underpinned and influenced scientific progress. The language and imagery of seventeenth-century writers and natural philosophers reveal how the age-old struggle between body and soul led to the brain’s emergence as a curiosity in its own right. Investigating the intersection of the humanities and sciences in the works of authors ranging from William Shakespeare and John Donne to William Harvey, Margaret Cavendish, and Johann Remmelin, Lianne Habinek tells how early modernity came to view the brain not simply as grey matter but as a wealth of other wondrous possibilities – a book in which to read the soul’s writing, a black box to be violently unlocked, a womb to nourish intellectual conception, a creative engine, a subtle knot that traps the soul and thereby makes us human. For seventeenth-century thinkers, she argues, these comparisons were not simply casual metaphors but integral to early ideas about brain function. Demonstrating how the disparate fields of neuroscientific history and literary studies converged, The Subtle Knot tells the story of how the mind came to be identified with the brain.
Author: Jennifer C. Vaught
Publisher: Routledge
ISBN: 1351919393
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
