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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1280
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Book Description
A weekly review of politics, literature, theology, and art.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1280
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Book Description
A weekly review of politics, literature, theology, and art.
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 730
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Book Description
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ISBN:
Category : Bibliography
Languages : en
Pages : 800
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Book Description
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ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
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Category : Library catalogs
Languages : en
Pages : 600
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Category : Latin America
Languages : en
Pages : 436
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Author: Robert Rattray Tatlock
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 438
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Book Description
Author: R R (Robert Rattray) 1889 Tatlock
Publisher: Hassell Street Press
ISBN: 9781013755149
Category :
Languages : en
Pages : 446
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: R R (Robert Rattray) 1889 Tatlock
Publisher: Hassell Street Press
ISBN: 9781014335555
Category :
Languages : en
Pages : 446
Get Book Here
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
