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Author: Sarah Bryant-Bertail
Publisher: Boydell & Brewer
ISBN: 9781571131867
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The development of epic theater before, during, and after Brecht's time, and analysis of epic productions, showing the form's continued relevance.
Author: Sarah Bryant-Bertail
Publisher: Boydell & Brewer
ISBN: 9781571131867
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The development of epic theater before, during, and after Brecht's time, and analysis of epic productions, showing the form's continued relevance.
Author: Patrice Pavis
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Author: Antony Tatlow
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
For about thirty years in the middle of the twentieth century, Samuel Beckett and Bertolt Brecht dominated Western theater by virtue of their difference. Beckett represented a theater of the absurd and Brecht a theater of political commitment, each defining the other by their incompatibilities. Only their successors began to question the dichotomies and to draw on both their legacies. This volume looks back at the common ground of these two dramatists: their modernism and its legacy, their innovations in new media, the ways they directed their own work, and the shape of their thinking and writing. This territory is explored from the various perspectives of directors, dramaturgs, actors, and theorists in these contributions from a 2001 symposium at the University of Dublin. Distributed for the International Brecht Society In English and German
Author: Julian Boal
Publisher: Taylor & Francis
ISBN: 1000901378
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Political theatre, like any kind of political action, can only be judged in relation to the political moment in which it tries to intervene. Theatre of the Oppressed (TO) was created to fight against dictatorship and an extremely centralized conception of politics. How does it function now, in a time of social media and so-called participatory democracies? Providing an in-depth account of the political and cultural context in which TO emerged, this book asks: How do contemporary understandings of concepts like oppression, representation, participation, and emancipation shape TO today? Highlighting the pitfalls of reducing oppression to one-to-one relationships, the book proposes a version of Forum Theatre dramaturgy that portrays oppression as a defining structure of societies. The author also shares specific examples of movements and other organizations that use Theatre of the Oppressed to construct themselves. Theatre of the Oppressed and Its Times is an essential text for practitioners and scholars of TO, applied theatre practitioners, students, and anyone interested in how theatre can concretely assist in the transformation of the world.
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Author: Howard Caygill
Publisher: Routledge
ISBN: 1000158756
Category : Art
Languages : en
Pages : 188
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Book Description
This book analyzes the development of Walter Benjamin's concept of experience in his early writings showing that it emerges from an engagement with visual experience, and in particular the experience of colour. It represents Benjamin as primarily a thinker of the visual field.
Author: Haiping Yan
Publisher: Routledge
ISBN: 131745376X
Category : Political Science
Languages : en
Pages : 485
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Book Description
Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Author: Gundolf S. Freyermuth
Publisher: Fuego
ISBN: 3862871770
Category : Computers
Languages : en
Pages : 233
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Book Description
How did games rise to become the central audiovisual form of expression and storytelling in digital culture? How did the practices of their artistic production come into being? How did the academic analysis of the new medium's social effects and cultural meaning develop? Addressing these fundamental questions and aspects of digital game culture in a holistic way for the first time, Gundolf S. Freyermuth's introduction outlines the media-historical development phases of analog and digital games, the history and artistic practices of game design, as well as the history, academic approaches, and most important research topics of game studies.
Author: Maggie B. Gale
Publisher: Routledge
ISBN: 1136345221
Category : Drama
Languages : en
Pages : 882
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Book Description
A groundbreaking compilation of the key movements in the history of modern theatre. Each of the book’s parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading. "Here is an anthology of plays and criticism that all teachers of drama should take seriously. The fresh angles and approaches the volume offers on topics such as naturalism, the historical avant-garde, and breakthrough works by innovative performance artists (e.g., Laurie Anderson, SuAndi) all argue in favor of this collection as required reading in courses on modern stagecraft." CHOICE, Feb 2011
Author: Sean Carney
Publisher: Routledge
ISBN: 1000143228
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Arguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
