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Author: William Christenberry
Publisher:
ISBN: 9780893811105
Category : Alabama
Languages : en
Pages : 0
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Book Description
Author: William Christenberry
Publisher:
ISBN: 9780893811105
Category : Alabama
Languages : en
Pages : 0
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Book Description
Author: Herbert K. Russell
Publisher: SIU Press
ISBN: 9780809315895
Category : History
Languages : en
Pages : 164
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Book Description
Life on the road was anything but glamorous for Farm Security Administration photographers traveling through southern Illinois in the mid-1930s. Often their most promising subjects lived at the end of the worst roads, many of which lacked bridges, drainage ditches, or gravel. Outfitted with three government-issue cameras, flashbulbs, tripods, and film-processing chemicals, their job was to help "explain America to Americans" by seeking out and photographing the one-third of the nation FDR described as "ill-housed, ill-clad, and ill-nourished." Featured in this book are more than one hundred photographs from the collection of a quarter of a million taken by FSA photographers between 1935 and 1943. These pictures capture life during the Great Depression as viewed in the coal-mining towns of Herrin, West Frankfort, and Zeigler; the river communities of Shawneetown, Cairo, and Grayville; the farming regions near McLeansboro, Newton, and Harrisburg--more than two dozen southern Illinois county seats, hamlets, and landings. Together they comprise a photographic portrait of the determination, hard work, and capacity to find ways to celebrate life exemplified by the people of southern Illinois during one of the most difficult periods of American history. FSA photographers helped to invent and popularize the "documentary style," a type of photography in which pictures and their arrangement carry much of the information in a story. Intended to document the success of a government project, these pictures survived to preserve for later generations the story of the people of southern Illinois and how they endured the difficult times of the Great Depression.
Author: Harry L. Watson
Publisher: UNC Press Books
ISBN: 080786840X
Category : History
Languages : en
Pages : 132
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Book Description
The Cruel Radiance of the Obvious, The 2011 Photography Issue Tom Rankin, Guest Editor Our second Photography issue features full-color photographs by William Eggleston, William Christenberry, and much more. CONTENTS Front Porch by Harry L. Watson "It requires very special talent to make great photographs, and those who have it are among our finest artists." The Cruel Radiance of the Obvious by Tom Rankin "Photography in its finest and most decisive moments is about those tired or ignored or unseen parts of our lives, the mundane and worn paths that sit before us so firmly that we cease to notice. It is, we might say, about rebuilding our sight in the face of blindness, of recovering our collective vision." American Studies by Michael Carlebach "Many years ago I concluded that for me truth and beauty, and perhaps wit and wisdom as well, are more likely to reside in what is ordinary and seemingly insignificant. This is, perhaps, a sideways look at America and American culture, but it is one that can produce moments that describe us all, but without makeup and bereft of a spokesperson." Mapping The Democratic Forest The Postsouthern Spaces of William Eggleston by Ben Child "When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston's palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest." Stereo Propaganda by Lynn Marshall-Linnemeier "In this examination, magic and myth-two of my favorite vehicles-act as buffers to the dominant power structure. It brings together two bodies of collectibles, one personal and one commercial, with the intent of shifting stereotypes about race and southern culture." Interview "Those little color snapshots": William Christenberry interviewed by William R. Ferris "Santa Claus had brought me and my sister a small Brownie camera in the late 1940s, and I just loaded it with color film and went out to that Alabama landscape and began to photograph what caught my eye." Heroes of Hell Hole Swamp Photographs of South Carolina Midwives by Hansel Mieth and W. Eugene Smith by Dolores Flamiano "Mieth and Smith shared a belief that photography could bring social change. They viewed Pat Clark and Maude Callen as heroic healers whose stories would inspire racial understanding. Both photographers shot powerful images of the most visceral human experiences: birth, death, sexuality, and disease." Women Working by Susan Harbage Page "'Rough. It is rough being a female.'" Not Forgotten The Day Is Past and Gone Family Photographs from Eastern North Carolina By Scott Matthews "'It is in fact hard to get the camera to tell the truth; yet it can be made to, in many ways and on many levels. Some of the best photographs we are ever likely to see are innocent domestic snapshots.'" All eight articles from this issue of Southern Cultures are also available individually as stand-alone ebooks.
Author: Lorena Rizzo
Publisher: Routledge
ISBN: 0429800045
Category : History
Languages : en
Pages : 278
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Book Description
This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form. Through use of private and public archives, images produced by African itinerant photographers, white settlers, and colonial state institutions, this book explores the relationship between photography and history in colonial Southern Africa. Late nineteenth century Cape Colonial prison albums, police photographs from German Southwest Africa, African studio portraits, identity documents, travel permits and passports from the 1920s and 1930s, visual studies of whiteness and blackness authored by settler photographers, South African dompas photographs from the 1950s and 1960s, and aerial photography from the Eastern Cape in the mid-twentieth century are examined to highlight the ways in which photographic images cut across conventional institutional boundaries and complicate rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, or the subject and the object. Photography and History in Colonial Southern Africa argues that rather than understanding photographs as a means of preserving and recreating the past in the present, we can value them for how they evoke at once the need for and the limits of historical reconstruction. This book will be of interest to students and scholars of colonial history, photographic history, visual media, and African studies.
Author: Mark Speltz
Publisher: Getty Publications
ISBN: 160606505X
Category : History
Languages : en
Pages : 164
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Book Description
The history of the civil rights movement is commonly illustrated with well-known photographs from Birmingham, Montgomery, and Selma—leaving the visual story of the movement outside the South remaining to be told. InNorth of Dixie, historian Mark Speltz shines a light past the most iconic photographs of the era to focus on images of everyday activists who fought campaigns against segregation, police brutality, and job discrimination in Chicago, Detroit, Los Angeles, Philadelphia, and many other cities. With images by photojournalists, artists, and activists, including Bob Adelman Charles Brittin, Diana Davies, Leonard Freed, Gordon Parks, and Art Shay, North of Dixie offers a broader and more complex view of the American civil rights movement than is usually presented by the media.North of Dixie also considers the camera as a tool that served both those in support of the movement and against it. Photographs inspired activists, galvanized public support, and implored local and national politicians to act, but they also provided means of surveillance and repression that were used against movement participants. North of Dixie brings to light numerous lesser-known images and illuminates the story of the civil rights movement in the American North and West.
Author: Alyssa Rosenheck
Publisher: Abrams
ISBN: 1647001757
Category : House & Home
Languages : en
Pages : 449
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Book Description
A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.
Author: Berkley Hudson
Publisher: UNC Press Books
ISBN: 146966271X
Category : Photography
Languages : en
Pages : 269
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Book Description
Photographer O. N. Pruitt (1891–1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 190 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.
Author: Lorena Rizzo
Publisher: Routledge
ISBN: 0429800037
Category : History
Languages : en
Pages : 326
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Book Description
This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form. Through use of private and public archives, images produced by African itinerant photographers, white settlers, and colonial state institutions, this book explores the relationship between photography and history in colonial Southern Africa. Late nineteenth century Cape Colonial prison albums, police photographs from German Southwest Africa, African studio portraits, identity documents, travel permits and passports from the 1920s and 1930s, visual studies of whiteness and blackness authored by settler photographers, South African dompas photographs from the 1950s and 1960s, and aerial photography from the Eastern Cape in the mid-twentieth century are examined to highlight the ways in which photographic images cut across conventional institutional boundaries and complicate rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, or the subject and the object. Photography and History in Colonial Southern Africa argues that rather than understanding photographs as a means of preserving and recreating the past in the present, we can value them for how they evoke at once the need for and the limits of historical reconstruction. This book will be of interest to students and scholars of colonial history, photographic history, visual media, and African studies.
Author: Emily J. Followill
Publisher: Gibbs Smith
ISBN: 1423638867
Category : House & Home
Languages : en
Pages : 465
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Book Description
Explore the beauty, tradition, and stylish renovation of rustic mountain homes across the Southern Appalachians in this gorgeously photographed book. The cool, wooded mountains of the South are dotted with log cabins, each with its own rich history and aesthetic charm. In The Southern Rustic Cabin, photographer Emily Followill captures the rugged beauty and unique personality of thirteen mountain homes located across Tennessee, Georgia, North Carolina, Alabama, and Virginia. The homeowners have lovingly preserved the age-old qualities of their cabins while renovating, revitalizing, and redecorating them to support modern living and reflect their personal style. Alongside her stunning photography of interiors and exteriors, Followill tells the story of how each cabin and owner came together; as the owners changed their cabins, the cabins invariably changed the owners as well.
Author:
Publisher:
ISBN:
Category : Buildings
Languages : en
Pages : 78
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Book Description
"This publication is a revision and update of Catalog of Earthquake Photographs, KGRD NO. 3, Revised 1975 Edition, published by the National Geophysical and Solar-Terrestrial Data Center. It is a collection of earthquake damage photographs obtained from 63 different government and private sources. It lists chronologically by date approximately 750 photographs on the subject of earthquakes and contains descriptions and examples of the collection"--Introduction
