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Category : Art, South Asian
Languages : en
Pages :
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Author:
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Category : Art, South Asian
Languages : en
Pages :
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Author: Vincent Lefèvre
Publisher: Brepols Publishers
ISBN: 9782503568034
Category : Archaeology
Languages : en
Pages : 0
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Book Description
The European Association for South Asian Archaeology and Art promotes the study of archaeology, art history, architectural history, material culture, numismatics and epigraphy in South Asia. Twenty-three contributions have been carefully selected from the 2012 international conference in Paris and have been arranged according to a chronological and thematic perspective. This volume focuses mainly on the complex relationships between man and a changing environment in Prehistoric and Protohistoric South Asia.
Author: Swadhin Sen
Publisher: Taylor & Francis
ISBN: 1000780759
Category : History
Languages : en
Pages : 303
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Book Description
This book looks at the ways in which archaeological methods have been used in debates concerning the early medieval and medieval periods in South Asia. Despite the incorporation and use of archaeological data to corroborate historical narratives, the theories and methods of archaeology are largely ignored in and excluded from the dominating, institutionalized, and hegemonic disciplinary discourses. The volume offers contesting insights, polemical narratives, and new data from archaeological contexts to initiate a debate on many foundational premises of archaeological and historical narratives. It focuses on the much-neglected region of the Eastern Ganga-Brahmaputra Basin as a spatial frame to do this and studies themes such as spatial and temporal scales of concepts and methods, multi-scaler factors and processes of continuity and changes, the settlement archaeology of the alluvial landscape, changing patterns of agrarian transformation, and material cultures, including coins, inscriptions, pottery, and sculptures, in their contexts in sub-regional, regional, and supra-regional intersections. Dedicated to historian Brajadulal Chattopadhyaya, this volume presents a crucial and unprecedented intervention in the study of the early medieval and the medieval periods. It will be useful for scholars and researchers of archaeology, ancient history, medieval history, water history, earth sciences, palaeoecology, historical ecology, epigraphy, art history, material culture studies, Indian history, and South Asian studies in general.
Author: Aloka Parasher Sen
Publisher: Springer Nature
ISBN: 9819762308
Category :
Languages : en
Pages : 541
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Author: Peter C. Bisschop
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110674262
Category : Religion
Languages : en
Pages : 354
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Book Description
This conference volume unites a wide range of scholars working in the fields of history, archaeology, religion, art, and philology in an effort to explore new perspectives and methods in the study of primary sources from premodern South and Southeast Asia. The contributions engage with primary sources (including texts, images, material artefacts, monuments, as well as archaeological sites and landscapes) and draw needed attention to highly adaptable, innovative, and dynamic modes of cultural production within traditional idioms. The volume works to develop categories of historical analysis that cross disciplinary boundaries and represent a wide variety of methodological concerns. By revisiting premodern sources, Asia Beyond Boundaries also addresses critical issues of temporality and periodization that attend established categories in Asian Studies, such as the “Classical Age” or the “Gupta Period”. This volume represents the culmination of the European Research Council (ERC) Synergy project Asia Beyond Boundaries: Religion, Region, Language and the State, a research consortium of the British Museum, the British Library and the School of Oriental and African Studies, in partnership with Leiden University.
Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1784918555
Category : Art
Languages : en
Pages : 173
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Book Description
Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.
Author: Allchin Raymond Allchin
Publisher: Edinburgh University Press
ISBN: 1474450466
Category : History
Languages : en
Pages : 998
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Book Description
Afghanistan is at the cultural crossroads of Asia, where the great civilisations of Mesopotamia and Iran, South Asia and Central Asia overlapped and sometimes conflicted. Its landscape embraces environments from the high mountains of the Hindu Kush to the Oxus basin and the great deserts of Sistan; trade routes from China to the Mediterranean, and from Central Asia to the Arabian Sea cross the country. It has seen the development of early agriculture, the spread of Bronze Age civilisation of Central Asia, the conquests of the Persians and of Alexander of Macedon, the spread of Buddhism and then Islam, and the empires of the Kushans, Ghaznavids, Ghurids and Timurids centred there, with ramifications across southern Asia. All of which has resulted in some of the most important, diverse and spectacular historical remains in Asia.First published in 1978, this was the first book in English to provide a complete survey of the immensely rich archaeological remains of Afghanistan. The contributors, all acknowledged scholars in their field, have worked in the country, on projects ranging from prehistoric surveys to the study of Islamic architecture. It has now been thoroughly revised and brought up to date to incorporate the latest discoveries and research.
Author: Raj Balkaran
Publisher: Routledge
ISBN: 1000060357
Category : Religion
Languages : en
Pages : 161
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Book Description
In analyzing the parallels between myths glorifying the Indian Great Goddess, Durgā, and those glorifying the Sun, Sūrya, found in the Mārkaṇḍeya Purāṇa, this book argues for an ideological ecosystem at work in the Mārkaṇḍeya Purāṇa privileging worldly values, of which Indian kings, the Goddess (Devī), the Sun (Sūrya), Manu and Mārkaṇḍeya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Mārkaṇḍeya Purāṇa houses the Devī Māhātmya glorifying the supremacy of the Indian Great Goddess, Durgā, it also houses a Sūrya Māhātmya, glorifying the supremacy of the Sun, Sūrya, in much the same manner. This book argues that these māhātmyas were meaningfully and purposefully positioned in the Mārkaṇḍeya Purāṇa, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura–Śākta symbiosis found in these mirrored māhātmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between pravṛtti (worldly) and nivṛtti (other-worldy) dharmas. As the first narrative study of the Sūrya Māhātmya, along with the first study of the Mārkaṇḍeya Purāṇa (or any Purāṇa), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.
Author: Alison Betts
Publisher: Archaeopress Publishing Ltd
ISBN: 1789694078
Category : History
Languages : en
Pages : 218
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Book Description
One of the least known but culturally rich and complex regions located at the heart of Asia, Xinjiang was a hub for the Silk Roads, serving international links between cultures to the west, east, north and south. Trade, artefacts, foods, technologies, ideas, beliefs, animals and people traversed the glacier covered mountain and desert boundaries.
Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1789691877
Category : Art
Languages : en
Pages : 202
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Book Description
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
