Author: Michael Stevenson
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 52
Book Description
South African Paintings 1880-1990
Author: Michael Stevenson
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 52
Book Description
Imagery of Identity in South African Education, 1880-1990
Author: Michael Cross
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 374
Book Description
Imagery of Identity in South African Education examines the role that images embedded in the language and discourses of colonialism and apartheid have played in shaping diverse and conflicting identities in South Africa. It explores images and modes of discursive representation in South African education, and the associated struggles for constitution and hegemony of group identities over years. Images should be understood in the context of "the struggle in words and by words," in the sense that images and representations of group identities are not neutral intellectual activity. They are action and practice with profound implications for the affirmation of desire, power and interests within society. Cross shows how the question of group identity has dominated the history of intellectual and cultural production in South Africa, particularly within the educational field.
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 374
Book Description
Imagery of Identity in South African Education examines the role that images embedded in the language and discourses of colonialism and apartheid have played in shaping diverse and conflicting identities in South Africa. It explores images and modes of discursive representation in South African education, and the associated struggles for constitution and hegemony of group identities over years. Images should be understood in the context of "the struggle in words and by words," in the sense that images and representations of group identities are not neutral intellectual activity. They are action and practice with profound implications for the affirmation of desire, power and interests within society. Cross shows how the question of group identity has dominated the history of intellectual and cultural production in South Africa, particularly within the educational field.
The Art of Africa
Author: Christa Clarke
Publisher: Metropolitan Museum of Art
ISBN: 1588391906
Category : Art
Languages : en
Pages : 218
Book Description
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
Publisher: Metropolitan Museum of Art
ISBN: 1588391906
Category : Art
Languages : en
Pages : 218
Book Description
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
South Africa, Greece, Rome
Author: Grant Parker
Publisher: Cambridge University Press
ISBN: 1108210481
Category : History
Languages : en
Pages : 579
Book Description
How have ancient Greece and Rome intersected with South African histories? This book canvasses architecture, literature, visual arts and historical memory. Some of the most telling manifestations of classical reception in South Africa have been indirect, for example neo-classical architecture or retellings of mythical stories. Far from being the mere handmaiden of colonialism (and later apartheid), classical antiquity has enabled challenges to the South African establishment, and provided a template for making sense of cross-cultural encounters. Though access to classical education has been limited, many South Africans, black and white, have used classical frames of reference and drawn inspiration from the ancient Greeks and Romans. While classical antiquity may seem antithetical to post-apartheid notions of heritage, it deserves to be seen in this light. Museums, historical sites and artworks, up to the present day, reveal juxtapositions in which classical themes are integrated into South African pasts.
Publisher: Cambridge University Press
ISBN: 1108210481
Category : History
Languages : en
Pages : 579
Book Description
How have ancient Greece and Rome intersected with South African histories? This book canvasses architecture, literature, visual arts and historical memory. Some of the most telling manifestations of classical reception in South Africa have been indirect, for example neo-classical architecture or retellings of mythical stories. Far from being the mere handmaiden of colonialism (and later apartheid), classical antiquity has enabled challenges to the South African establishment, and provided a template for making sense of cross-cultural encounters. Though access to classical education has been limited, many South Africans, black and white, have used classical frames of reference and drawn inspiration from the ancient Greeks and Romans. While classical antiquity may seem antithetical to post-apartheid notions of heritage, it deserves to be seen in this light. Museums, historical sites and artworks, up to the present day, reveal juxtapositions in which classical themes are integrated into South African pasts.
The Archaeology of Southern Africa
Author: Peter Mitchell
Publisher: Cambridge University Press
ISBN: 9780521633895
Category : History
Languages : en
Pages : 536
Book Description
This book provides an archaeological synthesis of Southern Africa.
Publisher: Cambridge University Press
ISBN: 9780521633895
Category : History
Languages : en
Pages : 536
Book Description
This book provides an archaeological synthesis of Southern Africa.
Encyclopedia of African Peoples
Author: The Diagram Group
Publisher: Routledge
ISBN: 1135963347
Category : History
Languages : en
Pages : 401
Book Description
Africa is a vast continent, home to many millions of people. Its history stretches back millennia and encompasses some of the most ancient civilizations in the world. Modern Africa boasts a rich cultural heritage, the legacy of many diverse influences from all around the world, reflecting the central role African plays in world history. Encyclopedia of African Peoples provides extensive information about Africa's cultures, history, geography, economics, and politics; it provides an invaluable overview of the whole continent, region by region, ethnic group by ethnic group, nation by nation, personality by personality. Sections include: *Africa Today * The Peoples of Africa * Culture and History * The Nations of Africa * Biographies Past to Present * Glossary * Index.
Publisher: Routledge
ISBN: 1135963347
Category : History
Languages : en
Pages : 401
Book Description
Africa is a vast continent, home to many millions of people. Its history stretches back millennia and encompasses some of the most ancient civilizations in the world. Modern Africa boasts a rich cultural heritage, the legacy of many diverse influences from all around the world, reflecting the central role African plays in world history. Encyclopedia of African Peoples provides extensive information about Africa's cultures, history, geography, economics, and politics; it provides an invaluable overview of the whole continent, region by region, ethnic group by ethnic group, nation by nation, personality by personality. Sections include: *Africa Today * The Peoples of Africa * Culture and History * The Nations of Africa * Biographies Past to Present * Glossary * Index.
The Lion and the Springbok
Author: Ronald Hyam
Publisher: Cambridge University Press
ISBN: 0521824532
Category : History
Languages : en
Pages : 397
Book Description
This book traces British and South African relations from the Boer War to the present.
Publisher: Cambridge University Press
ISBN: 0521824532
Category : History
Languages : en
Pages : 397
Book Description
This book traces British and South African relations from the Boer War to the present.
Atlas of World Art
Author: John Onians
Publisher: Laurence King Publishing
ISBN: 1856693775
Category : Art
Languages : en
Pages : 364
Book Description
Combines a survey of world art with maps showing the associations and dissemination of culture across the globe.
Publisher: Laurence King Publishing
ISBN: 1856693775
Category : Art
Languages : en
Pages : 364
Book Description
Combines a survey of world art with maps showing the associations and dissemination of culture across the globe.
The Art of Life in South Africa
Author: Daniel Magaziner
Publisher: Ohio University Press
ISBN: 0821445901
Category : History
Languages : en
Pages : 494
Book Description
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Publisher: Ohio University Press
ISBN: 0821445901
Category : History
Languages : en
Pages : 494
Book Description
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Media Primitivism
Author: Delinda Collier
Publisher: Duke University Press
ISBN: 1478012315
Category : Art
Languages : en
Pages : 178
Book Description
In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Publisher: Duke University Press
ISBN: 1478012315
Category : Art
Languages : en
Pages : 178
Book Description
In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.