Author: Codruţa Morari
Publisher: Berghahn Books
ISBN: 1785335723
Category : Performing Arts
Languages : en
Pages : 204
Book Description
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
The Bressonians
Author: Codruţa Morari
Publisher: Berghahn Books
ISBN: 1785335723
Category : Performing Arts
Languages : en
Pages : 204
Book Description
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Publisher: Berghahn Books
ISBN: 1785335723
Category : Performing Arts
Languages : en
Pages : 204
Book Description
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
The Star of Satan
Author: Georges 1888-1948 Bernanos
Publisher: Hassell Street Press
ISBN: 9781014243058
Category :
Languages : en
Pages : 364
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Hassell Street Press
ISBN: 9781014243058
Category :
Languages : en
Pages : 364
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sous le soleil de Satan
Author: Georges Bernanos
Publisher:
ISBN: 9780785906100
Category : French literature
Languages : en
Pages : 285
Book Description
Publisher:
ISBN: 9780785906100
Category : French literature
Languages : en
Pages : 285
Book Description
Maurice Pialat
Author: Marja Warehime
Publisher: Manchester University Press
ISBN: 184779601X
Category : Performing Arts
Languages : en
Pages : 253
Book Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
Publisher: Manchester University Press
ISBN: 184779601X
Category : Performing Arts
Languages : en
Pages : 253
Book Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
The Living Age
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 750
Book Description
Three French Writers and the Great War
Author: Frank Field
Publisher: Cambridge University Press
ISBN: 9780521209168
Category : History
Languages : en
Pages : 234
Book Description
The impact of the First World War on European society and the rise of Communism and Fascism are important subjects that concern all students of recent history. The object of this book is to study these themes through the careers of three French writers: Henri Barbusse, Drieu la Rochelle and Georges Bernanos. Each of these writers served in the war and was subsequently attracted towards Communism or Fascism. Barbusse first achieved fame through his anti-war novel Le Feu, but in the years after 1918 he made a new career for himself as a rallying point for Communist sympathizers amongst the French intellectuals. After becoming one of the most intelligent and sophisticated advocates of Fascism in the 1930s, Drieu la Rochelle opted for a policy of collaboration with the Germans in 1940 and committed suicide in 1945. Bernanos moved to a position very close to Fascism in the 1930s, but his experiences in the Spanish Civil War, experiences that he so memorably described in Les grands cimeliires sous la lune, made him devote the remaining years of his life to an attack on all forms of totalitarianism.
Publisher: Cambridge University Press
ISBN: 9780521209168
Category : History
Languages : en
Pages : 234
Book Description
The impact of the First World War on European society and the rise of Communism and Fascism are important subjects that concern all students of recent history. The object of this book is to study these themes through the careers of three French writers: Henri Barbusse, Drieu la Rochelle and Georges Bernanos. Each of these writers served in the war and was subsequently attracted towards Communism or Fascism. Barbusse first achieved fame through his anti-war novel Le Feu, but in the years after 1918 he made a new career for himself as a rallying point for Communist sympathizers amongst the French intellectuals. After becoming one of the most intelligent and sophisticated advocates of Fascism in the 1930s, Drieu la Rochelle opted for a policy of collaboration with the Germans in 1940 and committed suicide in 1945. Bernanos moved to a position very close to Fascism in the 1930s, but his experiences in the Spanish Civil War, experiences that he so memorably described in Les grands cimeliires sous la lune, made him devote the remaining years of his life to an attack on all forms of totalitarianism.
The Bookman
Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 1132
Book Description
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 1132
Book Description
Miraculous Realism
Author: Niels Niessen
Publisher: SUNY Press
ISBN: 1438477333
Category : History
Languages : en
Pages : 340
Book Description
An authoritative study of this postsecular film movement from the French-Belgian border region that rose to prominence at the turn of the twenty-first century. At the 1999 Cannes Film Festival, two movies from northern-Francophone Europe swept almost all the main awards. Rosetta by the Walloon directors Jean-Pierre and Luc Dardenne won the Golden Palm, and L’humanité by the French director Bruno Dumont won the Grand Prize; both won acting awards as well. Taking this “miracle” of Cannes as the point of departure, Niels Niessenidentifies a transregional film movement in the French-Belgian border region—the Cinéma du Nord or “cinema of the North.” He examines this movement within the contexts of French and Belgian national cinemas from the silent era to the digital age, as well as that of the new realist tendency in world cinema of the last three decades. In addition, he traces, from a northern perspective, a secular-religious tradition in Francophone-European film and philosophy from Bresson and Pialat, via Bazin, Deleuze, and Godard, to the Dardennes and Dumont, while critiquing this tradition for its frequent use of a humanist vocabulary of grace for a secular world. Once a cradle of the Industrial Revolution, the Franco-Belgian Nord faced economic crisis for most of the twentieth century. Miraculous Realism demonstrates that the Cinéma du Nord’s rise to prominence resulted from the region’s endeavor to reinvent itself economically and culturally at the crossroads of Europe after decades of recession. “This book not only makes a major contribution to the field but also creates a new area in this field: the opening up of discussion of the Cinéma du Nord in geopolitical, historical, and theoretical terms, through a blend of fine close reading and broader commentary.” — Sarah Cooper, author of The Soul of Film Theory
Publisher: SUNY Press
ISBN: 1438477333
Category : History
Languages : en
Pages : 340
Book Description
An authoritative study of this postsecular film movement from the French-Belgian border region that rose to prominence at the turn of the twenty-first century. At the 1999 Cannes Film Festival, two movies from northern-Francophone Europe swept almost all the main awards. Rosetta by the Walloon directors Jean-Pierre and Luc Dardenne won the Golden Palm, and L’humanité by the French director Bruno Dumont won the Grand Prize; both won acting awards as well. Taking this “miracle” of Cannes as the point of departure, Niels Niessenidentifies a transregional film movement in the French-Belgian border region—the Cinéma du Nord or “cinema of the North.” He examines this movement within the contexts of French and Belgian national cinemas from the silent era to the digital age, as well as that of the new realist tendency in world cinema of the last three decades. In addition, he traces, from a northern perspective, a secular-religious tradition in Francophone-European film and philosophy from Bresson and Pialat, via Bazin, Deleuze, and Godard, to the Dardennes and Dumont, while critiquing this tradition for its frequent use of a humanist vocabulary of grace for a secular world. Once a cradle of the Industrial Revolution, the Franco-Belgian Nord faced economic crisis for most of the twentieth century. Miraculous Realism demonstrates that the Cinéma du Nord’s rise to prominence resulted from the region’s endeavor to reinvent itself economically and culturally at the crossroads of Europe after decades of recession. “This book not only makes a major contribution to the field but also creates a new area in this field: the opening up of discussion of the Cinéma du Nord in geopolitical, historical, and theoretical terms, through a blend of fine close reading and broader commentary.” — Sarah Cooper, author of The Soul of Film Theory
Soundproof Room
Author: Jean-François Lyotard
Publisher: Stanford University Press
ISBN: 9780804737500
Category : Literary Criticism
Languages : en
Pages : 132
Book Description
One of the major cultural philosophers of our time addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result tells us as much about Lyotard as it does about Malraux.
Publisher: Stanford University Press
ISBN: 9780804737500
Category : Literary Criticism
Languages : en
Pages : 132
Book Description
One of the major cultural philosophers of our time addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result tells us as much about Lyotard as it does about Malraux.
Jazz Age Catholicism
Author: Stephen Schloesser
Publisher: University of Toronto Press
ISBN: 0802087183
Category : Religion
Languages : en
Pages : 465
Book Description
Stephen Schloesser's Jazz Age Catholicism shows how a postwar generation of Catholics refashioned traditional notions of sacramentalism in modern language and imagery.
Publisher: University of Toronto Press
ISBN: 0802087183
Category : Religion
Languages : en
Pages : 465
Book Description
Stephen Schloesser's Jazz Age Catholicism shows how a postwar generation of Catholics refashioned traditional notions of sacramentalism in modern language and imagery.