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Author: Kate Beckett
Publisher: Taylor & Francis
ISBN: 1003801323
Category : Education
Languages : en
Pages : 337
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Book Description
Ever faced challenges motivating clients to participate in speech therapy practice at home? Directing parents to helpful resources that reinforce acquired skills from therapy sessions can be a problem. This book provides easy-to-follow instructions, educational resources, and links to 3D animated clips for therapists to use with parents to ensure perfect technique every time. The book considers each of the 24 English consonants, 16 monophthongs, and 8 diphthongs in detail with regards to anatomy, physiological production, and therapy materials to be used in practice. It is accompanied by online 3D animated video material featuring DARA®, an avatar that sounds out each consonant or vowel, clearly showing how the shape of the mouth and positioning of the tongue forms each sound. Photocopiable and free downloadable material from Resourceible.com also makes ideal resources for parents to use at home. This book offers a toolkit to support technique explanation to parents and children rather than an education for therapists. It is a practical clinic resource to help speech therapists teach speech sound formation along with suggested elicitation techniques. This is an essential component for newly qualified and student SLTs as well as those more seasoned in the field.
Author: Kate Beckett
Publisher: Taylor & Francis
ISBN: 1003801323
Category : Education
Languages : en
Pages : 337
Get Book
Book Description
Ever faced challenges motivating clients to participate in speech therapy practice at home? Directing parents to helpful resources that reinforce acquired skills from therapy sessions can be a problem. This book provides easy-to-follow instructions, educational resources, and links to 3D animated clips for therapists to use with parents to ensure perfect technique every time. The book considers each of the 24 English consonants, 16 monophthongs, and 8 diphthongs in detail with regards to anatomy, physiological production, and therapy materials to be used in practice. It is accompanied by online 3D animated video material featuring DARA®, an avatar that sounds out each consonant or vowel, clearly showing how the shape of the mouth and positioning of the tongue forms each sound. Photocopiable and free downloadable material from Resourceible.com also makes ideal resources for parents to use at home. This book offers a toolkit to support technique explanation to parents and children rather than an education for therapists. It is a practical clinic resource to help speech therapists teach speech sound formation along with suggested elicitation techniques. This is an essential component for newly qualified and student SLTs as well as those more seasoned in the field.
Author: Francois J. Bonnet
Publisher: MIT Press
ISBN: 1916405223
Category : Philosophy
Languages : en
Pages : 365
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Book Description
This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Author: Edward P. Ortleb
Publisher: Lorenz Educational Press
ISBN: 1429114649
Category : Science
Languages : en
Pages : 36
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Book Description
Developed by leading science educator and former president of the National Science Teacher's Association, Ed Ortleb, "Heat, Light, and Sound" offers curriculum-oriented worksheets that provide a focused unit of information on each subject. No teacher preparation is required to use the pages. Activities include coloring, cutting, pasting, sequencing, matching, drawing, games, and puzzles. Extension activities and background information included in teacher guide.
Author: Stephen Gislason
Publisher: Environmed Research Inc
ISBN: 9781894787413
Category : Music
Languages : en
Pages : 230
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Book Description
book by Stephen Gislason emerged from his Music Notes collected over many years. The topics cover a wide range of interests from the history of instruments, music theory, composing to the most current technologies involved in music composition and sound recording. A special chapter on the Musical Brain explains current knowledge in the brain processing of sound as it applies to language and music decoding. A chapter on the Music Business reviews the dramatic changes in music marketed and discusses some of the dilemmas and controversies facing musicians. Preface This book emerged from notes I have kept for several decades. I have spent much time studying music theory, electronics applied to sound reproduction and to performance skills. I decided to assemble my music notes so that any person interested in music could benefit from simple, clear explanations. Music descriptions often are too complicated and the use of terms can be inconsistent and confusing. As with other subjects I have tackled, I assumed that with a little extra effort more precise descriptions would be welcomed by readers seeking a practical understanding of music. The book begins with a consideration of what sound is and how animals use sounds to communicate. Music is not a human invention, but we do elaborate sound communication more than other animals in our production of both speech and musical performances. The discussion continues with noise, an important topic that is poorly understood. A well informed musician will refrain from making noise and understand Ambrose Bierce when he stated: Of all noise, music is the less offensive." I include acoustic and electronic instruments in my discussions of music creation. In my world, electronics dominate every aspect of work and play and most music I create and listen to was created, stored and distributed electronically. The art and science of recording is an important study for all 21st century musicians. Increased sophistication about the nature of sound, the art of combining musical sounds, and the effect on the listener's brain are all required for music to advance beyond noise toward a more effective means of human communication. Stephen Gislason 2016
Author:
Publisher: GRIN Verlag
ISBN: 3668957363
Category : Literary Collections
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: A, Free International University of Moldova, language: English, abstract: In this paper, there will be a thematic overview of some of the most interesting contributions to the area of onomatopoeia and other sound symbolism. Most linguists have had something to say on the subject, in many cases using different terminologies. The themes that are especially important are the questions of integration into language (grammar and lexicon), of productivity, of universality and of explanation. The chapter will end with a summary of forms and meanings of onomatopoeic and sound symbolic expressions.
Author: Dr Torsten Wissmann
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409462196
Category : Social Science
Languages : en
Pages : 281
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Book Description
Taking into account both the urban soundscape and the impacts of sound on the urban dweller, this book examines sound not as a by-product of urban life, but as a fundamental part of the urban experience that is crucial to understanding the city’s sense of place. Illustrated by case studies from Europe and North America, these range from on-site measurements to the construction of audio tours for local tourism, from media analysis of popular culture audio drama to sound-identity and city branding, and from the classification of noise in city planning to a consideration of the complex relationship between sacred sound and the creation of a sense of place.
Author: Wiebke H. Ahlers
Publisher: Cambridge University Press
ISBN: 131651272X
Category : Language Arts & Disciplines
Languages : en
Pages : 247
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Book Description
Focusing on /str/-retraction, this pioneering book uses a combination of phonological and sociolinguistic theories to explore consonantal sound change in American English. Detailed yet engaging, it is essential reading for both researchers and students in phonetics, phonology, language variation and change, sociolinguistics, and corpus linguistics.
Author: Thom Holmes
Publisher: Routledge
ISBN: 1317224825
Category : Art
Languages : en
Pages : 135
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Book Description
Sound Art offers the first comprehensive introduction to sound art written for undergraduate students. Bridging and blending aspects of the visual and sonic arts, modern sound art first emerged in the early 20th century and has grown into a thriving and varied field. In 13 thematic chapters, this book enables students to clearly grasp both the concepts behind this unique area of art, and its history and practice. Each chapter begins with an exploration of key ideas and theories, followed by an in-depth discussion of selected relevant works, both classic and current. Drawing on a broad, diverse range of examples, and firmly interdisciplinary, this book will be essential reading for anyone studying or teaching the theory, history, appreciation, or practice of sound art.
Author: R. Duncan Luce
Publisher: Psychology Press
ISBN: 1317759796
Category : Language Arts & Disciplines
Languages : en
Pages : 394
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Book Description
The major aim of this book is to introduce the ways in which scientists approach and think about a phenomenon -- hearing -- that intersects three quite different disciplines: the physics of sound sources and the propagation of sound through air and other materials, the anatomy and physiology of the transformation of the physical sound into neural activity in the brain, and the psychology of the perception we call hearing. Physics, biology, and psychology each play a role in understanding how and what we hear. The text evolved over the past decade in an attempt to convey something about scientific thinking, as evidenced in the domain of sounds and their perception, to students whose primary focus is not science. It does so using a minimum of mathematics (high school functions such as linear, logarithmic, sine, and power) without compromising scientific integrity. A significant enrichment is the availability of a compact disc (CD) containing over 20 examples of acoustic demonstrations referred to in the book. These demonstrations, which range from echo effects and filtered noise to categorical speech perception and total more than 45 minutes, are invaluable resources for making the text come alive.
Author: sir Isaac Pitman
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
