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Author: C. Cooper
Publisher: Springer
ISBN: 1403982600
Category : Social Science
Languages : en
Pages : 352
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Book Description
Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
Author: C. Cooper
Publisher: Springer
ISBN: 1403982600
Category : Social Science
Languages : en
Pages : 352
Get Book Here
Book Description
Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
Author: Sabia McCoy-Torres
Publisher: NYU Press
ISBN: 1479827118
Category : History
Languages : en
Pages : 304
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Book Description
"This book focuses on reggae/dancehall culture and West Indian historic and contemporary migration to Costa Rica and Brooklyn. It centers an analysis of migration, diaspora, queerness, Blackness, affect, and Caribbean cultural subjectivity using reggae/dancehall culture as an ethnographic lens. The author unveils underexplored forms of resistance, negotiations of gender and sexuality, and creation of informal cultural institutions with transnational ties"--
Author: Micah Locilento
Publisher: ECW Press
ISBN: 1550225235
Category : Music
Languages : en
Pages : 203
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Book Description
Publication date scheduled to coincide with Shaggy's tour taking place in November 2002. First and foremost I am a reggae artist,' insists Shaggy. Born Orville Richard Burrell, the mulit-platinum pop icon is a worldwide ambassador for reggae, but few know just how connected Shaggy is with Jamaican music. Delving into the musical trends that have evolved during Shaggy's formative years, the popularity of sound system 'deejays' and the influence of both 1970's reggae and Bob Marley, Locilento provides and insight into Shaggy's unique sound.'
Author: David Rodigan
Publisher: Constable
ISBN: 1472125592
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
'THE BOOK THAT EVERY REGGAE FAN SHOULD READ' John Masouri, Echoes 'Rodigan can still claim a currency few presenters of his vintage can match. Perhaps it's because while his wider musical and professional milieu has been in constant change, his boundless enthusiasm has been constant. Reggae's been lucky to have him' Ian Harrison, MOJO 'Rodigan was a major part of my childhood, he played the hottest tunes and in a style that just resonated with me and millions like me. Being able to contribute anything to a man that filled my life with such joy is an honour, respect, David Rodigan' Ian Wright 'David is a pioneer in Reggae music. As a selector and radio personality, his vast knowledge of Jamaican music and its culture has helped to educate and fascinate music lovers around the world; he's an amazing son of the music, and an icon. We couldn't have made it this far without him' Shaggy This is the unlikely story of David Rodigan: an Army sergeant's son from the English countryside who has become the man who has taught the world about Reggae. As the sound of Jamaica has morphed over five decades through a succession of different genres - from Ska and Rock Steady, to Dub, Roots and Dancehall - Rodigan has remained its constant champion, winning the respect of generation after generation of Reggae followers across the globe. Today, at the age of 63, he is a headline performer at almost all the UK's big music festivals, as well as events across the world. Young people revere him and he is a leading presenter on the BBC's youth network 1Xtra as well as a regular fixture at leading nightclubs such as London's Fabric and at student unions throughout the land. And he continues to go into the heartlands of Reggae, to the downtown dancehalls of Kingston and Montego Bay in Jamaica to compete in tournaments against the greatest sound systems. And yet, for all of this, David Rodigan is the antithesis of the stereotype of an international dance music DJ. 'I look like an accountant or a dentist,' he admitted to The Independent a decade ago. A man of impeccable manners, Rodigan prepares for a big sound clash by retiring to his hotel bed with a Thomas Hardy novel before taking a nap and then a cup of espresso before heading to the club. Rodigan is the inside story of this apparent paradox. It tells how a boy from Kidlington has become an admired international ambassador for a music form that remains as proud as ever of its African roots, a sound that emanates from and fiercely represents the ghetto poor. He now reaches across the age groups, from teens through to those of his own vintage. At the pinnacle of his career, Rodigan has become the DJ for all generations. 'David Rodigan is a force of nature. His spirit and passion are a rare and wonderful thing. He has dedicated his life to carrying the torch for Reggae music and is hugely respected all over the world for his knowledge and talent as a broadcaster and a DJ. Long may he reign on our stages and on our airwaves' Annie Mac
Author: Mark V. Campbell
Publisher: Bloomsbury Publishing USA
ISBN: 1501379313
Category : Music
Languages : en
Pages : 160
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Book Description
Afrosonic Life explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery. Developing and extending debates on Afrosonic cultures, the book attends to the ways in which the acts of technological subversion, experimentation and production complement and interrupt the intellectual project of modernity. Music making processes such as dub, turntablism, hip-hop dj techniques and the remix, innovate methods of expressing subjecthoods beyond the dominant language of Western “Man” and the market. These sonic innovations utilize sound as a methodology to institute a rehumanizing subjectivity in which sound dislodges the hierarchical ordering of racial schemas. Afrosonic Life is invested in excavating and elaborating the nuanced and novel ways of music making and sound creation found in the African diaspora.
Author: Robert Beckford
Publisher: Routledge
ISBN: 1134388969
Category : Philosophy
Languages : en
Pages : 193
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Book Description
This radical and cutting-edge Christian message presents Jesus's words in a fresh, direct and political way Links theology with the huge influence of popular black music, locating a multicultural new audience for Christian issues From Britian's leading black theologian, a media face who has presented several TV programmes and his own BBC West Midlands radio show Black theology is a vibrant and topical field. This book makes it accessible and relevant for everyone
Author: Nabeel Zuberi
Publisher: University of Illinois Press
ISBN: 9780252026201
Category : Music
Languages : en
Pages : 296
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Book Description
"Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market." "Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging."--BOOK JACKET.
Author: Chris Campbell
Publisher: Christopher Campbell
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 108
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Book Description
This book details the pain and misery having been raised by emotionally insensitive relatives who subscribe to a very primitive belief in regards to child rearing . It also highlights the severe disconnect that exists between generations of old and the younger ones, and being of Caribbean descent, this problem is wide spread. My relatives, who are religious fanatics, are ruled by the church, and also possess a disturbingly corrosive attitude towards how they treat the younger generations. I simply want to shed light on the emotional torment that I and others like me have dealt with from generation to generation being from the Caribbean, in my case, the island of Jamaica.
Author: Anne M. Galvin
Publisher: Vanderbilt University Press
ISBN: 0826502881
Category : History
Languages : en
Pages : 294
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Book Description
Dancehall: it's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in Sounds of the Citizens, the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans. Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores. As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.
Author: Andrew Whelan
Publisher: Cambridge Scholars Publishing
ISBN: 144381167X
Category : Language Arts & Disciplines
Languages : en
Pages : 390
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Book Description
Peer-to-peer music exchange, sampling, and digital distribution have garnered much attention in recent years, notably in debates about authorship, intellectual property, media control, and ‘Web 2’. However, empirical scholarship on how these technologies are used creatively by musicians and fans is still sparse. In this interdisciplinary ethnography of ‘bedroom producer’ culture, Andrew Whelan examines interaction and exchange within a specific online milieu: peer-to-peer chatrooms dedicated to electronic music, focusing on a genre known as ‘breakcore’. The author draws on semantic anthropology, ethnomethodology, sociolinguistics, and critical musicology to explore the activity afforded by this controversial and criminalised environment. Through in-depth analysis of often ritually vituperative text-based interaction, discussions of music, and the samples used in that music, Whelan describes the cultural politics and aesthetics of bedroom producer identity, highlighting the roles gender and ethnicity play in the constitution of subcultural authenticity. Empirically driven throughout, this book also engages with a spectrum of social theory; in doing so, it highlights the intersections between gender, interaction, technology and music. This book will prove valuable for students and scholars with interests in gender and language use, computer-mediated communication, online subcultures and virtual community, and the evolution, production and distribution of electronic music.
