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Author: Asa Briggs
Publisher:
ISBN: 9780192129673
Category : Business & Economics
Languages : en
Pages : 1032
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Book Description
Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.
Author: Asa Briggs
Publisher:
ISBN: 9780192129673
Category : Business & Economics
Languages : en
Pages : 1032
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Book Description
Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.
Author: Asa Briggs
Publisher: Oxford University Press
ISBN: 9780192129307
Category : Business & Economics
Languages : en
Pages : 680
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Book Description
First published 1975. Covers the period, 1927-1939, from the BBC's establishment as a public corporation, to the outbreak of war
Author: British Kinematograph Sound and Television Society
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 514
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Book Description
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 602
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Book Description
Author: Jamie Medhurst
Publisher: Cambridge Scholars Publishing
ISBN: 1443893196
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
In an age of digital communications, where radio, satellite, television and computing have come together to allow instant access to information and entertainment from around the globe, it is sometimes easy to overstate the break with the recent past that these developments imply. However, from a historical perspective, it is important to recognise that the national dimensions of communications, including broadcasting, have always been framed within different sets of international political, economic, cultural, and technological relationships. Television, so easily seen as the last technology to succumb to the effects of internationalisation subsequent to the technical and political changes of the late twentieth century, was in fact, from the outset, embedded in international interactions. In recent years, a focus has been placed on the longstanding sets of transnational relationships in place in the years after World War II, when television established itself as the dominant form of mass communication in Europe and America. Recent research has adopted a comparative approach to television history, which has examined the interactions within Europe and between Europe and America from the 1950s onwards. In addition, there has been increasing interest in the idea of television in the Anglophone world, looking at transatlantic interactions from the early phases of the development of the technology, through the growing market for formats in the 1950s and outwards, to connections with Australia and Hong Kong in these years. The essays in this collection contribute to this area by bringing together, in one volume, work which focuses on both national developments in UK and US broadcasting in the 1950s, to allow for reflection on how those systems were developing and being understood within those societies, and raise issues about the ways in which the two systems interacted and can be usefully compared. Some contributions deliberately focus on international issues, while others embed the international dimension within them, and still others offer a critical commentary on developments during the 1950s. The book will appeal primarily to students and researchers in media and communication studies, television studies, radio studies, and history, but will also be of interest to all who have an interest in developments in communication in the post-war period.
Author: Asa Briggs
Publisher: Oxford University Press, USA
ISBN: 9780192159649
Category : Business & Economics
Languages : en
Pages : 1184
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Book Description
Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.
Author: Henry Laurence
Publisher: Taylor & Francis
ISBN: 1000624633
Category : Social Science
Languages : en
Pages : 253
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Book Description
The BBC and NHK have dominated their national media systems since the 1920s and still play a central role in shaping political, social and cultural life. Both are highly trusted news organizations, and vitally influence national identity. Yet despite remarkably similar organizational and funding structures, they differ in their editorial autonomy, relationship to the state, and in the social and cultural roles they play. While the BBC, proud of its independence, acts as a watchdog on the powerful, NHK prefers a guide dog role cooperating with rather than confronting political elites. The BBC is also more willing to challenge prevailing social norms, often serving as an agent of social change. NHK prefers to avoid controversy, serving as an agent of social stability. The book argues that these differences were shaped by decades of conflict and cooperation between broadcasters, governments, commercial media, interest groups and audiences. The broadcasters adopted distinctive editorial strategies to retain public support and elite approval in the face of technological upheaval, hostility from commercial rivals, and continuous political interference. Both, however, continue to uphold the belief that democratic and social goals are better served by public rather than commercial media.
Author: Alexander Hall
Publisher: Springer Nature
ISBN: 3030830438
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This book charts the history of how biological evolution has been depicted on British television and radio, from the first radio broadcast on evolution in 1925 through to the 150th anniversary of Charles Darwin’s Origin of the Species in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like Doctor Who. The book makes the case that the dominant use in science broadcasting of the ‘evolutionary epic’, a narrative based on a progressive vision of scientific endeavour, is part of the wider development of a standardised way of speaking about science in society during the 20th century. In covering the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today.
Author: Michael Scriven
Publisher: Berghahn Books
ISBN: 9781571817549
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
This is the first study devoted to the highly significant roles played by France and Britain in the formulation of European audiovisual policy, providing a truly comparative analysis of the contemporary audiovisual scene in the two countries.
Author: Albert Abramson
Publisher: McFarland
ISBN: 0786432438
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
Albert Abramson published (with McFarland) in 1987 a landmark volume titled The History of Television, 1880-1941 ("massive...research"--Library Journal; "voluminous documentation"--Choice; "many striking old photos"--The TV Collector). At last he has produced the follow-up volume; the reader may be assured there is no other book in any language that is remotely comparable to it. Together, these two volumes provide the definitive technical history of the medium. Upon the development in the mid-1940s of new cameras and picture tubes that made commercial television possible worldwide, the medium rose rapidly to prominence. Perhaps even more important was the invention of the video tape recorder in 1956, allowing editing, re-shooting and rebroadcasting. This second volume, 1942 to 2000 covers these significant developments and much more. Chapters are devoted to television during World War II and the postwar era, the development of color television, Ampex Corporation's contributions, television in Europe, the change from helical to high band technology, solid state cameras, the television coverage of Apollo II, the rise of electronic journalism, television entering the studios, the introduction of the camcorder, the demise of RCA at the hands of GE, the domination of Sony and Matsushita, and the future of television in e-cinema and the 1080 P24 format. The book is heavily illustrated (as is the first volume).
