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Author: Pauline Oliveros
Publisher: iUniverse
ISBN: 0595343651
Category : Aleatory music
Languages : en
Pages : 132
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Book Description
Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be effected by profound attention to the sonic environment . Deep Listening(R) is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.
Author: Pauline Oliveros
Publisher: iUniverse
ISBN: 0595343651
Category : Aleatory music
Languages : en
Pages : 132
Get Book Here
Book Description
Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be effected by profound attention to the sonic environment . Deep Listening(R) is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.
Author: Leo G. Mazow
Publisher: Penn State Press
ISBN: 0271050837
Category : Art
Languages : en
Pages : 218
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Book Description
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
Author: Robert E. Price
Publisher: Heyday.ORIM
ISBN: 1597144371
Category : Music
Languages : en
Pages : 309
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Book Description
An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century. In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt. In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music. Praise for The Bakersfield Sound “A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews “This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus
Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Author: Nicole Brittingham Furlonge
Publisher: University of Iowa Press
ISBN: 1609385616
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to "listen in print." In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens.
Author: Jonathan R. Pieslak
Publisher: Indiana University Press
ISBN: 0253353238
Category : Iraq War, 2003-
Languages : en
Pages : 241
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Book Description
'Sound Targets' explores the role of music in American military culture, focusing on the experiences of soldiers returning from active service in Iraq. Pieslak describes how American soldiers hear, share, use & produce music, both on & off duty.
Author: David Ware Stowe
Publisher: Harvard University Press
ISBN: 9780674012905
Category : Music
Languages : en
Pages : 366
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Book Description
Stowe traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.
Author: Ann Cook
Publisher: Barron's Educational Series, Incorporated
ISBN: 9780764173691
Category : Language Arts & Disciplines
Languages : en
Pages : 162
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Book Description
Directed to speakers of English as a second language, a multi-media guide to pronouncing American English uses a "pure-sound" approach to speaking to help imitate the fluid ways of American speech.
Author: Nate Wooley
Publisher:
ISBN: 9781733333948
Category :
Languages : fr
Pages :
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Book Description
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
