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Author: Terry Lindvall
Publisher: Wipf and Stock Publishers
ISBN: 1725293064
Category : Performing Arts
Languages : en
Pages : 118
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Book Description
The beginning of the twentieth century evolved out of an era of Freethinking atheists and agnostics who challenged the Protestant hegemony of the day. Key among these mavericks was author and filmmaker Rubert Hughes, uncle to Howard Hughes. In 1922, Hughes published Souls for Sale, his wickedly playful satire of the Bible belt and Hollywood, offering a mischievous snapshot of the film industry as it struggled against a conservative Zeitgeist. The novel follows the prodigal adventures of a clergyman’s daughter as she stumbles into the movie industry and finds it to be a new and liberating moral universe. Hughes’s adaptation of his sly work challenged the religious hierarchy of his day, but ultimately fell by the wayside, even with the support of Hollywood icons like Eric von Stroheim and Charlie Chaplin. Souls for Sale offers a glimpse into the emerging Jazz age of moviemaking against the backdrop of a country moving from its traditional roots into the kinetic ways of Hollywood.
Author: Terry Lindvall
Publisher: Wipf and Stock Publishers
ISBN: 1725293064
Category : Performing Arts
Languages : en
Pages : 118
Get Book Here
Book Description
The beginning of the twentieth century evolved out of an era of Freethinking atheists and agnostics who challenged the Protestant hegemony of the day. Key among these mavericks was author and filmmaker Rubert Hughes, uncle to Howard Hughes. In 1922, Hughes published Souls for Sale, his wickedly playful satire of the Bible belt and Hollywood, offering a mischievous snapshot of the film industry as it struggled against a conservative Zeitgeist. The novel follows the prodigal adventures of a clergyman’s daughter as she stumbles into the movie industry and finds it to be a new and liberating moral universe. Hughes’s adaptation of his sly work challenged the religious hierarchy of his day, but ultimately fell by the wayside, even with the support of Hollywood icons like Eric von Stroheim and Charlie Chaplin. Souls for Sale offers a glimpse into the emerging Jazz age of moviemaking against the backdrop of a country moving from its traditional roots into the kinetic ways of Hollywood.
Author: Rupert Hughes
Publisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : en
Pages : 424
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Book Description
Author: John Frederick Whitehead
Publisher: Penn State Press
ISBN: 0271046317
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
In 1773, John Frederick Whitehead and Johann Carl B]ttner, two young German men, arrived in America on the same ship. Each man sold himself into servitude to a different master, and, years later, each wrote a memoir of his experiences, leaving invaluable historical records of their attitudes, perceptions, and goals. Despite their common voyage to America and similar working conditions as servants, their backgrounds and personalities differed. Their divergent interpretations of their experiences are the substance of rich and varied firsthand accounts of the transatlantic migration process, the servant labor experience of Germans in colonial America, and post-servitude life. Souls for Sale presents these parallel memoirs -- Whitehead's published here for the first time -- to illustrate the condition of German redemptioners as well as their religious, familial, and literary contexts during a crucial period of migration in Europe and America. The editors provide helpful introductions to the works as well as notes to guide the reader.
Author: Alexis Wells-Oghoghomeh
Publisher: UNC Press Books
ISBN: 1469663619
Category : Religion
Languages : en
Pages : 321
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Book Description
Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.
Author: Dr. D. K. Olukoya
Publisher: Mountain of Fire and Miracles Ministries
ISBN:
Category : Religion
Languages : en
Pages : 15
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Book Description
Real power is not in the physical world but in the spiritual world. The children of darkness understand this fact very well. A life can be offered for sale in the spirit realm. Find out how and why! Read on!
Author: Stephanie Jo Shaw
Publisher: UNC Press Books
ISBN: 080783873X
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
W. E. B. Du Bois and The Souls of Black Folk
Author: Joceline Andersen
Publisher: Wayne State University Press
ISBN: 0814346928
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
Extensive account of the cameo’s production history and how audiences affirm their mastery of celebrity culture. Stars and Silhouettes: The History of the Cameo Role in Hollywood traces the history of the cameo as it emerged in twentieth-century cinema. Although the cameo has existed in film culture for over a century, Joceline Andersen explains that this role cannot be strictly defined because it exists as a constellation of interactions between duration and recognition, dependent on who is watching and when. Even audiences of the twenty-first century who are inundated by the lives of movie stars and habituated to images of their personal friends on screens continue to find cameos surprising and engaging. Cameos reveal the links between our obsession with celebrity and our desire to participate in the powerful cultural industries within contemporary society. Chapter 1 begins with the cameo’s precedents in visual culture and the portrait in particular—from the Vitagraph executives in the 1910s to the emergence of actors as movie stars shortly after. Chapter 2 explores the fan-centric desire for behind-the-scenes visions of Hollywood that accounted for the success of cameo-laden, Hollywood-set films that autocratic studios used to make their glamorous line-up of stars as visible as possible. Chapter 3 traces the development of the cameo in comedy, where cameos began to show not only glimpses of celebrities at their best but also of celebrities at their worst. Chapter 4 examines how the television guest spot became an important way for stars and studios to market both their films and stars from other media in trades that reflected an increasingly integrated mediascape. In Chapter 5, Andersen examines auteur cameos and the cameo as a sign of authorship. Director cameos reaffirm the fan’s interest in the film not just as a stage for actors but as a forum for the visibility of the director. Cameos create a participatory space for viewers, where recognizing those singled out among extras and small roles allows fans to demonstrate their knowledge. Stars and Silhouettes belongs on the shelf of every scholar, student, and reader interested in film history and star studies.
Author: John Ames Mitchell
Publisher:
ISBN:
Category :
Languages : en
Pages : 1184
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Book Description
Author: Justin Gautreau
Publisher: Oxford University Press
ISBN: 0190944587
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
The Last Word argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy of movie stars behind closed doors, perhaps the only thing the public couldn't already find elsewhere. Still, given their unique ability to speak beyond the institutional restraints of their time, these earlier works offer a window into the industry's dynamic creation and re-creation of itself in the public imagination.
Author: Abdulla Galadari
Publisher: Bloomsbury Publishing
ISBN: 1350070041
Category : Social Science
Languages : en
Pages : 275
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Book Description
This book is open access and available on www.bloomsburycollections.com. Qur'anic Hermeneutics argues for the importance of understanding the polysemous nature of the words in the Qur'an and outlines a new method of Qur'anic exegesis called intertextual polysemy. By interweaving science, history and religious studies, Abdulla Galadari introduces a linguistic approach which draws on neuropsychology. This book features examples of intertextual polysemy within the Qur'an, as well as between the Qur'an and the Bible. It provides examples that intimately engage with Christological concepts of the Gospels, in addition to examples of allegorical interpretation through inner-Qur'anic allusions. Galadari reveals how new creative insights are possible, and argues that the Qur'an did not come to denounce the Gospel–which is one of the stumbling blocks between Islam and Christianity–but only to interpret it in its own words.
