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Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822210597
Category : Drama
Languages : en
Pages : 44
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Book Description
Presents two one-act plays by Lucille Fletcher including "Sorry, Wrong Number," based upon the radio classic of the same title in which an invalid woman overhears the plot to her own murder.
Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822210597
Category : Drama
Languages : en
Pages : 44
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Book Description
Presents two one-act plays by Lucille Fletcher including "Sorry, Wrong Number," based upon the radio classic of the same title in which an invalid woman overhears the plot to her own murder.
Author: John Brignell
Publisher:
ISBN: 9780953910809
Category : Measurement
Languages : en
Pages : 243
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Book Description
Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822208266
Category : Drama
Languages : en
Pages : 80
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Book Description
THE STORY: Unable to sleep, Elaine Wheeler paces the living room of her Manhattan townhouse, troubled by unsettling memories and vague fears. Her husband tries to comfort her, but when he steps away for a moment Elaine screams as she sees (or belie
Author: Lucille Fletcher
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 60
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Book Description
Author: Fredrik Backman
Publisher: Simon and Schuster
ISBN: 1501115073
Category : Fiction
Languages : en
Pages : 400
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Book Description
A cloth bag containing 10 paperback copies of the title, 1 large print edition, 1 audio book, that may also include a folder with sign out sheets.
Author: Amy Lawrence
Publisher: Univ of California Press
ISBN: 9780520070820
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films. Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image. Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.
Author: Jeff Porter
Publisher: UNC Press Books
ISBN: 1469627787
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before. And when the literary aspects of specific programs such as The War of the Worlds or Sorry, Wrong Number were considered, scrutiny was superficial. In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect. Addressing avant-garde sound poetry and experimental literature on the air, alongside industry policy and network economics, Porter identifies the ways radio challenged the conventional distinctions between highbrow and lowbrow cultural content to produce a dynamic popular culture.
Author: Margaret Simpson
Publisher:
ISBN: 9780233964164
Category :
Languages : en
Pages : 256
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Book Description
Author: Lynn Painter
Publisher: Penguin
ISBN: 0593437276
Category : Fiction
Languages : en
Pages : 352
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Book Description
Things get textual when a steamy message from a random wrong number turns into an anonymous relationship in this hilarious rom-com by Lynn Painter. Bad luck has always followed Olivia Marshall...or maybe she's just the screw-up her family thinks she is. But when a "What are you wearing?" text from a random wrong number turns into the hottest, most entertaining—albeit anonymous—relationship of her life, she thinks things might be on the upswing.... Colin Beck has always considered Olivia his best friend's annoying little sister, but when she moves in with them after one of her worst runs of luck, he realizes she's turned into an altogether different and sexier distraction. He's sure he can keep his distance, until the moment he discovers she's the irresistible Miss Misdial he's been sort of sexting for weeks—and now he has to decide whether to turn the heat up or ghost her before things get messy.
Author: Michelangelo Capua
Publisher: McFarland
ISBN: 1476618704
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."
