Sonic Phantoms PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sonic Phantoms PDF full book. Access full book title Sonic Phantoms by Barbara Ellison. Download full books in PDF and EPUB format.
Author: Barbara Ellison
Publisher: Bloomsbury Publishing USA
ISBN: 1501347039
Category : Music
Languages : en
Pages : 251
Get Book Here
Book Description
In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.
Author: Barbara Ellison
Publisher: Bloomsbury Publishing USA
ISBN: 1501347039
Category : Music
Languages : en
Pages : 251
Get Book Here
Book Description
In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.
Author: Gwen Heeney
Publisher: Cambridge Scholars Publishing
ISBN: 1527513025
Category : Art
Languages : en
Pages : 195
Get Book Here
Book Description
This book brings together experts in the fields of art history, visual arts, music, cultural geography, curatorial practice and landscape architecture to explore the role of material memory in the post-industrial landscape and the ways in which that landscape can act as a site for many forms of creative practice. It examines the role of material memory in the siting of public artworks and politically inspired installation art within the socio-economic post-industrial landscape. The post-industrial ruin as a place for innovation in the curatorial process is also investigated, as are social memory and the complexities of inscribing memory into places. A number of chapters focus on photography and its important role in recording memory as transformation, abandonment and erosion. Artists and musicians present personal case studies examining the siting of permanent and temporary artworks which can invoke memory of both culture and place. The land itself and its associated histories of post-industry are explored in artistic terms investigating dislocation, wasted spaces and extinction. Landscape architects and cultural geographers explore the aesthetic of the urban ruin, its natural and human ecologies and the re-wilding of urban spaces. The volume provokes discussion by a group of diverse experts on a very contemporary subject.
Author: Erin Minear
Publisher: Routledge
ISBN: 1317063724
Category : Literary Criticism
Languages : en
Pages : 338
Get Book Here
Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: Kevin J. Donnelly
Publisher: Bloomsbury Publishing USA
ISBN: 1501389564
Category : Music
Languages : en
Pages : 225
Get Book Here
Book Description
The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.
Author: Emily I. Dolan
Publisher: Oxford University Press
ISBN: 0190637250
Category : Music
Languages : en
Pages : 740
Get Book Here
Book Description
Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Author: Stephen Graham
Publisher: Bloomsbury Publishing USA
ISBN: 1501378686
Category : Music
Languages : en
Pages : 257
Get Book Here
Book Description
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first century. Each chapter contextualizes – tells the story – of the music under discussion before describing and interpreting its sound and aesthetic. Stephen Graham uses the idea of 'becoming' to capture the unresolved 'dialectical' tension between 'noise' disorder and 'musical' order in the music itself; the experiences listeners often have in response; and the overarching 'story' or 'becoming' of the genre that has taken place in this first fifty or so years. The book therefore doubles up on becoming: it is about both the becoming it identifies in, and the larger, genre-making process of the becoming of, noise music. On the latter count, it is the first scholarly book to focus in such depth and breadth on the sound and story of noise music, as opposed to contextual questions of politics, history or sociology. Relevant to both musicology and noise audiences, Becoming Noise Music investigates a vital but analytically underexplored area of avant-garde musical practice.
Author: Amy Cimini
Publisher: Oxford University Press
ISBN: 0190060891
Category : Art
Languages : en
Pages : 337
Get Book Here
Book Description
"We haven't even made it to breakfast!" Composer Maryanne Amacher (1938-2009) often used this phrase to shorthand her critical and partial approach to knowledge production across the vast artistic, technical and scientific discourses with which she worked. The same could be said about her own musical thought, which encompassed original presentational formats in existing and speculative media and approaches to sound and listening that conjoined real and imagined social worlds. In these conjunctions, this book discerns meeting points between frameworks for life that emerged from Amacher's multidisciplinary study of sound and listening: within acoustical spectra, inside human bodies and ears, across cities and edgleands, hypothetical creatures and virtual, fictive or distanciated environments. These figurations guide interpretative study of six signal projects: Adjacencies (1965/1966); City-Links (1967-1988); Additional Tones (1976 / 1988), Music for Sound-Joined Rooms (1980), Mini Sound Series (1985) and Intelligent Life (1980s) and countless sketches, notes and unrealized projects. The book explores Amacher's working methods with an interpretive style that emphasizes technical study, conceptual juxtaposition, intertextual play and narrative transport. This book also takes up Amacher's work as a guiding thread across shifting social discourses on life in the late 20th century U.S. Her projects convoked figurations of life and technoscience that could be partially and ironically accessed or conceptualized via complex auditory thresholds. This nascent feminist epistemology rooted in feminist science and technology studies centers biopolitical questions about difference and power in artistic and critical work that counts Amacher among its precedents"--
Author: Almir Badnjević
Publisher: Springer Nature
ISBN: 3031490681
Category : Technology & Engineering
Languages : en
Pages : 773
Get Book Here
Book Description
This book presents cutting-edge research and developments in the broad field of medical, biological engineering and computing. It gathers the second volume of the joint proceedings of the Mediterranean Conference on Medical and Biological Engineering and Computing (MEDICON) and the International Conference on Medical and Biological Engineering (CMBEBIH), which were held together on September 14-16, 2023, in Sarajevo, Bosnia and Herzegovina. Contributions report on innovative research and practices in molecular biology, tissue engineering and biotechnologies, covering not only medical but also industrial applications. Further, they describe advances in health technologies and medical devices, telemedicine, and robotic applications in clinical medicine and rehabilitation.
Author: Michael Heller
Publisher: New York Review of Books
ISBN: 1681374064
Category : Poetry
Languages : en
Pages : 305
Get Book Here
Book Description
An original selection of work by one of America's greatest living poets. For more than fifty years, Michael Heller has been building one of the most impressive bodies of work in contemporary American poetry. His poems, shaped by Jewish and Buddhist thought and simultaneously lyrical and philosophical, engage the political and the natural world in an ongoing consideration of the responsibility and imaginative freedom of the poet. Profoundly reflective and deeply sensual, Heller is simply one of the best poets writing today. This new selection of his work, the first in many years, provides a perfect vantage from which to contemplate his achievement.
Author: Chris Wong Sick Hong
Publisher: Dragon Moon Press
ISBN: 1897492553
Category : Fiction
Languages : en
Pages : 235
Get Book Here
Book Description
"A fun and quirky adventure. Chris Wong Sick Hong is an author to watch!" - Patricia Briggs Does saving the world count if you do it out of spite? They call me a dick because I am one: Dick Richards, Private Eye. Tour guides and politicians up for reelection crow about how Tipton’s “majestic skyscrapers paint a living mosaic of light against the edges of space,” blissfully ignorant of the Under seeping through society’s cracks like fluorescent mold. Elves, dwarves, superheroes...everyone’s got secrets and what’s a little blackmail among associates? That’s just life. And while there isn’t enough cash in the universe to pay for knight-in-shining-armor suicide missions, there are lines. Tap dance across those—firebomb my apartment and kill my friends—and now it’s personal. Some compare me to Harry Harrison’s Stainless Steel Rat or Jim Butcher’s Harry Dresden. An AI thinks I’m like Tom Rob Smith’s Child 44. One Tom, one Dick, two-and-a-half Harrys. The after-school special damn near writes itself. But do you really need to be told what to think? Buy or don't. I don't have time to babysit. ____________________________________________________________ Join Dick Richards on his next adventure! The 2nd part of the series, Dick Richards: Planeswalker is now available as an ebook. Readers' reviews “Chris Wong Sick Hong knows his craft well and strikes a daring pose with DICK RICHARDS, PRIVATE EYE. Entertaining, informed and informing, humor and action driven, this Noir Cyberpunk adventure is sure to thrill and entertain. With tinges of Harrison’s Stainless Steel Rat and Gibson’s Burning Chrome, DICK RICHARDS forges a unique alloy of fantasy, magic, and science into an engaging and entertaining story.” - Kevin Noel Olson, author of TOCSIN CODEX "This is such a fun, quirky book. So many authors do the noir style badly, but Chris absolutely nails it. In a futuristic world that's like Blade Runner with elves, a jaded private detective gets drawn into a case that becomes increasingly dangerous...and increasingly personal." - 5 star review on Goodreads "I loved this book from start to finish. The world is engaging, the characters are colorful and interesting. The plot is engaging and dynamic. If you are a fan of the sci-fi genre, this is a great book to read." - 5 star review on Amazon "I definitely recommend this to anyone looking for a fresh take on the traditional detective/mystery story." - 4 star review on Amazon
