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Author: Lorenzo Ferrarini
Publisher:
ISBN: 9781526152008
Category :
Languages : en
Pages : 200
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Book Description
Basilicata is a region of southern Italy that was the setting for ethnographic research during the 1950s by Ernesto De Martino, Friedrich Friedmann, Edward C. Banfield, amongst others. Sixty years on, many of the practices canonised in these classic studies live on in reconfigured ways, in which heritage, identity politics and mediatisation play important roles. Sonic ethnography applies to this contemporary frame the most recent perspectives on the anthropology of sound and photographic research, to explore situations as different as the soundscape of tree rituals, the management of sound, the role of the church in annual festivals, the afterlife of ethnographic research in heritage politics and recorded media among migrant communities. The book brings to light how in Basilicata sound plays a central role in the performance of local identities. The volume also contributes innovative insights on doing ethnography in sound and photography.
Author: Lorenzo Ferrarini
Publisher:
ISBN: 9781526152008
Category :
Languages : en
Pages : 200
Get Book Here
Book Description
Basilicata is a region of southern Italy that was the setting for ethnographic research during the 1950s by Ernesto De Martino, Friedrich Friedmann, Edward C. Banfield, amongst others. Sixty years on, many of the practices canonised in these classic studies live on in reconfigured ways, in which heritage, identity politics and mediatisation play important roles. Sonic ethnography applies to this contemporary frame the most recent perspectives on the anthropology of sound and photographic research, to explore situations as different as the soundscape of tree rituals, the management of sound, the role of the church in annual festivals, the afterlife of ethnographic research in heritage politics and recorded media among migrant communities. The book brings to light how in Basilicata sound plays a central role in the performance of local identities. The volume also contributes innovative insights on doing ethnography in sound and photography.
Author: Cristina Grasseni
Publisher: Routledge
ISBN: 1000484890
Category : Social Science
Languages : en
Pages : 237
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Book Description
Audiovisual and Digital Ethnography is a state-of-the-art introduction to this dynamic and growing subject. The authors explain its fundamental aspects in a clear and systematic way. The chapters cover topics including: learning to see and listen in the field and the role of sensory attention the mediation of the senses doing anthropological fieldwork with video observational filmmaking ethnographic drawing multimodal anthropology digital ethnography interactive documentary the ethics and management of audiovisual and digital data. The result is a much-needed, up-to-date and concise guide to both the fundamental skills required for audiovisual and digital ethnographic production and the essential theoretical knowledge relating to this. It will be particularly useful for students and scholars in the fields of Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice and Sound Studies.
Author: Steve Ferzacca
Publisher: National University of Singapore Press
ISBN: 9789813251083
Category : Rock groups
Languages : en
Pages : 0
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Book Description
Enter the basement of Peninsular Plaza, a shopping mall in central Singapore, and you'll descend into rock history. Since the days of the now-legendary group The Straydogs, this area has served as the locus for amateur and semi-professional musicians. For the bands and their fans, rock music defines their lives in Singapore. It is not uncommon to see legends from the 1960s jamming out with new up-and-coming artists, and the basement venue has afforded expected and unexpected opportunities for work, play, and meaning in the contemporary music scene in this Southeast Asian city-state. The emergent quality of this community is simultaneously fiercely cosmopolitan, and entirely Singaporean. Sonic City is an ethnography of the community centered around these musicians, their family, friends, and fans, and the way they make music and a way of life. It considers the aesthetic dispositions, cultural values, ideologies, and identities within the constraints of urban life in the city. Grounded in debates from sound studies and based on five years of deeply participatory sonic ethnography, Steve Ferzacca draws on Bruno Latour's ideas of the social continually emergent, constantly in-the-making, associations of heterogeneous elements of human and non-human mediators and intermediaries to portray a community entangled in vernacular and national heritage projects. What emerges is a vernacular heritage drawing upon Singapore's unique place in Southeast Asian and World history.
Author: Tia DeNora
Publisher: Routledge
ISBN: 1351556819
Category : History
Languages : en
Pages : 224
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Book Description
This volume brings together DeNora‘s work published between 1986 and 2007. It includes thirteen essays, some of which have had a major impact on the field. The chapters trace the development of her work from its early concern with musical meaning, historical ethnography and theeveryday perspective, to its current focus on music in action. Topics covered include Adorno on Schoenberg and Stravinsky, a theory of music as a space and place for interpretive work, research methods for historical musicology, and the first key statement of her theory of music as an active ingredient in social life. These building blocks are then employed to investigate music and embodied experience, sexuality and gender differentiation, and music‘s role as a technology of health. The essays are set in a multi-disciplinary context with an autobiographical introduction.
Author: Paul D. Greene
Publisher: Wesleyan University Press
ISBN: 0819570621
Category : Music
Languages : en
Pages : 301
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Book Description
Winner of the Society for Ethnmusicology's Klaus Wachsmann Award (2006) Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.
Author: Karin Bijsterveld
Publisher: Springer
ISBN: 1137598298
Category : Technology & Engineering
Languages : en
Pages : 178
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Book Description
It is common for us today to associate the practice of science primarily with the act of seeing—with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills—skills required for making, recording, storing, retrieving, and listening to sound—in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye.
Author: Jordan Lacey
Publisher: Bloomsbury Publishing USA
ISBN: 1501310003
Category : Architecture
Languages : en
Pages : 207
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Book Description
Sonic Rupture applies a practitioner-led approach to urban soundscape design, which foregrounds the importance of creative encounters in global cities. This presents an alternative to those urban soundscape design approaches concerned with managing the negative health impacts of noise. Instead, urban noise is considered to be a creative material and cultural expression that can be reshaped with citywide networks of sonic installations. By applying affect theory the urban is imagined as an unfolding of the Affective Earth, and noise as its homogenous (and homogenizing) voice. It is argued that noise is an expressive material with which sonic practitioners can interface, to increase the creative possibilities of urban life. At the heart of this argument is the question of relationships: how do we augment and diversify those interconnections that weave together the imaginative life and the expressions of the land? The book details seven sound installations completed by the author as part of a creative practice research process, in which the sonic rupture model was discovered. The sonic rupture model, which aims to diversify human experiences and urban environments, encapsulates five soundscape design approaches and ten practitioner intentions. Multiple works of international practitioners are explored in relation to the discussed approaches. Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces, which shape urban life. The book also provides a range of practical and conceptual tools for urban soundscape design that can be applied by the sonic practitioner.
Author: Daniel Makagon
Publisher: SAGE
ISBN: 1412954932
Category : Education
Languages : en
Pages : 105
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Book Description
This volume explores the methodological issues related to audio documentary, it also provides readers with practical guidance on how to produce their own audio projects
Author: Haun Saussy
Publisher: Fordham Univ Press
ISBN: 0823270483
Category : Technology & Engineering
Languages : en
Pages : 352
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Book Description
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.
Author: Holger Schulze
Publisher: Bloomsbury Publishing USA
ISBN: 1501305484
Category : Music
Languages : en
Pages : 273
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Book Description
In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts – and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses. I'm going to prove the impossible really exists.
