Songs of the British Islands PDF Download
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Author: William Henry Hadow
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 144
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Book Description
Author: William Henry Hadow
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 144
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Book Description
Author: Kathy Troxel
Publisher:
ISBN: 9781883028138
Category : Children's songs
Languages : en
Pages : 69
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Book Description
Includes the lyrics to 33 songs to help learn about 225 countries, continents, landmarks, maps, etc.
Author: William Gillies Whittaker
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 88
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Book Description
Author: Sydney Hugo Nicholson
Publisher:
ISBN:
Category : Folk songs, English
Languages : en
Pages : 180
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Book Description
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 884
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Book Description
Author:
Publisher:
ISBN:
Category : Folk songs, English
Languages : en
Pages : 240
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Book Description
Author: Godfrey Baldacchino
Publisher: Scarecrow Press
ISBN: 0810881772
Category : Music
Languages : en
Pages : 340
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Book Description
"Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change uncovering common patterns despite the diversity and local character of their subjects"--Page 4 of cover.
Author: Jennifer Post
Publisher: Routledge
ISBN: 1136705198
Category : Art
Languages : en
Pages : 468
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Book Description
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Author:
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 614
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Book Description
Author: Britta Sweers
Publisher: Oxford University Press
ISBN: 0198038984
Category : Music
Languages : en
Pages : 350
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Book Description
In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.
