Songs of Mortals, Dialogues of the Gods PDF Download
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Author: Louise K. Stein
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 566
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Book Description
Author: Louise K. Stein
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 566
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Book Description
Author: Tess Knighton
Publisher: Routledge
ISBN: 1351569465
Category : Music
Languages : en
Pages : 342
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Book Description
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
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Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Drew Edward Davies
Publisher: Oxford University Press
ISBN: 0199729905
Category : Music
Languages : en
Pages : 272
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Book Description
Much engagement with the cathedral music of New Spain has been through lens of exoticism. This book challenges this view by uncovering how colonial repertories mixed European aesthetics with locally composed pieces to create canons both tailored to local liturgies and shaped by European tradition. Building upon material from the archives of Mexico City, Durango, and Puebla cathedrals, author Drew Edward Davies examines how composers, some of them priests, communicated theological doctrine through music genres. The book also offers a new understanding of cultural encounter, both by assessing how music was used for indoctrination and by rethinking stereotypes in villancicos through the lens of topic theory. Illuminating the unique mix of devotional subjects stressed in New Spain, Davies argues that topicality rather than style differentiated New Spanish musical repertory from that of Europe. Concluding with a history of the early music movement's revival of New Spanish music beginning in the 1960s, Davies suggests that exoticism and the imagination continue to shape performances in ways that may not be plausible historically, but nonetheless resonate with audiences in the contemporary world. In so doing, he invites performers and scholars alike to engage with broader repertories of New Spanish music moving forward.
Author: Carol A. Hess
Publisher: OUP Us
ISBN: 0199919992
Category : History
Languages : en
Pages : 324
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Book Description
In this book, Carol A. Hess investigates the reception of Latin American art music in the US during the Pan American movement of the 1930s and 40s. Hess uncovers how and why attitudes towards Latin American music shifted so dramatically during the middle of the twentieth century, and what this tells us about the ways in which the history of American music has been written.
Author: Bárbara Mujica
Publisher: Bucknell University Press
ISBN: 1611485185
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.
Author: Juan José Carreras López
Publisher: Boydell Press
ISBN: 9781843831396
Category : Architecture
Languages : en
Pages : 424
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Book Description
Focusing on the royal chapel established by Philip II in Madrid, the essays in this richly illustrated volume offer a series of different perspectives on the development of the main court chapels of Europe. English version edited by Tess Knighton The royal chapel, in Europe as a whole and in Spain in particular, was a cultural institution where court ceremonial, politics, music and the arts were brought together in terms of space and function. The ramifications for the patronage and cultivation of the arts and the dynamic between music and the arts and the concept of kingship form the focus of the text. The phenomenon of groupings of singers, chaplainsand musicians at the service of the different European monarchies is of great significance both for the history of music, and the political and cultural history of the court in general. The royal chapel established by Philip II in Madrid was the central religious and musical institution of royal power until well into the eighteenth century, and using this as a focus, the essays in this richly illustrated volume offer a series of different perspectives onthe development of the main court chapels of Europe. These papers were delivered at the international seminar, 'La Real Capilla de Palacio en la época de los Austrias', under the auspices of the Fundación Carlos de Amberes,Madrid from 14 to 16 December, 2000. The volume is edited by Tess Knighton, Juan José Carreras and Bernardo García García, and translated by Yolanda Acker.
Author: Pamela H. Long
Publisher: Peter Lang
ISBN: 9781433102691
Category : Biography & Autobiography
Languages : en
Pages : 158
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Book Description
In her lost treatise on music which she titled El caracol, Sor Juana Inés de la Cruz addressed the image of the spiral as a metaphor for musical harmony, an image which she distilled in one of her romances. Singing in the choir of the Templo de San Jerónimo, Sor Juana and the other nuns of her convent were raising the tone of their musica humana to be in accord with the music of the heavenly choirs, which the nuns were imitating in their singing. Octavio Paz theorizes a «triple interés» in music in Sor Juana's works: «práctico, teórico, filósofico». Numerous poems allude to the theoretical and philosophical problems of music, resulting in many levels of metaphor and metonym concerning music, especially in the loas and villancicos. Not only does Sor Juana's work address the metaphysical aspects of music, the musica speculative so popular in the sixteenth and seventeenth centuries, but it broaches important questions on the practical applications of new theories of musical harmony: the musica practica. A talented poet, playwright, scientist, and mathematician, Sor Juana also explored musical instruments and theory. Sor Juana/Música investigates the musical aspects of Sor Juana's literary achievements, exploring the dense metaphorical interplay of musical and literary images, and places her works within the musicological ambience of her time. With its interdisciplinary approach, Sor Juana/Música contributes not only to the understanding of Sor Juana's literary works, but also to the degree that literature underpins the other arts as it illuminates the musicological times in which she lived.
Author: John Walter Hill
Publisher: Oxford University Press
ISBN: 9780198166139
Category : Vocal music
Languages : en
Pages : 480
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Author: Gabriel Saldívar
Publisher: University of Illinois Press
ISBN: 9780252020926
Category : Music
Languages : en
Pages : 326
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Book Description
