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Author: Norbert Krapf
Publisher: Indiana University Press
ISBN: 0253006368
Category : Poetry
Languages : en
Pages : 234
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Book Description
“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the Spell A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet’s German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, “Prayer to Walt Whitman at Ground Zero”; “Back Home,” a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the twentieth anniversary of the fall of the Berlin Wall, “Questions on a Wall.” “Pursuing a tri-fold creative concept that unites poetry, art in the form of photography, and music is certainly not a light challenge. Norbert Krapf has mastered it with remarkable virtuosity and once again reinforced his reputation as the pre-eminent German-American poet of the English language.” —Yearbook of German-American Studies “Some of Krapf’s poetry is breathtakingly moving. Most of it is very insightful . . . The way he joins history and emotion is wonderful.” —Englewood Review of Books
Author: Norbert Krapf
Publisher: Indiana University Press
ISBN: 0253006368
Category : Poetry
Languages : en
Pages : 234
Get Book Here
Book Description
“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the Spell A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet’s German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, “Prayer to Walt Whitman at Ground Zero”; “Back Home,” a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the twentieth anniversary of the fall of the Berlin Wall, “Questions on a Wall.” “Pursuing a tri-fold creative concept that unites poetry, art in the form of photography, and music is certainly not a light challenge. Norbert Krapf has mastered it with remarkable virtuosity and once again reinforced his reputation as the pre-eminent German-American poet of the English language.” —Yearbook of German-American Studies “Some of Krapf’s poetry is breathtakingly moving. Most of it is very insightful . . . The way he joins history and emotion is wonderful.” —Englewood Review of Books
Author: Tom Engelhardt
Publisher: Univ of Massachusetts Press
ISBN: 9781558495869
Category : History
Languages : en
Pages : 410
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Book Description
"Sets out to trace the vicissitudes of America's self-image since World War ll as they showed up in popular culture: war toys, war comics, war reporting, and war films. It succeeds brilliantly ... Engelhardt's prose is smart and smooth, and his book is social and cultural history of a high order." Boston Globe, from the bookjacket.
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Category : Child rearing
Languages : en
Pages : 1216
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Book Description
Author: Nicholas E. Tawa
Publisher: Scarecrow Press
ISBN: 9780810852952
Category : Music
Languages : en
Pages : 354
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Book Description
This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fitted within the context of the larger 20th century society are considered and explained clearly and fruitfully. The author also offers insight into why musical styles were seen to change as they did during this time period.
Author: Bernard L. Peterson Jr.
Publisher: Bloomsbury Publishing USA
ISBN: 0313064547
Category : Literary Criticism
Languages : en
Pages : 554
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Book Description
This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.
Author: Portia K. Maultsby
Publisher: Routledge
ISBN: 1315472074
Category : Music
Languages : en
Pages : 521
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Book Description
Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.
Author: Richard Aquila
Publisher: University of Illinois Press
ISBN: 9780252069192
Category : History
Languages : en
Pages : 430
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Book Description
From the huge success of the Chords' "Sh-Boom" to the arrival of the Beatles a decade later, rock 'n' roll influenced an entire generation of young Americans. Combining popular culture and social history with a sourcebook of lists and a biographical dictionary, That Old-Time Rock & Roll recreates the fun and excitement of rock's first decade and shows how the music reflected American life and thought in the 1950s and early 1960s. Richard Aquila provides an overview of the birth and growth of this pivotal genre and demonstrates early rock's links to both the youth culture and the dominant culture of the Eisenhower/Kennedy era. Year-by-year timelines and a photo essay place the music in historical perspective by illustrating the decade's top news stories, movies, TV shows, fads, and lifestyles. Complementing this topical summary is a concise biographical dictionary that details all the performers who made the charts between 1954 and 1963, along with the label and chart position of each hit. Both a history of the music and a history of the times, That Old-Time Rock & Roll is an outstanding source of information about the charter members of the baby-boom generation. In a new introduction, Aquila discusses how his long-time interest in rock 'n' roll came to fruition and surveys the progress of rock 'n' roll scholarship since his book's original publication.
Author: James L. Neibaur
Publisher: Rowman & Littlefield
ISBN: 1442230746
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Elvis Presley’s stature as the “King of Rock and Roll” will never be challenged. Between his first RCA hit single in 1956—the number-one smash “Heartbreak Hotel”—and his death in 1977, Elvis amassed more than 100 hits on the music charts. Presley’s dominance on the music chart was paralleled only by the singer’s motion picture career. Between 1956 and 1969, Elvis appeared in more than thirty films, further cementing his place as one of the most popular entertainers of the twentieth century. While there have been countless books that explore the real Elvis tucked beneath layers of showbiz mythology, such volumes often dismiss his motion picture career as insignificant or overlook his onscreen work entirely. In The Elvis Movies, James L. Neibaur looks at the thirty-one features that Presley made, from Love Me Tender in 1956 to Change of Habit in 1969. Most of these were star vehicles tailor-made for his image. As Neibaur points out, Elvis had a real interest in being a good actor, but his initial promise was soon thwarted by anti-creative decisions that sold a packaged version of the singer. Despite lapsing into a predictable formula of lightweight musicals, Elvis Presley’s star power ensured that the films became box office successes. Neibaur examines each film, providing information about their production and offering assessments about their value in general, as well as their place in the Presley canon. Additional details include behind-the-scenes personnel, costars, DVD availability, and featured hit songs. An entertaining and informative look at an often underrated aspect of the singer’s career, The Elvis Movies offers readers insight into his films. This volume will be a welcome resource to fans of the singer who want to know more about the King and his successful ventures on the big screen.
Author: Stacy I. Morgan
Publisher: University of Texas Press
ISBN: 1477312080
Category : Social Science
Languages : en
Pages : 272
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Book Description
Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
Author: Miguel Lentino
Publisher: Bloomsbury Publishing
ISBN: 147298160X
Category : Nature
Languages : en
Pages : 882
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Book Description
Volume I of a comprehensive two-part identification guide dealing exclusively with the birds of this region. It covers all the species, including vagrants, found in Ecuador, Columbia, Venezuela, Aruba, Curaçao, Bonaire, Trinidad and Tobago, Guyana, Suriname and French Guiana. More than 2,300 species are described in depth in the text, describing geographical variation, identification, status, habitat, voice and taxonomy. Detailed and comprehensive colour plates and distribution maps may be found in the second volume, Birds of Northern South America: An Identification Guide: Plates and Maps. This authoritative book will not only be an indispensable guide to the visiting birder, but also a vital tool for those engaged in work to conserve and study the avifauna of this region, which is of such importance to both the indigenous species and those which pass through on migration.
