Film Music in the Sound Era

Film Music in the Sound Era PDF Author: Jonathan Rhodes Lee
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1155

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Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Film Music in the Sound Era

Film Music in the Sound Era PDF Author: Jonathan Rhodes Lee
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1155

Get Book Here

Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

The Hollywood Musical Goes to War

The Hollywood Musical Goes to War PDF Author: Allen L. Woll
Publisher: Taylor Trade Publications
ISBN: 9780882297040
Category : Music
Languages : en
Pages : 240

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Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Bibliographical Handbook of American Music

Bibliographical Handbook of American Music PDF Author: Donald William Krummel
Publisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 288

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Book Description


Popular Music

Popular Music PDF Author: Roman Iwaschkin
Publisher: Routledge
ISBN: 1317223446
Category : Music
Languages : en
Pages : 726

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Book Description
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.

Checklist of Writings on American Music, 1640-1992

Checklist of Writings on American Music, 1640-1992 PDF Author: Guy A. Marco
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258

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Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.

God Bless America

God Bless America PDF Author: Kathleen E.R. Smith
Publisher: University Press of Kentucky
ISBN: 0813159482
Category : History
Languages : en
Pages : 324

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Book Description
After Pearl Harbor, Tin Pan Alley songwriters rushed to write the Great American War Song—an "Over There" for World War II. The most popular songs, however, continued to be romantic ballads, escapist tunes, or novelty songs. To remedy the situation, the federal government created the National Wartime Music Committee, an advisory group of the Office of War Information (OWI), which outlined "proper" war songs, along with tips on how and what to write. The music business also formed its own Music War Committee to promote war songs. Neither group succeeded. The OWI hoped that Tin Pan Alley could be converted from manufacturing love songs to manufacturing war songs just as automobile plants had retooled to assemble planes and tanks. But the OWI failed to comprehend the large extent by which the war effort would be defined by advertisers and merchandisers. Selling merchandise was the first priority of Tin Pan Alley, and the OWI never swayed them from this course. Kathleen E.R. Smith concludes the government's fears of faltering morale did not materialize. Americans did not need such war songs as "Goodbye, Mama, I'm Off To Yokohama", "There Are No Wings On a Foxhole", or even "The Sun Will Soon Be Setting On The Land Of The Rising Sun" to convince them to support the war. The crusade for a "proper" war song was misguided from the beginning, and the music business, then and now, continues to make huge profits selling love—not war—songs.

The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States

The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States PDF Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520079083
Category : Performing Arts
Languages : en
Pages : 1198

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Book Description
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

The Musical

The Musical PDF Author: William Everett
Publisher: Routledge
ISBN: 1135947392
Category : Music
Languages : en
Pages : 256

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Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Historical Dictionary of the Broadway Musical

Historical Dictionary of the Broadway Musical PDF Author: William A. Everett
Publisher: Rowman & Littlefield
ISBN: 1442256699
Category : Performing Arts
Languages : en
Pages : 465

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Book Description
The Broadway musical has greatly influenced both American and world culture. Shows such as Oklahoma! and Annie Get Your Gun are as American as apple pie, while the long runs of imports such as Cats, The Phantom of the Opera, and Les Misérables have broken records. Shows filled with rock and pop music such as Mamma Mia! and Wicked enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernadette Peters, and Audra McDonald; composers and lyricists Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, John Kander, Fred Ebb, and Jeanine Tesori; and directors and choreographers George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman—to name only a few—have gained national and international recognition by way of the Broadway musical stage. This second edition of Historical Dictionary of the Broadway Musical contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.

The Complete Book of 1920s Broadway Musicals

The Complete Book of 1920s Broadway Musicals PDF Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 1538112825
Category : Performing Arts
Languages : en
Pages : 671

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Book Description
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.