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Author: Frankie Morland
Publisher: Dorling Kindersley Ltd
ISBN: 0241454956
Category : Juvenile Nonfiction
Languages : en
Pages : 34
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Book Description
Discover the beauty of the world around us and why we must protect it, in this magical, sing-along picture book. Eight year old environmentalist, Frankie Morland wants to make a difference to the world. So, he decided to write a song... In this colourful book, Frankie's thoughtful lyrics sit alongside beautiful illustrations which remind us of all there is to love about planet Earth and just how urgent it is that we take care of it. World In Danger features facts about Frankie's favourite endangered animals from cute red pandas, to colourful toucans, to buzzing bees, and simple activities you can do at home to do your bit to save the environment. Budding musicians can learn to play Frankie's song on the guitar or piano by following the musical score at the back of the book - and everyone can follow the lyrics and sing along! Ideal for little nature lovers, as well as fans of Frankie's song and its inspirational message.
Author: Frankie Morland
Publisher: Dorling Kindersley Ltd
ISBN: 0241454956
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Get Book Here
Book Description
Discover the beauty of the world around us and why we must protect it, in this magical, sing-along picture book. Eight year old environmentalist, Frankie Morland wants to make a difference to the world. So, he decided to write a song... In this colourful book, Frankie's thoughtful lyrics sit alongside beautiful illustrations which remind us of all there is to love about planet Earth and just how urgent it is that we take care of it. World In Danger features facts about Frankie's favourite endangered animals from cute red pandas, to colourful toucans, to buzzing bees, and simple activities you can do at home to do your bit to save the environment. Budding musicians can learn to play Frankie's song on the guitar or piano by following the musical score at the back of the book - and everyone can follow the lyrics and sing along! Ideal for little nature lovers, as well as fans of Frankie's song and its inspirational message.
Author: Carolyn Beard Whitlow
Publisher: Dartmouth College Press
ISBN: 1611685303
Category : Poetry
Languages : en
Pages : 169
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Book Description
The sestina (of medieval French origin) is a complex poetic form of 39 lines (six sestets and a three-line "envoy") in which the six end-words (teleutons) of the lines of the first sestet stanza are repeated in a specific order as teleutons in the five succeeding sestets. In the envoy, the six teleutons are again picked up, one of them being buried in, and one finishing, each line. Because of the complexity of the form, the sestina fell out of favor with poets for several decades. However, a twenty-first century revival of the form is underway. This is the first anthology of sestinas that showcases both traditional and innovative examples of the form by modern and contemporary poets, award winners, and emerging writers alike. Organized by such themes as Americana; Art; Love and Sex; and Memory, Contemplation, Retrospection, and Death, the collection also includes sestinas with irregular teleutons and unconventional sestinas. An evocative introduction by Marilyn Krysl acquaints readers with the form. The volume concludes with useful indexes of first lines and teleutons, increasing access to the poems beyond the poets' names.
Author: Pattiann Rogers
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 560
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Book Description
This book collects all of Pattiann Rogers's published work, plus 40 new poems. Her subject matter is at once broad -- defining divinity, achieving serenity -- and specific, as she sees with a keen eye "the neon needle of a damsel fly hovering and vanishing".
Author: Gerhard Fischer
Publisher: Rodopi
ISBN: 9042022574
Category : Art
Languages : en
Pages : 478
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Book Description
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410347389
Category : Literary Criticism
Languages : en
Pages : 23
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Book Description
A Study Guide for Pattiann Rogers's "The Greatest Grandeur," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Author: Liam Lawton
Publisher: GIA Publications
ISBN: 9781853906008
Category : Biography & Autobiography
Languages : en
Pages : 124
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Book Description
In the 'Song of My People ' internationally acclaimed liturgical composer Liam Lawton tells the story behind his music. For the past 10 years he has been drawing inspiration from the rich and beautiful heritage of his native land, never tiring of discovering connections between people, landscape and spirituality, one constantly influencing the other. Song of My People tells the story of what has inspired him to compose. He explores what it is about the native Irish tradition that has created some of the most beautiful and lyrical melodies despite knowing times of great strife and struggle. This is not an academic study but rather a compelling look into the world that has shaped Liam Lawton s music, from the early Christian settlers in Ireland, to the stories of Famine days to the contemporary world of Irish music.
Author: K'NAAN
Publisher: Tundra Books
ISBN: 1770493026
Category : Juvenile Nonfiction
Languages : en
Pages : 34
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Book Description
“Wavin’Flag” has become an international anthem. Its powerful words of hope have crossed generations and borders, and have made K’NAAN an international star. In his first book for children, When I Get Older, Somali-Canadian poet, rapper, singer, and songwriter K’NAAN tells his own story. Born in Somalia, he grew up in Mogadishu. His grandfather was a renowned poet who passed on his love of words to his grandson. When the Somali Civil War began in 1991, K’NAAN was just thirteen. His mother made the difficult decision to move her family so that they could grow up in safety. First in New York and then in Toronto, K’NAAN faced many challenges. Like so many other immigrants, he had to make a place for himself in a world of alien customs, clothes, and language. His road was a hard one: he lost many friends to violence. But K’NAAN’s love of music, and his enormous talent, became a way for him to connect with his past, with his classmates, and eventually, to millions of people around the world. Not only does K’NAAN tell a story that will inspire and encourage young readers, but he provides a brief history of the Somalian conflict. The lyrics of “Wavin’ Flag” are also included. Born Keinan Abdi Warsame, K’NAAN first came to prominence when he performed a spoken word piece before the United Nations High Commissioner for Refugees in 1999. A member of the audience, the singer Youssou N’Dour, was so impressed that he asked K’NAAN to take part in an album and to tour with him. Since then, K’NAAN has performed in more than 86 countries and has received many honors, including three Juno Awards and the BBC Radio 3 Award for World Music. During the Vancouver Olympics, he worked with other Canadian musicians and artists under the name Young Artists for Haiti to produce a charity version of “Wavin’ Flag.” The song was adapted again to become the FIFA World Cup theme song. There are now twenty-two versions of the song, which hit #1 in nineteen countries.
Author: Tamarack Song
Publisher: Simon and Schuster
ISBN: 159143212X
Category : Body, Mind & Spirit
Languages : en
Pages : 279
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Book Description
A step-by-step guide to animal communication, connecting with your primal mind, and immersing yourself in Nature • Includes exercises for learning how to become invisible within Nature, sense hidden animals, and communicate with wild animals and birds • Explains how to approach wild animals and form friendships with them • Details the intuitive awareness of our hunter-gatherer ancestors and their innate oneness with Nature Animals and plants are in constant communication with the world around them. To join the conversation, we need only to connect with our primal mind and recognize that we, too, are Nature. Once in this state, we can communicate with animals as effortlessly as talking with friends. The songs of birds and the calls of animals start to make sense. We begin to see the reasons for their actions and discover that we can feel what they feel. We can sense the hidden animals around us, then get close enough to look into their eyes and touch them. Immersed in Nature, we are no longer intruders, but fellow beings moving in symphony with the Dance of Life. In this guide to becoming one with Nature, Tamarack Song provides step-by-step instructions for reawakening the innate sensory and intuitive abilities that our hunter-gatherer ancestors relied upon--abilities imprinted in our DNA yet long forgotten. Through exercises and experiential stories, the author guides us to immerse ourselves in Nature at the deepest levels of perception, which allows us to sense the surrounding world and the living beings in it as extensions of our own awareness. He details how to open our minds and hearts to listen and communicate in the wordless language of wild animals and plants. He explains how to hone our imagining skill so we can transform into the animal we are seeking, along with becoming invisible by entering the silence of Nature. He shows how to approach a wild animal on her own terms, which erases her fear and shyness. Allowing us to feel the blind yearning of a vixen Fox in heat and the terror of a Squirrel fleeing a Pine Marten, the practices in this book strip away everything that separates us from the animals. They enable us to restore our kinship with the natural world, strengthen our spiritual relationships with the animals who share our planet, and discover the true essence of the wild within us.
Author: Aleksandra Kremer
Publisher: Harvard University Press
ISBN: 0674261119
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.
Author: Bryan Walpert
Publisher: Routledge
ISBN: 1136587284
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This book examines types of resistance in contemporary poetry to the authority of scientific knowledge, tracing the source of these resistances to both their literary precedents and the scientific zeitgeists that helped to produce them. Walpert argues that contemporary poetry offers a palimpsest of resistance, using as case studies the poets Alison Hawthorne Deming, Pattiann Rogers, Albert Goldbarth, and Joan Retallack to trace the recapitulation of romantic arguments (inherited from Keats, Shelly, and Coleridge, which in turn were produced in part in response to Newtonian physics), modernist arguments (inherited from Eliot and Pound, arguments influenced in part by relativity and quantum theory), and postmodernist arguments (arguments informed by post-structuralist theory, e.g. Barthes, Derrida, Foucault, with affinities to arguments for the limitations of science in the philosophy, sociology, and rhetoric of science). Some of these poems reveal the discursive ideologies of scientific language—reveal, in other words, the performativity of scientific language. In doing so, these poems themselves can also be read as performative acts and, therefore, as forms of intervention rather than representation. Reading Retallack alongside science studies scholar Karen Barad, the book concludes by proposing that viewing knowledge as a form of intervention, rather than representation, offers a bridge between contemporary poetry and science.
