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Author: Franco Sciannameo
Publisher: Scarecrow Press
ISBN: 0810884259
Category : Music
Languages : en
Pages : 255
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Book Description
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others. The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book
Author: Franco Sciannameo
Publisher: Scarecrow Press
ISBN: 0810884259
Category : Music
Languages : en
Pages : 255
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Book Description
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others. The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book
Author: Open University. Science Third Level Course Team
Publisher:
ISBN:
Category : Cell physiology
Languages : en
Pages : 38
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Book Description
Author: Harry Danks
Publisher: Theodore Front Music
ISBN: 9780900998164
Category : Music
Languages : en
Pages : 148
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Book Description
Author: Alan Rosen
Publisher: Cambridge University Press
ISBN: 1107008654
Category : History
Languages : en
Pages : 323
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Book Description
During and in the aftermath of the dark period of the Holocaust, writers across Europe and America sought to express their feelings and experiences through their writings. This book provides a comprehensive account of these writings through essays from expert scholars, covering a wide geographic, linguistic, thematic and generic range of materials. Such an overview is particularly appropriate at a time when the corpus of Holocaust literature has grown to immense proportions and when guidance is needed in determining a canon of essential readings, a context to interpret them, and a paradigm for the evolution of writing on the Holocaust. The expert contributors to this volume, who negotiate the literature in the original languages, provide insight into the influence of national traditions and the importance of language, especially but not exclusively Yiddish and Hebrew, to the literary response arising from the Holocaust.
Author: Igor Kipnis
Publisher: Routledge
ISBN: 9780824034207
Category :
Languages : en
Pages : 600
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Book Description
Author: Charles-Auguste De Beriot
Publisher: CreateSpace
ISBN: 9781493597628
Category :
Languages : en
Pages : 136
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Book Description
Standard repertoire for violin still used today by this founder of the Belgian-French school. Reprinted directly from the "Neue Korrekte Ausgabe" by Julius Meyer Waldemar, printed in Liepzig by Steingraber, circa 1900. Plate 985. Full volume of all 60 concert etudes, printed in ENGLISH, GERMAN, and FRENCH. Very clean and painstakingly reproduced. Edition Fleury 2013. Blank paper at back of book as well as staff paper for teacher annotations, etc. 137pps. Glossy Cover, 8.5"x11""
Author: David Dalton
Publisher: OUP Oxford
ISBN: 0191039217
Category : Music
Languages : en
Pages : 259
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Book Description
`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.
Author: Henri Wieniawski
Publisher:
ISBN:
Category : Violin music
Languages : en
Pages : 52
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Book Description
Author: Rigby
Publisher:
ISBN: 9781418914219
Category :
Languages : en
Pages : 0
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Book Description
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 1457421178
Category : Music
Languages : en
Pages : 195
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Book Description
Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart Gordon, includes Sonatas 9--15 (Op. 14, Nos. 1--2; Op. 22; Op. 26; Op. 27, Nos. 1--2; and Op. 28), written between 1798 and 1801 and published shortly after they were written. Of the sonatas in this volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and final pages are missing); and Op. 28. This edition is based on the existing autographs and the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
