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Author: Melvin Berger
Publisher: Anchor
ISBN: 030775488X
Category : Music
Languages : en
Pages : 223
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Book Description
With the same authority, insight, and unique ability to bring music to life on the printed page that he brought to his Guide to Chamber Music, Melvin Berger gives us an indispensable guide to the sonata form. Comprehensive, analytical, and historical, including descriptions in nontechnical language of over two hundred of the best best-known sonatas, Guide to Sonatas is designed to help all music lovers−casual listeners, experienced concertgoers, performers, conductors, or teachers−deepen their understanding and enhance their enjoyment of the classical repertoire.
Author: Melvin Berger
Publisher: Anchor
ISBN: 030775488X
Category : Music
Languages : en
Pages : 223
Get Book Here
Book Description
With the same authority, insight, and unique ability to bring music to life on the printed page that he brought to his Guide to Chamber Music, Melvin Berger gives us an indispensable guide to the sonata form. Comprehensive, analytical, and historical, including descriptions in nontechnical language of over two hundred of the best best-known sonatas, Guide to Sonatas is designed to help all music lovers−casual listeners, experienced concertgoers, performers, conductors, or teachers−deepen their understanding and enhance their enjoyment of the classical repertoire.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 91
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Book Description
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Professor Stewart R Craggs
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493695
Category : Music
Languages : en
Pages : 256
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Book Description
Alun Hoddinott is the most important living Welsh composer and one of the most distinguished and prolific composers of his generation internationally. His works have been performed in major centres as far afield as Tokyo and Berlin, Melbourne and Leipzig, New York and Venice as well as the major festivals in Wales and England. He is one of the very few composers to have been commissioned to compose a concerto for Mstislav Rostropovitch. Born in Bargoed, Glamorganshire, in August 1929, Alun Hoddinott started to play the violin and compose at an early age. Some of his works were performed and broadcast whilst he was a student at University College, Cardiff and he later studied with the Australian composer and pianist Arthur Benjamin. His first major success was his Clarinet Concerto No.1, given by Gervaise de Peyer and the Halle Orchestra under John Barbirolli at the 1954 Cheltenham Music Festival. This Source Book lists all Hoddinott's compositions from 1946 to 2005, almost 60 years of phenomenal output, and shows he has achieved a mastery of composition which embraces almost every musical medium. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference for all those interested in Alun Hoddinott and his music.
Author: Jason W. Solomon
Publisher: Routledge
ISBN: 135168390X
Category : Music
Languages : en
Pages : 302
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Book Description
Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory. Beginning with no assumptions about music theory knowledge, the book covers the core elements of music fundamentals, diatonic and chromatic harmony, post-tonal theory, and popular music in a single concise volume. Emphasizing critical thinking skills, this book guides students through conceptualizing musical concepts and mastering analytic techniques. Each chapter concludes with a selection of applications designed to enhance engagement: Exercises allow students to apply and practice the skills and techniques addressed in the chapter. Brain Teasers challenge students to expand their musical understanding by thinking outside the box. Exploring Music offers strategies for students to apply learned concepts to the music they are currently learning or listening to. Thinking Critically encourages students to think more deeply about music by solving problems and identifying and challenging assumptions. A companion website provides answers to book exercises, additional downloadable exercises, and audio examples. Straightforward and streamlined, Music Theory Essentials is a truly concise yet comprehensive introduction to music theory that is accessible to students of all backgrounds.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: David Beach
Publisher: Routledge
ISBN: 1136329765
Category : Music
Languages : en
Pages : 385
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Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Seth Monahan
Publisher: Oxford University Press
ISBN: 0199303479
Category : Music
Languages : en
Pages : 297
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Book Description
Why would Gustav Mahler (1860-1911), modernist titan and so-called prophet of the New Music, commit himself time and again to the venerable sonata-allegro form of Mozart and Beethoven? How could so gifted a symphonic storyteller be drawn to a framework that many have dismissed as antiquated and dramatically inert? Mahler's Symphonic Sonatas offers a striking new take on this old dilemma. Indeed, it poses these questions seriously for the first time. Rather than downplaying Mahler's sonata designs as distracting anachronisms or innocuous groundplans, author Seth Monahan argues that for much of his career, Mahler used the inner, goal-directed dynamics of sonata form as the basis for some of his most gripping symphonic stories. Laying bare the deeper narrative/processual grammar of Mahler's evolving sonata corpus, Monahan pays particular attention to its recycling of large-scale rhetorical devices and its consistent linkage of tonal plot and affect. He then sets forth an interpretive framework that combines the visionary insights of Theodor W. Adorno-whose Mahler writings are examined here lucidly and at length-with elements of Hepokoski and Darcy's renowned Sonata Theory. What emerges is a tensely dialectical image of Mahler's sonata forms, one that hears the genre's compulsion for tonal/rhetorical closure in full collision with the spontaneous narrative needs of the surrounding music and of the overarching symphonic totality. It is a practice that calls forth sonata form not as a rigid mold, but as a dynamic process-rich with historical resonances and subject to a vast range of complications, curtailments, and catastrophes. With its expert balance of riveting analytical narration and thoughtful methodological reflection, Mahler's Symphonic Sonatas promises to be a landmark text of Mahler reception, and one that will reward scholars and students of the late-Romantic symphony for years to come.
