Piano Sonata No. 2, Op. 36 PDF Download
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Author: Sergei Rachmaninoff
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.
Author: Sergei Rachmaninoff
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.
Author: Edvard Grieg
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
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Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Author: Randall Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779373
Category : Music
Languages : en
Pages : 88
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Book Description
(Faber Piano Adventures ). Consists of carefully selected repertoire from the Baroque, Classical, Romantic, and Modern periods. Contents: KRIEGER: Minuet in A minor * DUNCOMBE: Fanfare in C Major * LULLY: Minuet in D minor * ANNA MAGDALENA BACH NOTEBOOK: Musette in D Major * Minuet in G Major * Minuet in G minor (PETZOLD) * March in D Major (C.P.E. BACH) * J.C. BACH: Solfeggio in D Major * GOSSEC: Tambourin * HASLINGER: Sonatina in C Major * HAYDN: German Dance in D Major * Minuet in G Major * Allegro in F Major * CLEMENTI: Sonatina in C Major, Op. 36, No. 1 * DIABELLI: Sonatina in G Major, 1st Movement, Op. 168, No. 2 * Rondo for Four Hands, Op. 163, No. 6 * BEETHOVEN: Two German Dances * LEOPOLD MOZART: Allegro in A Major * GURLITT: A Little Flower * BURGMULLER: Arabesque, Op. 100, No. 2 * Ballade, Op. 100, No. 15 * Harmony of the Angels, Op. 100, No. 21 * SCHUMANN: Wild Rider, Op. 68, No. 8 * Melody, Op. 68, No. 1 * ELLMENREICH: Spinning Song, Op. 14, No. 4 * HELLER: Avalanche, Op. 45, No. 2 * REINECKE: Gavotte, Op. 183, No. 1 * REBIKOV: Chinese Figurine * Playing Soldiers, OP. 31, No. 4 * FABER: The Moons of Jupiter * MCKAY: Song of the Range Rider * Cowboy Song * JACOBY: Sonatina
Author: Sergei Rachmaninoff
Publisher: Alfred Music
ISBN: 9781457457616
Category : Music
Languages : en
Pages : 92
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Book Description
From an earlier Belwin Mills edition, this is Volume 5 of a series of the piano works of the great Russian-American composer. Included are Rachmaninoff's Opus 28 and Opus 36 Sonatas. The Opus 28, in D-minor, in three movements, was completed in 1907 and was introduced in Dresden, Germany. The Opus 36, in B-flat minor, also in three movements, was written and 1913 but was later revised by the composer.
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 48
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Book Description
Author: Carl Schachter
Publisher: Oxford University Press, USA
ISBN: 0195125908
Category : Electronic books
Languages : en
Pages : 303
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Book Description
Introduction: A Dialogue between Author and Editor I: Rhythm and Linear Analysis.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Department of Music Queens College and Graduate School Carl Schachter Distinguished University Professor Emeritus, City University of New York
Publisher: Oxford University Press, USA
ISBN: 019802908X
Category : Music
Languages : en
Pages : 306
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Book Description
Carl Schachter is, by common consent, one of the three or four most important music theorists currently at work in North America. He is the preeminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and now dominates discussions of the standard repertoire in university courses and in professional journals. His articles have appeared in a variety of journals, including some that are obscure or hard to obtain. This volume gathers some of his finest essays, including those on rhythm in tonal music, Schenkerian theory, and text setting, as well as a pair of analytical monographs, on Bach's Fugue in B-flat major from Volume 1 of the Well-Tempered Clavier and Chopin's Fantasy, Op. 49.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 91
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Book Description
Author: Ryan McClelland
Publisher: Routledge
ISBN: 1317172841
Category : Music
Languages : en
Pages : 337
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Book Description
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
