Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Luigi Gatti
Publisher:
ISBN:
Category : Sonatas (Violin and viola)
Languages : en
Pages : 38
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Book Description
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0197536840
Category : Music
Languages : en
Pages : 332
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Book Description
Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
Author: Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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Book Description
Author: Allen Sapp
Publisher: A-R Editions, Inc.
ISBN: 1987208870
Category : Music
Languages : en
Pages : 133
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Book Description
The five sonatas in this edition exhibit Allen Sapp’s characteristic expansive lyricism and depth of expression. Violin Sonata I was composed in 1942–43 while Sapp was studying with Nadia Boulanger and Aaron Copland. Following his service in Europe during World War II, he composed his Violin Sonata II and Viola Sonata in 1948. Klaus George Roy, in his review of a Boston performance by Joseph De Pasquale, called Sapp’s Viola Sonata “a work of beauty and immediate emotional appeal. There is a genuine lyric line and warmth of expression, carried by a real mastery of the polyphonic medium. . . . Who says the moderns can’t write a melody?” While these first three string sonatas were cast in a neoclassical style, Violin Sonatas III (1960) and IV (1981) are written with more chromatically complex harmonies and employ serial composition techniques, yet still exhibit a strong tonal orientation. Sapp considered Violin Sonata IV as the beginning of his late phase of composition, and possibly the most memorable of his works.
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643731
Category : Music
Languages : en
Pages : 924
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Book Description
This definitive volume, the second, largest, and most central in Newman's History of the Sonata Idea, covers the period from the first sample Italian sonatas using the new techniques of the Alberti bass about 1735 to the succession of masterpieces by Haydn, Mozart, and Beethoven which extended until about 1820. It is one of the few books to deal exclusively with the classical era in music. Originally published in 1963. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: R. Winston Morris
Publisher: Indiana University Press
ISBN: 0253112257
Category : Music
Languages : en
Pages : 688
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Book Description
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 9781457485381
Category : Music
Languages : en
Pages : 88
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Book Description
Expertly arranged Cello music with piano accompaniment by Antonio Vivaldi from the Kalmus Edition series. These Sonatas are from the Baroque era.
Author: Distinguished James McGill Professor Emeritus of Music Theory William E Caplin
Publisher: Oxford University Press
ISBN: 0197782167
Category : Music
Languages : en
Pages : 649
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Book Description
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
