Beethoven Sonata No. 5 in C Minor PDF Download
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Author: Ludwig Van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists
Author: Ludwig Van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643731
Category : Music
Languages : en
Pages : 924
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Book Description
This definitive volume, the second, largest, and most central in Newman's History of the Sonata Idea, covers the period from the first sample Italian sonatas using the new techniques of the Alberti bass about 1735 to the succession of masterpieces by Haydn, Mozart, and Beethoven which extended until about 1820. It is one of the few books to deal exclusively with the classical era in music. Originally published in 1963. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Alexander Scriabin
Publisher: Alfred Music
ISBN: 9781457486937
Category : Music
Languages : en
Pages : 64
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Book Description
Expertly arranged Piano Duet by Alexander Scriabin from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the 20th Century and Romantic eras. 2 copies are required for performance. All three movements are Federation Festivals 2016-2020 selections.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769297583
Category : Music
Languages : en
Pages : 0
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Book Description
A solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 20
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 254
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Book Description
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0197536832
Category : Music
Languages : en
Pages :
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Book Description
Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
